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▀█████▓▌ FORSAKEN Proudly Presents ▐▓█████▀
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▓█▀▄▄ Artist : PJ Harvey ▄▄▀█▓
▐▓▌▐█▌ Album : The Hope Six Demolition Project ▐█▌▓▌
▐▀▄██ Label : Island Records ██▄▀▌
▄███▌ Genre : Alternative ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2016-04-22 ██▀▄▌
▐▓▌▐█▌ Quality : 807 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 249.94 MB ███▓
▀ ▀█▌ Time : 41:39 min ▐█▀ ▀
▓▄███ Url : http://tinyurl.com/yaztzvrq ███▄▓
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▄██▀ ▀██▄
██▌ 1. The Community Of Hope 2:23 ▐██
██▌ 2. The Ministry Of Defence 4:11 ▐██
██▌ 3. A Line In The Sand 3:33 ▐██
██▌ 4. Chain Of Keys 3:09 ▐██
██▌ 5. River Anacostia 4:56 ▐██
██▌ 6. Near The Memorials To Vietnam And Lincoln 2:59 ▐██
██▌ 7. The Orange Monkey 2:47 ▐██
██▌ 8. Medicinals 2:19 ▐██
██▌ 9. The Ministry Of Social Affairs 4:10 ▐██
██▌ 10. The Wheel 5:38 ▐██
██▌ 11. Dollar, Dollar 5:34 ▐██
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▄███▌ ▐███▄
████ On 2011's Mercury Prize-winning Let England Shake, PJ Harvey ████
████ connected World War I bloodbaths with the 21st century world in ████
████ harrowing, moving ways. Its follow-up, The Hope Six Demolition ████
████ Project, feels like a companion piece with a wider focus and more ████
████ urgent mood. For this project -- which also includes the 2015 ████
████ book of poetry The Hollow of the Hand and a film -- Harvey and ████
████ her Shake collaborator, war photographer Seamus Murphy, ████
████ emphasized documentation: The pair spent years researching in ████
████ Kosovo, Afghanistan and Washington, D.C.; later, Harvey was ████
████ literally transparent about the recording process, making Hope ████
████ Six at a recording studio behind one-way glass for public ████
████ audiences at LondonÆs Somerset House. Befitting its origins, the ████
████ album's sound is blunt and raw, mixing rock, blues, jazz, ████
████ spirituals, and field recordings into the musical equivalent of ████
████ photojournalism. Indeed, The Hope Six Demolition Project often ████
████ resembles a collection of dispatches. "Near the Memorials to ████
████ Vietnam and Lincoln"'s title is as detached as a photograph's ████
████ cutline, while "The Ministry of Defence" offers a slide show of ████
████ images from Afghanistan spanning "fizzy drink cans, magazines," ████
████ jawbones, and syringes. However, the best moments echo Let ████
████ England Shake's emotional impact and immediacy, which made ████
████ listeners feel like they were in the trenches. Harvey delivers ████
████ more feeling than reporting when she juxtaposes fading ████
████ photographs of missing children with relentless brass and beats ████
████ on "The Wheel" or lets her lyrics pile on top of each other with ████
████ funereal inevitability on the weary "Chain of Keys." However, the ████
████ album's weak moments are almost as striking as its strengths. ████
████ "Medicinals"' portrayal of a Native American woman wearing a ████
████ Redskins cap and drinking alcohol ("a new painkiller for the ████
████ native people") while surrounded by weeds her ancestors knew were ████
████ healing plants, is more patronizing than poignant, while the way ████
████ "River Anacostia" borrows "Wade in the Water" feels heavy-handed. ████
████ Harvey is more nuanced when she comments on the limitations and ████
████ complications of reporting and correcting injustices. Though it ████
████ doesn't address all the aspects of the effects of gentrification ████
████ on Washington, DC's 7th ward -- a tall order for a two-and-a-half ████
████ minute rock song -- the ironic distance between "The Community of ████
████ Hope"'s rousing sound and its depiction of "shit-hole" schools ████
████ conveys some of the situation's complexity. An aid worker's ████
████ troubling uncertainty on "A Line in the Sand" ("We got things ████
████ wrong/But I believe we did some good") makes it one of The Hope ████
████ Six Demolition Project's most haunting moments, along with ████
████ "Dollar Dollar," a ghostly expression of Harvey's anguish when ████
████ her car pulls away before she can give money to a starving child. ████
████ Tellingly, it's the only song written from her own viewpoint, ████
████ suggesting that her commitment to her role as observer on The ████
████ Hope Six Demolition Project -- as well-intended as it is -- robs ████
████ it of her best work's potency. While it's just one piece of a ████
████ bigger work, on its own the album isn't as satisfying as its ████
████ predecessor. ████
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