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▓▄██ ██▄▓
▓█▀▄▄ Artist : Stan Getz, Joao Gilberto ▄▄▀█▓
▐▓▌▐█▌ Album : Getz/Gilberto '76 ▐█▌▓▌
▐▀▄██ Label : Resonance Records ██▄▀▌
▄███▌ Genre : Jazz ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2016-02-19 ██▀▄▌
▐▓▌▐█▌ Quality : 787 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 329.75 MB ███▓
▀ ▀█▌ Time : 54:46 min ▐█▀ ▀
▓▄███ Url : http://www.allmusic.com/album/release/getz-gilber ███▄▓
▐▓████▌ to-76-mr0004504097 ▐████▓▌
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▄██▀ ▀██▄
██▌ 1. Spoken Intro By Stan Getz 1:07 ▐██
██▌ 2. E Preciso Perdoar 5:49 ▐██
██▌ 3. Aguas de Marco 5:46 ▐██
██▌ 4. Retrato Em Branco E Preto 4:46 ▐██
██▌ 5. Samba De Minha Terra 3:19 ▐██
██▌ 6. Chega De Saudade 3:42 ▐██
██▌ 7. Rosa Morena 4:24 ▐██
██▌ 8. Eu Vim Da Bahia 4:10 ▐██
██▌ 9. Joao Marcelo 3:19 ▐██
██▌ 10. Doralice 3:46 ▐██
██▌ 11. Morena Boca De Ouro 3:33 ▐██
██▌ 12. Um Abraco No Bonfa 4:37 ▐██
██▌ 13. E Preciso Perdoar (Encore) 6:28 ▐██
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████ Having reunited for 1976's The Best of Two Worlds, saxophonist ████
████ Stan Getz and Brazilian singer/guitarist Joπo Gilberto celebrated ████
████ the album's release with a week of shows at San Francisco's ████
████ Keystone Corner. Marking over a decade since the pair had made ████
████ history with 1964's landmark Getz/Gilberto album, the shows, ████
████ which took place between May 11-16, 1976, would prove one of the ████
████ rare times they appeared live together. Resonance Records' 2016 ████
████ album, Getz/Gilberto '76 (and the separate release Moments in ████
████ Time), documents these shows via live recordings made by Keystone ████
████ Korner club owner Todd Barkan. Produced by Barkan and Resonance's ████
████ Zev Feldman, Getz/Gilberto '76 is a superb package featuring not ████
████ only some of Getz and Gilberto's best live performances of the ████
████ period, but also liner notes from Feldman, Barkan, and others, as ████
████ well as interviews with bandmembers like drummer Billy Hart and ████
████ pianist Joanne Brackeen. The '70s were a fruitful time for Getz, ████
████ a star of the cool jazz scene who had been playing professionally ████
████ since the '40s. While he achieved fame and wealth with his ████
████ innovative bossa nova albums during the '60s, he remained ████
████ creatively hungry as the years wore on, surrounding himself with ████
████ young, forward-thinking jazz musicians like Hart, Brackeen, and ████
████ bassist Clint Houston, who also appears here. Despite this ████
████ contemporary attitude, Getz and his band were more than amenable ████
████ to backing the enigmatic Gilberto, who appears here in a variety ████
████ of settings, from solo to duo to accompaniment by the full band. ████
████ What's particularly fascinating is hearing how the band adjusts ████
████ to Gilberto's distinctive and subtle phrasing, his steady guitar ████
████ pulse anchoring his delicate, fluid vocal melodies. While cuts ████
████ like "Chega de Saudade" and "Doralice" retain all the warmth and ████
████ beauty of the original 1964 recordings, at the Keystone Getz and ████
████ his band color them in surprising yet still thoughtful ways. The ████
████ result is an evening of organic, dreamlike splendor. ████
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