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▓█▀▄▄ Artist : VA ▄▄▀█▓
▐▓▌▐█▌ Album : God Don't Never Change: The Songs of Blind Willie ▐█▌▓▌
▐▀▄██ Label : Alligator Records ██▄▀▌
▄███▌ Genre : Blues ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2016-02-26 ██▀▄▌
▐▓▌▐█▌ Quality : 855 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 265.48 MB ███▓
▀ ▀█▌ Time : 41:13 min ▐█▀ ▀
▓▄███ Url : http://www.amazon.com/God-Dont-Never-Change-Johns ███▄▓
▐▓████▌ on/dp/B01AS5HSFQ/ ▐████▓▌
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▄██▀ ▀██▄
██▌ 1. Tom Waits - The Soul Of A Man 3:25 ▐██
██▌ 2. Lucinda Williams - It's Nobody's Fault But Mine 3:51 ▐██
██▌ 3. Susan Tedeschi - Keep Your Lamp Trimmed And Burning 3:08 ▐██
██▌ 4. Cowboy Junkies - Jesus Is Coming Soon 4:13 ▐██
██▌ 5. The Blind Boys Of Alabama - Mother's Children Have A Hard 4:38 ▐██
██▌ Time ▐██
██▌ 6. SinΘad O'connor - Trouble Will Soon Be Over 3:14 ▐██
██▌ 7. Rising Star Fife & Drum Band - Bye And Bye I'm Going To See 3:50 ▐██
██▌ The King ▐██
██▌ 8. Lucinda Williams - God Don't Never Change 4:20 ▐██
██▌ 9. Tom Waits - John The Revelator 2:47 ▐██
██▌ 10. Maria Mckee - Let Your Light Shine On Me 3:55 ▐██
██▌ 11. Rickie Lee Jones - Dark Was The Night, Cold Was The Ground 3:52 ▐██
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▄███▌ ▐███▄
████ God Don't Never Change: The Songs of Blind Willie Johnson almost ████
████ didn't happen. Though producer Jeffrey Gaskill assembled the ████
████ award-winning collection You Gotta Serve Somebody: The Gospel ████
████ Songs of Bob Dylan in 2002, the narrowing focus of the recording ████
████ industry made it necessary to undertake a Kickstarter campaign ████
████ for this set to become reality. (The crown jewels for top ████
████ contributors were ten cigar box guitars made from three boards ████
████ acquired from one of Johnson's residences.) Gaskill first heard ████
████ Johnson's haunting, knife-like slide guitar and moaning ████
████ gospel-blues in 2003, then made two investigative trips to Texas ████
████ to learn more. There wasn't much: Michael Corcoran's excellent ████
████ historical liner essay here admits that what we don't know about ████
████ Johnson "could sink the Titanic." The Blind Boys of Alabama, Tom ████
████ Waits, Lucinda Williams, Cowboy Junkies, Rickie Lee Jones, Luther ████
████ Dickinson (with Sharde Thomas, granddaughter of blues godfather ████
████ Othar Turner, and Amy LaVere), Susan Tedeschi and Derek Trucks, ████
████ Maria McKee, and Sinead O'Connor (with Relish). God Don't Never ████
████ Change is not necessarily about unique interpretations of ████
████ Johnson's work, but his influence on these specific artists. Of ████
████ Waits' two appearances, his reading of "The Soul of Man" is most ████
████ effective, backed by Kathleen Brennan and son Casey. Williams ████
████ (who issued two acoustic blues-inspired records on Folkways ████
████ before her Rough Trade date in 1984) delivers the title cut and ████
████ the oft-covered "Nobody's Fault But Mine" convincingly with her ████
████ own band. The Cowboy Junkies sample Johnson's own growl on their ████
████ spooky, melodic read of "Jesus Is Coming Soon." His ghost not ████
████ only introduces the cut but duets with Margo Timmons on the ████
████ refrain. The Blind Boys' take on "Motherless Children Have a Hard ████
████ Time" remains true to their iconic gospel sound, but Jason ████
████ Isbell's slide adds poignancy to that sweetness. Tedeschi, ████
████ Trucks, and Mike Mattison on backing vocals offer a gutbucket ████
████ "Keep Your Lamps Trimmed and Burning." Tedeschi displays ample ████
████ evidence of Johnson's influence as a singer as well as guitarist. ████
████ SinΘad O'Connor and Relish offer an emotionally resonant, Celtic ████
████ take on the Delta gospel-blues that rocks with "Trouble Will Soon ████
████ Be Over." Maria McKee does a revivalist's read of "Let Your Light ████
████ Shine on Me," and plays everything herself. Jones restores the ████
████ searing lyrics that the 1792 hymn "Dark Was the Night, Cold Was ████
████ the Ground" was based on. Accompanied only by her guitar and Lee ████
████ Thornburg's dubbed New Orleans-style funeral brass, her version ████
████ is thoughtful rather than raucous, but remains raw and immediate. ████
████ Most of the artists here are caucasians interpreting an ████
████ African-American artist. That's not an oversight. When Gaskill ████
████ produced the Dylan tribute, the only white performer was the man ████
████ himself, dueting with Mavis Staples. This is the mirror image of ████
████ that recording: like its predecessor, God Don't Never Change ████
████ reflects the enduring, mercurial influence of the artist, but ████
████ also the weight the Christian gospel imposes on questions of the ████
████ human condition as it encounters suffering, joy, mercy, ████
████ loneliness, death, and resurrection. ████
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