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▌────── Release Info ───────────────── ▐▌ ──────────────── ▌ ──────── ▐
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Originally released : 08-24-1999
Release date : 03-29-2004
Album name : Stigmata
Artist : OST
Ripped by : Elix 29
Genre : Soundtrack
Label : Virgin
Encoding Software : Lame EOS
Quality : --alt-preset standard
Tracks : 18
Size of Files : 97,10 MB
─ Track list ───────────────────────────────────────── ─── ─ ─
01 04:19 Chumbawamba - Mary Mary (Stigmatic Mix)
02 05:13 Remy Zero - Gramarye
03 04:48 Bjork - All Is Full Of Love
04 04:46 David Bowie - The Pretty Things Are Going To Hell
05 04:14 Afro Celt Sound System Feat. Sinead O'Connor - Release (Edit)
06 05:32 Massive Attack - Inertia Creeps
07 04:48 Natalie Imbruglia - Identify
08 03:16 Billy Corgan & Mike Garson - Identify (Dust) / 1,000,000 Voices
09 03:18 Billy Corgan & Mike Garson - Pop Pop / Await / Reflect (Pretty)
10 03:04 Billy Corgan & Mike Garson - Reflect (Clouds) / Truth
11 04:21 Billy Corgan & Mike Garson - Of Square Waves / Random Thought
12 02:51 Billy Corgan & Mike Garson - Reflection / Possession
13 02:13 Billy Corgan & Mike Garson - Reflect (Gray) / Of Sine Waves
14 04:31 Billy Corgan, Royal Berlin Knife & Phorchestra - Distrbnce (After Sckhausen) / Reflect (Pause) / Orah
15 03:56 Billy Corgan & Mike Garson - Sustain / Identify (Affectation)
16 03:03 Billy Corgan & Mike Garson - All Answers Revealed / Reflect (Devotion)
17 06:00 Billy Corgan & Mike Garson - Purge / 10,000,000 Voices / Reflect (Purity) / Identify (Peace)
18 03:51 Billy Corgan & Mike Garson - Reflect (Time) / Tree Whispers
Total time: 74:04 min
─ Release notes ─────────────────────────────────────── ─── ─ ─
It's too bad that the soundtrack for the much-delayed
supernatural religious horror film Stigmata opens with
an industrial-metal remix of Chumbawamba's "Mary Mary,"
since it gives the misleading impression that the
record will be a dark, gloomy noise-fest. Well, the
album may be dark and gloomy, but it's not always noisy
-- at it's best, it's eerily evocative. And it's at its
best on the second half of the album, which is devoted
to Billy Corgan and Mike Garson's rich, disquieting
score. This is mood music of the highest order,
seamlessly flowing between orchestral moments,
electronic soundscapes, dissonance, and light. It's
unfortunate that the entire album wasn't entirely
instrumental, since it would have been a more
satisfying listen. That's not to say that the first
half of the album is terrible -- there's quite a few
good songs there, actually, highlighted by Bjork's "All
is Full of Love" (from Homogenic), Afro Celt Sound
System & Sinead O'Connor's "Release," and the
Corgan-Garson written/Natalie Imbruglia sung
"Identify." ("The Pretty Things are Going to Hell," a
sneak preview of David Bowie's upcoming hours..., is an
embarrassing excursion into post-NIN industrial-metal
schlock, and the only truly weak selection on the
record.) However, it doesn't fit with the second half,
which feels more like the film and is a more satisfying
listen on its own terms. - Stephen Thomas Erlewine
─ Contact ───────────────────────────────────────────── ─── ─ ─
Remember, if you like the album, support these artists and buy it.
That way, it keeps both them in business and keeps the RIAA
from bitching.
Contact us @ : #eos (efnet)
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▀▀▀▀▀▀ ▀ RIPPING AT ITS FINEST -- ECONOMY OF SOUND ▀ ▀▀▀▀▀▀