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▌────── Release Info ───────────────── ▐▌ ──────────────── ▌ ──────── ▐
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Originally released : 09-02-2003
Release date : 02-19-2004
Album name : It Was High Time To Escape
Artist : 31knots
Ripped by : Velvet Kevorkian
Genre : Rock
Label : 54-40 or Fight
Encoding Software : Lame EOS
Quality : --alt-preset standard
Tracks : 10
Size of Files : 49,8 MB
─ Track list ───────────────────────────────────────── ─── ─ ─
01 01:46 A Half Life In Two Movements
02 04:10 Darling, I
03 04:15 The Gospel According To Efficiency
04 02:54 No Sound
05 05:53 We Still Have Legs
06 03:47 Without Wine
07 04:57 That Which Has No Name
08 04:08 At Peace
09 03:59 Played Out For Punchlines
10 04:17 Matters From Ashes
Total time: 40:06 min
─ Release notes ─────────────────────────────────────── ─── ─ ─
Portland, Oregon's 31Knots unveiled their third
full-length album in 2003 with the release of the
ten-song It Was High Time to Escape on Michigan's 54 40
or Fight Records. Leading the Northwest wave of
prog-pop bands, 31Knots continued to impressive with
the kind of precise guitar chords and steady rhythms
found on the opening track, "A Half Life in Two
Movements." That song seamlessly gives way to the
frazzled and charming "Darling, I," which offers a
staggeringly restrained sound that seems ready to blow
up at any moment, yet doesn't. Joe Haege leads the way
on guitar and vocals, while bassist Jay Winebrenner and
drummers Joe Kelly and Jay Pellicci combine to form one
of the more irreverent rhythm sections in indie rock.
Kelly left the band soon after the recording of four of
the album's songs in 2002 and was replaced by Pellicci,
who took over drumming duties for the March 2003
sessions, which completed the disc. Haege is center
stage throughout, setting up the disc's highlight reel
with unconventional guitar chords, unwaveringly fiery
vocals, and continuously challenging lyrics on songs
like "No Sound," "We Still Have Legs," and "At Peace."
"Without Wine" slows down the album's pace with a
reflective acoustic bass dancing with Haege's narrative
metaphors. A mesmerizing bass line leads into the
entrancing "Played out for Punchlines," while the
unsettling "Matters from Ashes" mixes tender tones and
vocals with a disconcerting electronic backdrop.
Pushing the envelope of the math rock sound throughout,
the band's brash post-hardcore impresses most of all
because if its seeming lack of obvious influences.
Taking cues from a large pool of bands on It Was High
Time to Escape, 31Knots paints a sound with a wide
brush and an array of colors.
─ Contact ───────────────────────────────────────────── ─── ─ ─
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▀▀▀▀▀▀ ▀ RIPPING AT ITS FINEST -- ECONOMY OF SOUND ▀ ▀▀▀▀▀▀