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▌────── Release Info ───────────────── ▐▌ ──────────────── ▌ ──────── ▐
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Originally released : 02-10-1997
Release date : 07-08-2003
Album name : Blur
Artist : Blur
Ripped by : narayan`
Genre : Rock
Label : Food/Virgin
Encoding Software : Lame EOS
Quality : --alt-preset standard
Tracks : 14
Size of Files : 81,9 MB
─ Track list ───────────────────────────────────────── ─── ─ ─
01 05:05 Beetlebum
02 02:01 Song 2
03 04:50 Country Sad Ballad Man
04 03:27 M.O.R.
05 04:26 On Your Own
06 03:37 Theme From Retro
07 03:36 You're So Great
08 04:34 Death Of A Party
09 01:25 Chinese Bombs
10 04:12 I'm Just A Killer For Your Love
11 03:50 Look Inside America
12 04:02 Strange News From Another Star
13 03:45 Movin On
14 11:24 Essex Dogs
Total time: 60:14 min
─ Release notes ─────────────────────────────────────── ─── ─ ─
The Great Escape, for all of its many virtues, painted
Blur into a corner and there was only one way out ù to
abandon the Brit-pop that they had instigated by
bringing the weird strands that always floated through
their music to the surface. Blur may superficially
appear to be a break from tradition, but it is a
logical progression, highlighting the band's rich
eclecticism and sense of songcraft. Certainly, they are
trying for new sonic territory, bringing in shards of
white noise, gurgling electronics, raw guitars, and
druggy psychedelia, but these are just extensions of
previously hidden elements of Blur's music. What makes
it exceptional is how hard the band tries to reinvent
themselves within their own framework, and the level of
which they succeed. "Beetlebum" runs through the White
Album in the space of five minutes; "M.O.R."
reinterprets Berlin-era Bowie; "You're So Great,"
despite the corny title, is affecting lo-fi from Graham
Coxon; "Country Sad Ballad Man" is bizarrely affecting,
strangled lo-fi psychedelia; "Death of a Party" is an
affecting resignation; "On Your Own" is an incredible
slice of singalong pop spiked with winding, fluid
guitar and synth eruptions; while "Look Inside America"
cleverly subverts the traditional Blur song, complete
with strings. And "Essex Dogs" is a six-minute slab of
free verse and rattling guitar noise. Blur might be
self-consciously eclectic, but Blur is at their best
when they are trying to live up to their own
pretensions, because Damon Albarn's exceptional sense
of songcraft and the band's knack for detailed
arrangements that flesh out the song to its fullest.
There might be dark overtones to the record, but the
band sounds positively joyous, not only in making noise
but wreaking havoc with the expectations of their
audience and critics.
-- Stephen Thomas Erlewine (allmusic.com)
─ Contact ───────────────────────────────────────────── ─── ─ ─
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