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▌────── Release Info ───────────────── ▐▌ ──────────────── ▌ ──────── ▐
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Originally released : 10-07-2003
Release date : 12-29-2003
Album name : Transatlanticism
Artist : Death Cab For Cutie
Ripped by : Velvet Kevorkian
Genre : Rock
Label : Grand Hotel Van Cleef
Encoding Software : Lame EOS
Quality : --alt-preset standard
Tracks : 11
Size of Files : 61,1 MB
─ Track list ───────────────────────────────────────── ─── ─ ─
01 04:06 The New Year
02 03:30 Lightness
03 03:39 Title And Registration
04 04:11 Expo '86
05 02:13 The Sound Of Settling
06 04:22 Tiny Vessels
07 07:55 Transatlanticism
08 03:42 Passenger Seat
09 02:57 Death Of An Interior Decorator
10 05:33 We Looked Like Giants
11 03:36 A Lack Of Color
Total time: 45:44 min
─ Release notes ─────────────────────────────────────── ─── ─ ─
As musical lunacy goes, things have gotten as crazy as
it gets for Death Cab for Cutie since 2002's You Can
Play These Songs With Chords compilation. A wildly
successful tour with Dismemberment Plan, a
collaboration for singer Ben Gibbard with
emo-electronic guru Dntel under the Postal Service
moniker, and a whole new legion of fans swooning to
Gibbard's lyrics as if he were a modern day answer to
Kiss Me-era Robert Smith have all amassed considerable
hype around Transatlanticism. But the group proves
themselves more than equal to the task, answering the
call and proving the cynics wrong with their most
focused and most mature work in their entire catalog.
Transatlanticism wastes absolutely no time and dives in
head first with "The New Year," one of the most
melodramatic openings to an album since the Smashing
Pumpkins' "Tonight, Tonight" from Mellon Collie and the
Infinite Sadness. The mellow, mixed-meter percussion
and dense atmosphere of "Lightness" is a brilliant lead
into the pop-happy "Expo '86" and "The Sound of
Settling" before setting up the climatic and intensely
dramatic title track. Unconsciously taking a page from
Blur's "Sing," the hypnotic drumming and guitar call
and responses through the eight-minute climax of the
album are backed with a singalong finale that
unquestionably will have every audience on the next
tour singing along and holding up their lighters. And
while most albums would be left exhausted after such a
track, the group keeps things moving, albeit at a much
slower pace than compared to the anthems that packed
the first half. Gibbard seamlessly makes the transition
between songs that full out rock to songs that are
comparable to Elliott Smith's finest hour with great
ease. But it's Gibbard's poetic lyrics and signature
introspection that remain a bench mark for Death Cab;
and it's the group's maturity as musicians as well as
songwriters that make Transatlanticism such a
decadently good listen from start to finish. The band
has never sounded more cohesive, the track sequencing
is brilliant, and it caps off a triumphant year for not
only Gibbard, but a band whose time and greater
recognition is finally due.
─ Contact ───────────────────────────────────────────── ─── ─ ─
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▀▀▀▀▀▀ ▀ RIPPING AT ITS FINEST -- ECONOMY OF SOUND ▀ ▀▀▀▀▀▀