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▀█████▓▌ FORSAKEN Proudly Presents ▐▓█████▀
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▓█▀▄▄ Artist : Allen Toussaint ▄▄▀█▓
▐▓▌▐█▌ Album : American Tunes ▐█▌▓▌
▐▀▄██ Label : Nonesuch Records ██▄▀▌
▄███▌ Genre : Jazz ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2016-06-10 ██▀▄▌
▐▓▌▐█▌ Quality : 668 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 263.22 MB ███▓
▀ ▀█▌ Time : 51:25 min ▐█▀ ▀
▓▄███ Url : http://tinyurl.com/y7wedh3p ███▄▓
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▄██▀ ▀██▄
██▌ 1. Delores' Boyfriend 3:34 ▐██
██▌ 2. Viper's Drag 3:17 ▐██
██▌ 3. Confessin' (That I Love You) 2:52 ▐██
██▌ 4. Mardi Gras In New Orleans 3:14 ▐██
██▌ 5. Lotus Blossom 4:20 ▐██
██▌ 6. Waltz For Debby 3:17 ▐██
██▌ 7. Big Chief 2:14 ▐██
██▌ 8. Rocks In My Bed 4:40 ▐██
██▌ 9. Danza, Op. 33 3:26 ▐██
██▌ 10. Hey Little Girl 2:38 ▐██
██▌ 11. Rosetta 4:10 ▐██
██▌ 12. Come Sunday 5:12 ▐██
██▌ 13. Southern Nights 3:32 ▐██
██▌ 14. American Tune 4:59 ▐██
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████ So busy was Allen Toussaint in the wake of his late-2000s ████
████ revival, he didn't wind up entering a recording studio to begin ████
████ work on a sequel to his 2009 jazz album, The Bright Mississippi, ████
████ until 2013 (2013's Songbook consisted of live recordings from ████
████ 2009). A few solo sessions happened that year, followed by a ████
████ round with a band and guests in October 2015 and then he died a ████
████ few weeks later, passing away in Madrid, Spain while on tour. ████
████ Producer Joe Henry, who helmed The Bright Mississippi, pulled ████
████ together American Tunes for a posthumous release in the summer of ████
████ 2016. Tonally, American Tunes isn't much different from its ████
████ predecessor, yet its elegiac elegance doesn't come from a place ████
████ of despair: it's a wistful look back at his past and home. Where ████
████ The Bright Mississippi focused firmly on jazz standards, American ████
████ Tunes positions these prewar standards as just part of the ████
████ fabric. Toussaint touches upon Big Easy standards, spinning ████
████ "Mardis Gras in New Orleans" and "Big Chief" in a way that ████
████ emphasizes their lyricism instead of rhythm, thereby drawing ████
████ connections with the Bill Evans, classical, and Duke Ellington ████
████ covers heard elsewhere on the record. Sometimes, the guests ████
████ assert themselves -- Rhiannon Giddens commands attention when she ████
████ sings Ellington -- but the presence of Charles Lloyd and Van Dyke ████
████ Parks underscores the generous collaborative spirit within ████
████ Toussaint's music; even when he's heard alone here, he's playing ████
████ with and commenting upon tradition. American Tunes concludes with ████
████ Toussaint singing two modern pop standards: "Southern Nights," an ████
████ original of his popularized by Glen Campbell, and Paul Simon's ████
████ "American Tune." Both function as revealing footnotes to the ████
████ gorgeous instrumentals, underscoring his contribution to American ████
████ popular song and how he found his own voice in the work of ████
████ others. He was an American original, and American Tunes functions ████
████ as a lovely coda to a legendary career. ████
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