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▀█████▓▌ FORSAKEN Proudly Presents ▐▓█████▀
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▓▄██ ██▄▓
▓█▀▄▄ Artist : Bonnie "Prince" Billy ▄▄▀█▓
▐▓▌▐█▌ Album : Best Troubador ▐█▌▓▌
▐▀▄██ Label : Drag City Records ██▄▀▌
▄███▌ Genre : Rock ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2017-05-05 ██▀▄▌
▐▓▌▐█▌ Quality : 624 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 267.15 MB ███▓
▀ ▀█▌ Time : 56:03 min ▐█▀ ▀
▓▄███ Url : http://tinyurl.com/yc9xftzs ███▄▓
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▄██▀ ▀██▄
██▌ 1. The Fugitive 3:31 ▐██
██▌ 2. I'm Always On A Mountain When I Fall 2:45 ▐██
██▌ 3. The Day The Rains Came 3:12 ▐██
██▌ 4. Haggard (Like I've Never Been Before) 3:46 ▐██
██▌ 5. I Always Get Lucky With You 3:47 ▐██
██▌ 6. Leonard 3:13 ▐██
██▌ 7. My Old Pal 3:42 ▐██
██▌ 8. Roses In The Winter 3:58 ▐██
██▌ 9. Some of Us Fly 5:05 ▐██
██▌ 10. Wouldn't That Be Something 3:27 ▐██
██▌ 11. Pray 3:16 ▐██
██▌ 12. That's The Way Love Goes 3:04 ▐██
██▌ 13. Nobody's Darling 4:05 ▐██
██▌ 14. What I Hate (Excerpt) 0:20 ▐██
██▌ 15. I Am What I Am 4:16 ▐██
██▌ 16. If I Could Only Fly 4:36 ▐██
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████ Will Oldham is a superior songwriter and vocalist when he wants ████
████ to be, but there's just enough of a willful persona to his work ████
████ as Bonnie "Prince" Billy and within the Palace rubric that it's ████
████ hard to tell when he's being serious and when he's pulling his ████
████ audience's collective leg, even when his work is good. One of the ████
████ things that makes Best Troubador something truly special is that, ████
████ more than nearly all of Oldham's work to date, he's playing ████
████ straight throughout, and for a good reason. The misspelled but ████
████ sincere honorific of the title refers to Merle Haggard; according ████
████ to the liner notes, this album was in the works before Hag's ████
████ death in April 2016, but when the great man passed, Oldham and ████
████ his collaborators refashioned it into a tribute album devoted to ████
████ songs Haggard wrote or sang. Most of the album was recorded and ████
████ mixed live, with flute and sax added to the arrangements along ████
████ with the more traditional guitars, fiddles, and banjos, and the ████
████ overall effect is certainly idiosyncratic, as one might expect ████
████ from Oldham; this sounds like a slightly buzzed guitar pull as ████
████ often as it sounds like a fully focused recording session. But if ████
████ the tone of these performances is laid-back, they're also sincere ████
████ and committed, and as a vocalist BPB has rarely been better. As a ████
████ songwriter, Oldham clearly appreciates the craft of Haggard's ████
████ songwriting, as well as the honest emotional pull of these tunes, ████
████ and he sings them with a genuine measure of respect and love. And ████
████ the grainy drawl of Oldham's voice was made to order for these ████
████ stories of the ups and downs of life and love, and it's all but ████
████ impossible not to be moved by this craggy sincerity and the ████
████ genuine soul of this music. There are more deep cuts than ████
████ familiar hits on Best Troubador, but that's another part of what ████
████ makes this album so pleasurable; this is a deep dive into ████
████ Haggard's body of work as seen through the eyes of Bonnie ████
████ "Prince" Billy, and Oldham and his crew deliver plenty of ████
████ reminders why Hag was one of the greatest songwriters of his ████
████ generation. In his liner notes, Oldham writes, "Hag won't make ████
████ more music, but the music he made is deep and rich and complex ████
████ and forever yielding." Best Troubador does a splendid job of ████
████ showing how right he is about Haggard and his songs, and you'd ████
████ have to go back to 1994's splendid multi-artist disc Tulare Dust ████
████ to hear as sincere and affecting a tribute to this most American ████
████ of artists. ████
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