______ _______ _____ _____ ______ ___ _
| \/ \ |\ \ _____ |\ \ |\ \ ___|\ \
/ /\ \ | | | / /| \\ \| \ \ | |\ \
/ /\ / /\ | \/ / | || \| \ \ || | | |
/ /\ \_/ / / /| / /_ \ \/ | \ | || | | |
| | \|_|/ / / || // \ \ \ | \ | || | | |
| | | | || |/ \ | | | |\ \| || | | |
|\____\ |____| /|\ ___/\ \| /| |____||\_____/||____|/____/|
| | | | | / | | | \______/ | | |/ \| ||| / | |
\|____| |____|/ \|___|/\ | | | |____| |___|/|____|____|/
\( )/ \( \|____|/ \( )/ \( )/
' ' ' )/ ' ' ' '
'
m e t a l w i l l n e v e r d i e
p r e s e n t s
Gravetemple-Impassable Fears
_i_n_f_o_r_m_a_t_i_o_n__________________________________________________
Artist : Gravetemple
Album : Impassable Fears
Label : Svart Records
Year : 2017
Genre : Metal Source : CDDA
Encoder : FLAC 1.3.1 Bitrate : 765 kbps
Playtime : 34:58 Size : 209.52 MB
_t_r_a_c_k_l_i_s_t_______________________________________________________
01 A szarka (The Magpie) 07:06
02 Elavult foldbolygo (World Out of Date) 10:28
03 A karma karmai (Karma's Claws) 01:31
04 Domino 02:25
05 Athatolhatatlan felelmek (Impassable Fears) 09:31
06 Az orok vegtelen uresseg (Eternal Endless Void) 03:57
_n_o_t_e_s______________________________________________________________
"Guitarist Stephen O'Malley conjures distorted chords, controlled by a
bank of effects pedals; vocalist Attila Csihar, famous for his time as
singer for notorious and controversial black metal band Mayhem,
ritualistically intones invented syllables that echo monastic chants;
experimental musician Oren Ambarchi extracts strange sounds from his own
looped guitar before moving to a drumkit to propel a scattered, urgent
rhythm. Momentum overtaking him, a drumstick slips from Ambarchi's hand,
he breaks free of the drum kit, grabs for a beater, turns, and smashes
the gong at the centre of the stage. For two long seconds the all-
encompassing rumble that has amassed throughout the performance drones
on with a kind of relentless inertia, still without a sonic
acknowledgement of the visual climax.
Finally, the pulsating wave from the heavily amplified gong reverberates
through the corporate body of the audience, felt in physical vibration
more than heard as sound. The musicians leave the stage, their abandoned
instruments still expelling squalling sounds which gradually begin to
dissipate. Listeners breathe out, perhaps open their eyes, raise their
heads, shift their feet and awaken enough to clap and shout
appreciation, before turning to friends or strangers, reaching for
phrases and gestures, often in a vocabulary of ritual, mysticism and
transcendence, which might become touchstones for recollection and
communication of their individual and shared experience."
https://www.svartrecords.com/artist/gravetemple/
_mwnd___________________________2_0_1_6____________________________mwnd_