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▀█████▓▌ FORSAKEN Proudly Presents ▐▓█████▀
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▓█▀▄▄ Artist : Dreamcar ▄▄▀█▓
▐▓▌▐█▌ Album : Dreamcar ▐█▌▓▌
▐▀▄██ Label : Columbia Records ██▄▀▌
▄███▌ Genre : Rock ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2017-05-12 ██▀▄▌
▐▓▌▐█▌ Quality : 988 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 303.18 MB ███▓
▀ ▀█▌ Time : 40:50 min ▐█▀ ▀
▓▄███ Url : http://tinyurl.com/y8ebxz5n ███▄▓
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▄██▀ ▀██▄
██▌ 1. After I Confessed 3:30 ▐██
██▌ 2. Kill For Candy 2:54 ▐██
██▌ 3. Born To Lie 3:50 ▐██
██▌ 4. On The Charts 2:48 ▐██
██▌ 5. All of The Dead Girls 3:31 ▐██
██▌ 6. Ever Lonely 3:31 ▐██
██▌ 7. The Assailant 2:33 ▐██
██▌ 8. The Preferred 3:39 ▐██
██▌ 9. Slip On The Moon 4:00 ▐██
██▌ 10. Don't Let Me Love 3:12 ▐██
██▌ 11. Do Nothing 3:37 ▐██
██▌ 12. Show Me Mercy 3:45 ▐██
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████ Seeming to spring out of nowhere, DREAMCAR is a collaboration ████
████ between AFI lead singer Davey Havok and No Doubt members ████
████ guitarist Tom Dumont, bassist Tony Kanal, and drummer Adrian ████
████ Young. The story goes that, looking to try something else outside ████
████ of No Doubt (with singer Gwen Stefani occupied with solo work and ████
████ her duties as a judge on The Voice), Kanal invited longtime ████
████ acquaintance Havok to work on new material. Crafted in secrecy ████
████ over roughly a two-year period with producer Tim Pagnotta (Neon ████
████ Trees, Walk the Moon), DREAMCAR's eponymous 2017 debut is a ████
████ vibrant, new wave-tinged effort that brings to mind the effusive, ████
████ neon-toned dance-rock of iconic '80s bands like Duran Duran, the ████
████ Cure, and Adam and the Ants. The album also solidifies Havok's ████
████ place as one of the busiest rock stars in the business, having ████
████ already spent much of the year promoting AFI's tenth studio album ████
████ and counting DREAMCAR as his fourth active ensemble next to Blaqk ████
████ Audio and XTRMST. Thankfully, while the album certainly fits ████
████ nicely alongside No Doubt's own new wave-inflected tracks like ████
████ "Simple Kind of Life" and their definitive cover of Talk Talk's ████
████ "It's My Life," it works on its own terms. These are urgent songs ████
████ fearlessly led by Havok's burnished croon and framed throughout ████
████ by the fluorescent hum and jangle of Dumont's guitars, Kanal's ████
████ propulsive basslines, and Young's crisply kinetic drums. Dumont ████
████ and Kanal also share keyboard duties, deftly layering majestic ████
████ swaths of synths in just the right places. Cuts like the driving ████
████ "Kill for Candy" and the Burundi beat-accented "All the Dead ████
████ Girls" are hooky, infectious anthems more than worthy of building ████
████ a whole album around. Elsewhere, the band dive into the sparkly, ████
████ synth-funk froth of "On the Charts," and bring to mind the moody ████
████ keyboard hues of Depeche Mode on "Born to Lie." As a frontman, ████
████ Havok has always evinced the flamboyant lyrical swoon of '80s ████
████ icons like David Bowie and Morrissey, albeit with his own ████
████ distinctly sharp-witted, punk-informed energy, and DREAMCAR ████
████ affords him plenty of room to swoon. Along with his vocal ████
████ prowess, his knack for cheeky, literate lyrics also works well ████
████ within the Day-Glo, climate-controlled atmosphere of DREAMCAR. On ████
████ the yearning, Cars-esque "Don't Let Me Love" he sings, "You wore ████
████ a white dress as you embraced a Strasberg method on trying days." ████
████ Similarly, on dusky, disco-flavored "The Preferred," he coos, ████
████ "Catwalked the world from sea to sea, but god those shoes are ████
████ killing me." Ultimately, while DREAMCAR's debut surely exists as ████
████ a byproduct of No Doubt and Havok's various successes, the album ████
████ stands on its own, magnified by each bandmember's most ████
████ charismatic elements. ████
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