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▀█████▓▌ FORSAKEN Proudly Presents ▐▓█████▀
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▓█▀▄▄ Artist : Bash & Pop ▄▄▀█▓
▐▓▌▐█▌ Album : Anything Could Happen ▐█▌▓▌
▐▀▄██ Label : Fat Possum Records ██▄▀▌
▄███▌ Genre : Rock ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2017-01-20 ██▀▄▌
▐▓▌▐█▌ Quality : 942 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 285.07 MB ███▓
▀ ▀█▌ Time : 40:13 min ▐█▀ ▀
▓▄███ Url : http://tinyurl.com/y9a8yrea ███▄▓
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▄██▀ ▀██▄
██▌ 1. Not This Time 2:34 ▐██
██▌ 2. On The Rocks 4:23 ▐██
██▌ 3. Anything Could Happen 3:32 ▐██
██▌ 4. Breathing Room 3:28 ▐██
██▌ 5. Anybody Else 3:19 ▐██
██▌ 6. Can't Be Bothered 2:51 ▐██
██▌ 7. Bad News 3:32 ▐██
██▌ 8. Never Wanted To Know 3:22 ▐██
██▌ 9. Anytime Soon 4:06 ▐██
██▌ 10. Unfuck You 2:33 ▐██
██▌ 11. Jesus Loves You 3:08 ▐██
██▌ 12. Shortcut 3:25 ▐██
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████ When Tommy Stinson and Paul Westerberg reunited the Replacements ████
████ for a concert tour in 2013, plenty of fans were hoping against ████
████ hope that the new edition of the band would grace the world with ████
████ a new album. That didn't happen, but maybe it's just as well. In ████
████ the wake of the 'Mats' reunion hitting the ditch in 2015, ████
████ Westerberg released one of his spunkiest rock & roll records in ████
████ years, 2016's Wild Stab, in collaboration with Juliana Hatfield ████
████ under the name the I Don't Cares. And Stinson has followed suit, ████
████ reviving Bash & Pop, the short-lived but well-loved band he ████
████ formed after the Replacements' original 1991 implosion. Outside ████
████ of Stinson, no one who played on Bash & Pop's 1993 album, Friday ████
████ Night Is Killing Me, appears on 2017's Anything Could Happen, but ████
████ the two records share a very similar sound and feel. Stinson has ████
████ said that he wanted the return of Bash & Pop to sound like a band ████
████ with a good vibe playing live in the studio, and that's exactly ████
████ what Anything Could Happen delivers. For these sessions, Stinson ████
████ was joined by his core accompanists (Steve Selvidge on guitar and ████
████ vocals, Justin Perkins on guitar and vocals, Tony Kieraldo on ████
████ keyboards and vocals, and Joe Sirois on drums), with a few other ████
████ players making guest appearances (including Luther Dickinson and ████
████ Chip Roberts), and here the pieces fall together just right. The ████
████ performances on Anything Could Happen have the sort of ████
████ loose-limbed drive that the Faces made their trademark (and the ████
████ Replacements strove to emulate), especially when Kieraldo attacks ████
████ his electric piano with loving enthusiasm. Stinson performs with ████
████ a perfect fusion of street-kid cockiness, regular-guy smirk, and ████
████ occasional flashes on heart-on-sleeve philosophizing, and married ████
████ to these rough-and-ready tunes, smart but never cocky about it, ████
████ the effect is magic. Though Stinson is rarely as perceptive as ████
████ Westerberg in his songwriting, here Tommy still sounds engaged ████
████ with rock & roll in a way his former bandmate can't always muster ████
████ these days, and he strikes a more satisfying balance between ████
████ middle-aged responsibility and arrested-adolescent swagger. We'll ████
████ probably never get that Replacements reunion album, but like ████
████ Westerberg's Wild Stab, Anything Could Happen effectively ████
████ channels the best of what Tommy Stinson brought to the ████
████ Replacements, and this unexpected Bash & Pop "reunion" has made ████
████ an album just about as good -- and every bit as much fun -- as ████
████ their minor classic from the '90s. ████
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