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a r t i s t : Christian Fennesz-Ryuichi Sakamoto
t i t l e : Sala Santa Cecilia
d a t e : 2005
l a b e l : Touch (TONE 22)
g e n r e : Electronic
r l s. d a t e : June/2005
t r a c k s : 01
b i t r a t e : VBRkbps
s i z e : 29,7 MB
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A 19 minute overture recorded by Claudia Engelhart at the
Auditorium della Parco Musica, for the Romaeuropa Festival, 28
November 2004
This release features a laptop duet between Christian Fennesz
and Ryuichi Sakamoto at the start of their performance at Sala
Santa Cecilia, Rome on 28th November 2004 - an introduction to
a new collaboration between two highly regarded composers.
Ryuichi Sakamoto: Award-winning composer and musician Ryuichi
Sakamoto has made a career of crossing musical and
technological boundaries. Sakamoto has experimented with, and
excelled in, many different musical styles, making a name for
himself in popular, orchestral and film music. Never one to be
satisfied with the status quo, Sakamoto continues to push the
envelope of his artistry, marrying genres, styles and
technologies for the first time to create new and exciting
directions in musical expression. Sakamoto's best-known work is
probably the soundtrack of Merry Christmas, Mr. Lawrence, which
won him the Anthony Asquith Award for Film Music from the
British Academy of Film and Television Arts (BAFTA). His
subsequent score for Bernardo Bertolucci's 1987 film The Last
Emperor won him an Oscar, a Grammy and a Golden Globe, as well
as the Los Angeles Film Critics Association award and a BAFTA
nomination for Best Original Score. In 1978, Sakamoto released
his first solo album and formed Yellow Magic Orchestra along
with Haruomi Hosono and Yukihiro Takahashi. YMO was immediately
recognized as an international sensation from Japan. The
group's second album sold well over a million copies and led to
a world tour, making them, with Kraftwerk, the kings of
technopop. Releasing eleven albums over the next five years,
YMO developed a following that continues to the present day,
and its influence on the rave, techno and ambient movements is
widely recognized.
Christian Fennesz uses guitar and computer to create
shimmering, swirling electronic sound of enormous range and
complex musicality. "Imagine the electric guitar severed from
cliche and all of its physical limitations, shaping a bold new
musical language." - (City Newspaper, USA). His lush and
luminant compositions are anything but sterile computer
experiments. They resemble sensitive, telescopic recordings of
rainforest insect life or natural atmospheric occurrences, an
inherent naturalism permeating each piece. His two latest
studio albums, Venice [Touch, 2004] and Endless Summer [Mego,
2001] have set him apart from legions of glitch musicians
working to a minimal, computer-based aesthetic.
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01-Sala Santa Cecilia [19:00]
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19:00 min