▄ ▄
▓ ▓
▐▌ ▐▌
▐▌ ▐▌
▓▄ ▄▓
▐▓▓▄ ▄▄▄▄▄▄ ▄▄▄▄▄▄ ▄█▓▌
▀█▓▓▓▄▄▄░░▒▒▓████▄ ▄█▓██▓▒░░░▄▄▄█▓▓▓▀
▀█▓▓▒░▒▒░░░▒▒▓██▓▓▄ ░ ▄██▓██▓▓▓░▒▒▒▒▒▒▓▓▀
▀▓▓▒░░▒▒▒░░░▒▓███▓▄ ▄▓▓███▓▓▓░░▒▒▒░░▓▓▀
▀▀▓░░░▒▒▒░▒▓▓▓███▄ ░ ▄█████▓▓▓░▓▒▒░░▓▀▀
▄ ▄ ▀▓░▒░▒▓▓▓▓███▄ ░▓░ ▄▓▓███▓▓▒▓░░░▓▀ ▄ ▄
▄▓ ▓▄ ▀▓▒▓▓▓▓▓███▄ ░ ▄▓████▓▓▓▒░░▓▀ ▄▓ ▓▄
▐▓▌ ▐▓▌ ░▒▓▓▓▓▓▓██▓▓▄ ▄▄▄▄▄ ▄▓▓████▓▓▓▓░░░ ▐▓▌ ▐▓▌
▐▓▒ ▄▄▓▓▓▄▄ ▒▓▌ ▒▒▓▓▓▓▓█▓▒░▒▓█▓██▓███▓▒░▓▓█▓▓▓▓▓░░ ▐▓▒ ▄▄▓▓▓▄▄ ▒▓▌
▒░▓█▓█▒█▓█▓░▒ ▓▒▒▓▓▓▓▓▒▒▓███▓█▓██▓█▓▒░▒▓▓▓▓▓░ ▒░▓█▓█▒█▓█▓░▒
░▒▓▓▓▒░▒▓▓▓▒░ ▀▓▒▓▓▓▒░▒█▓█▓██▒█▓███▓▓▒▒▓▓▓░ ░▒▓▓▓▒░▒▓▓▓▒░
▓▓▒▀▒▒▓▒▒▀▒▓▓ ░▒▓▒░▒▓█▓▓▓█▒░▒█▓█▓██▓░▒░ ▓▓▒▀▒▒▓▒▒▀▒▓▓
▐▌ ▄ ▐▌ ░▒░▒▓███████▒██▓▓▓██▓▒░ ▐▌ ▄ ▐▌
▒▄ ▄▓▀▓▄ ▄▒ ░░▓█▀▀▀▀▀▀███▀▀▀▀███▓░ ▒▄ ▄▓▀▓▄ ▄▒
▀▓▓▌░▐▓▓▀ ▄▄▄▄▄ ▐▓▀ ░▓░ ▀▓▌ ▄▄▄▄▄ ▀▓▓▌░▐▓▓▀
█▄▀▄█ ▄▄▓▓▓▓▓▓▒▓▒▒░▒▒▌ ▄ ▐▒▒░▒▒▓▒▓▓▓▓▓▄▄▄ █▄▀▄█
■■▀■■ ▒▓▓▓▒▒▒▒▒▒▒▓▒░░▒░ ░▓▀▓░ ░▒░░▒▓▒▒▒▒▒▒▓▓▓▓▒ ■■▀■■
▄▓▒▒▒▒▒░░░░░░░▒░░░▒▄ ░▓ ░ ▓░ ▄▒░░░▒░░░░░░▒▒▒▒▒▒▓▄
░░░░░░░ ▐▒▓ ▄▒▌ ░ ▐▒▄ ▓▒▌ ░░░░░░░
▄ ▒▒▒▒▒▒ ▐▓▓████▀█▓ ▒ ▓█▀███▓▓▌ ▒▒▒▒▒▒ ▄
▀▓▒▓▒▒▓▀ █▓▓▀▀▀▀ █▓ ▓ ▓█ ▀▀▓▓█ ▀▓▒▒▓▓▀
▄▄ ▄▓▓▀ ▐██▓▄█▄▓██▌ ▀▓▓▄ ▄▄
▐▓▌ ▀▀ ▓█▀▀▀▀▀▀▀█▓ ▀▀ ▐▓▌
▓█▄ ▀▄ ░▒▒▓▓░░ ▄▀ ▄█▓
▐▓███▓█▄ ▄█▓███▓▌
▀█████▓▌ FORSAKEN Proudly Presents ▐▓█████▀
▀▀███▄▄▄▄▄▄▄▄ ▄▄▄▄▄▄███▀▀
▄▄███▀▀▀▀▀▀▀▀▀▓▓▓▓▓▄▄▄▄▄ ▄▓▓▄ ▄▄▄▄▄▓▓▓▓▓▀▀▀▀▀▀▀▀██▄▄
▄█████▓▌ ▀▀▀▀▀▀▓▓▓▓▓▓▄▄▄ ▀▀ ▄▄▄▓▓▓▓▓▀▀▀▀▀ ▐▓█████▄
▐▓███▓█▀ ▀▀▀████▀▀▀ ▀█▓███▓▌
▓█▀ ▄▀ ▄ ▄▄▄ ▄ ▀▄ ▀█▓
▐▓▌ ▀▓▀ ▄ ▐█▌ █ ▀▓▀ ▐▓▌
▓█ ▄ ▄▄ ▄▄▄▄▄ ██▄ ▄▄▄▄▄ ▄ █▓
▓▌ ▄▄█▌ ▐▓▌▐▓▌▐█▌▐▓▌ ▐▓▌▐█▌ ▐█▄▄ ▐▓
▐▓████ ▓█ ▓█ ██ ▓█ ▓█▄██ ████▓▌
▀ ▀█▌ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▐█▀ ▀
▓▄██ ██▄▓
▓█▀▄▄ Artist : Jack Dejohnette, Ravi Coltrane & Matthew Garrison ▄▄▀█▓
▐▓▌▐█▌ Album : In Movement ▐█▌▓▌
▐▀▄██ Label : ECM Records ██▄▀▌
▄███▌ Genre : Jazz ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2016-05-06 ██▀▄▌
▐▓▌▐█▌ Quality : 691 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 289.90 MB ███▓
▀ ▀█▌ Time : 54:21 min ▐█▀ ▀
▓▄███ Url : http://tinyurl.com/ybkegzo8 ███▄▓
▐▓████▌ ▐████▓▌
▓▌ ▀▀█▌ ▐█▀▀ ▐▓
▓█ ▀ ▀ █▓
▐▓▌ ▄▓▄ ▄▓▄ ▐▓▌
▓█▄ ▀▄ ▀ ▀ ▄▀ ▄█▓
▐▓███▓█▄ ▄▄▄████▄▄▄ ▄█▓███▓▌
▀█████▓▌ ▄▄▄▄▄▓▓▓▓▓▓▀▀▀ ▀▀▀▓▓▓▓▓▄▄▄▄▄ ▐▓█████▀
▀▀███▄▄▄▄▄▄▄▄▓▓▓▓▓▀▀▀▀▀ ▀▀▀▀▀▓▓▓▓▓▄▄▄▄▄▄▄▄███▀▀
▄▄███▀▀▀▀▀▀▀▀▀ ▀▀▀▀▀▀▀▀▀███▄▄
▄█████▓▌ ▄▄▄▄█▀▀█ ▄ ▐▌ ▐▓▀▄ ▐▓█████▄
▐▓███▓█▀ ▀ ██ ▄▄▄▄▄ ▄▄▄▄▄ ▄▄▄▄▄ ▓█▄▀ ▓█▄▄▄ ▀█▓███▓▌
▓█▀▄▄▀ ▐▓▌▐▓▌▐█▌▐▓▄▄█▌▐▓▌▐█▌▐▓▌▐▓▌▄▄ ▐█▌ ▀▄▄▀█▓
▐▓▌▐█▌ ▓█ ▓█ ▓█ ██ ▓█▄▄ ▓█ ▓█ ▓█▄██ ▐█▌▐▓▌
▀▀▄██ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ██▄▀▀
▄██▀ ▀██▄
██▌ 1. Alabama 6:51 ▐██
██▌ 2. In Movement 9:21 ▐██
██▌ 3. Two Jimmys 8:14 ▐██
██▌ 4. Blue In Green 5:57 ▐██
██▌ 5. Serpentine Fire 9:02 ▐██
██▌ 6. Lydia 4:46 ▐██
██▌ 7. Rashied 5:48 ▐██
██▌ 8. Soulful Ballad 4:22 ▐██
██▌ ▐██
██▌ ▐██
▀██▄ ▄██▀
▄▄▀██ ██▀▄▄
▐▓▌▐█▌ ▐█▌▐▓▌
▓█▄▀▀▄ ▄▀▀▄█▓
▐▓███▓█▄ ▄▄▄████▄▄▄ ▄█▓███▓▌
▀█████▓▌ ▄▄▄▄▄▓▓▓▓▓▓▀▀▀ ▀▀▀▓▓▓▓▓▄▄▄▄▄ ▐▓█████▀
▀▀███▄▄▄▄▄▄▄▄▄▓▓▓▓▓▀▀▀▀▀ ▀▀▀▀▀▓▓▓▓▓▄▄▄▄▄▄▄▄▄███▀▀
▄▄███▀▀▀▀▀▀▀▀▀ ▀▀▀▀▀▀▀▀▀███▄▄
▄█████▓▌ ▐▓▀▄ ▐▓█████▄
▐▓███▓█▀ ▄▄▄▄▄ ▄▄▄▄▄ ▄▄██▄ ▄▄▄▄▄ ▓█▄▄▄ ▀█▓███▓▌
▓█▀▄▄▀ ▐▓▌▐█▌▐▓▌▐█▌ ▐▓▌ ▐▓▄▄█▌▄▄ ▐█▌ ▀▄▄▀█▓
▐▓▌▐█▌ ▓█ ██ ▓█▄██ ▓█ ▓█▄▄ ▓█▄██ ▐█▌▐▓▌
▀▀▄██ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ██▄▀▀
▄███▌ ▐███▄
████ Over the past few years, Jack DeJohnette has had his storied jazz ████
████ career -- now over six decades -- revisited in several ways. In ████
████ 2013, he led a "dream band" at the Chicago Jazz Festival that ████
████ included Roscoe Mitchell, Henry Threadgill, Muhal Richard Abrams, ████
████ and Larry Guy, all of whom he'd played with in the Association ████
████ for the Advancement of Creative Musicians during the early '60s. ████
████ That performance was released in 2015 by ECM as Made in Chicago. ████
████ Earlier this year, Resonance Records issued Some Other Time: The ████
████ Lost Session from the Black Forest, which featured DeJohnette in ████
████ Bill Evans' trio with Eddie Gomez in 1968. ████
████ In Movement finds the bandleader in a new trio with saxophonist ████
████ Ravi Coltrane and bassist/electronicist Matthew Garrison. As a ████
████ young drummer he had the opportunity to sit in with both their ████
████ fathers, John Coltrane and Jimmy Garrison. This debut also looks ████
████ at history, but through the gaze of the present. The set begins ████
████ with Coltrane, Sr.'s classic Civil Rights-era composition, ████
████ "Alabama." While it is instantly recognizable, the trio find ████
████ their own form of liberty within it via Garrison's electric bass ████
████ harmonics and economic use of electronics. Coltrane's tenor ████
████ states the melodic frame solemnly while DeJohnette dances around ████
████ the pair with quick accents and feints, juxtaposing circular ████
████ rhythm and improvisation. Also present is Miles Davis' modal ████
████ classic "Blue in Green." This drummerless reading with DeJohnette ████
████ at the piano is more abstract. Ravi's soprano is beautifully ████
████ lyrical inside the modes, while Garrison adorns both players in ████
████ sparse layers of honeyed echo. The inclusion of Earth, Wind & ████
████ Fire's "Serpentine" is not as out of place as it initially seems: ████
████ DeJohnette played with the group's founder Maurice White in ████
████ Chicago. The slow, unwinding funk is a showcase for Coltrane's ████
████ phrasing and Garrison's groove-laden bass playing as the drummer ████
████ adds tough, slippery breaks. This group showcases its collective ████
████ prowess in the long title track. Commencing with an urgent ████
████ single-chord piano and synth pulse, tapping cymbals, and ████
████ syncopated hi-hat, Garrison employs a low-end chordal bass toward ████
████ Coltrane's long, labyrinthine soprano melody. The tune unfurls, ████
████ building to a stunning crescendo at the conclusion. "Two Jimmys" ████
████ (for Hendrix and Garrison) offers a Middle Eastern modal center ████
████ via synth and a treated bassline. Coltrane's tenor moves from the ████
████ inside to out while DeJohnette's drums deliver a martial cadence ████
████ that eventually splits the jam wide open. "Rashied" (in tribute ████
████ to Coltrane, Sr.'s great last drummer Rashied Ali) is a wailing ████
████ improv duet between DeJohnette and Ravi, exploring their own ████
████ version of "interstellar space." DeJohnette contributes "Lydia" ████
████ (an homage to his wife) as a post-bop ballad with gorgeous ████
████ bassline lyricism from Garrison, and the lovely piano trio closer ████
████ "Soulful Ballad." Historical (re)examinations aside, In Movement ████
████ is a compelling first statement from a band who, despite ████
████ generational differences, is connected through deep listening and ████
████ harmonic intelligence. This group's future is rife with ████
████ possibility. ████
▀███▌ ▐███▀
▄▄▀██ ██▀▄▄
▐▓▌▐█▌ ▐█▌▐▓▌
▓█▄▀▀▄ ▄▀▀▄█▓
▐▓███▓█▄ ▄▄▄████▄▄▄ ▄█▓███▓▌
▀█████▓▌ ▄▄▄▄▄▓▓▓▓▓▓▀▀▀ ▀▀▀▓▓▓▓▓▄▄▄▄▄ ▐▓█████▀
▀▀███▄▄▄▄▄▄▄▄▄▓▓▓▓▓▀▀▀▀▀ ▄▄ ▀▀▀▀▀▓▓▓▓▓▄▄▄▄▄▄▄▄▄███▀▀
▀▀▀▀▀▀▀▀▀ ▄▄▄▄███████▄▄▐██▌▄▄███████▄▄▄▄ ▀▀▀▀▀▀▀▀▀
▄▄████▀▀▀▀ ▄▄▄ ▀▀█▌▓██▓▐█▀▀ ▄▄▄ ▀▀▀▀████▄▄
▄██▀▀▀▄▄▄████▀▀▀▀▀██▄ ▓██▓ ▄██▀▀▀▀▀████▄▄▄▀▀▀██▄
▀▄▄▄▀▀▀▀ ▀ ▓██▓ ▀ ▀▀▀▀▄▄▄▀
▀▓▓▀
██
▐█▌
▓█
▐▓▌
▐▓▌
▓█
▐█▌
▓█
▐█▌
▀▀