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▀█████▓▌ MTD Proudly Presents ▐▓█████▀
[Info]
Artist : Jack Dejohnette, Ravi Coltrane & Matthew Garrison
Album : In Movement
Label : ECM Records
Genre : Jazz
Street Date : 2016-05-06
Quality : 232 kbps / 44.1kHz / Joint Stereo
Encoder : Lame 3.98.4 -V0
Size : 95.55 MB
Time : 54:21 min
Url : http://tinyurl.com/ybkegzo8
[Tracks]
1. Alabama 6:51
2. In Movement 9:21
3. Two Jimmys 8:14
4. Blue In Green 5:57
5. Serpentine Fire 9:02
6. Lydia 4:46
7. Rashied 5:48
8. Soulful Ballad 4:22
[Notes]
Over the past few years, Jack DeJohnette has had his storied jazz career --
now over six decades -- revisited in several ways. In 2013, he led a "dream
band" at the Chicago Jazz Festival that included Roscoe Mitchell, Henry
Threadgill, Muhal Richard Abrams, and Larry Guy, all of whom he'd played
with in the Association for the Advancement of Creative Musicians during the
early '60s. That performance was released in 2015 by ECM as Made in Chicago.
Earlier this year, Resonance Records issued Some Other Time: The Lost
Session from the Black Forest, which featured DeJohnette in Bill Evans' trio
with Eddie Gomez in 1968.
In Movement finds the bandleader in a new trio with saxophonist Ravi
Coltrane and bassist/electronicist Matthew Garrison. As a young drummer he
had the opportunity to sit in with both their fathers, John Coltrane and
Jimmy Garrison. This debut also looks at history, but through the gaze of
the present. The set begins with Coltrane, Sr.'s classic Civil Rights-era
composition, "Alabama." While it is instantly recognizable, the trio find
their own form of liberty within it via Garrison's electric bass harmonics
and economic use of electronics. Coltrane's tenor states the melodic frame
solemnly while DeJohnette dances around the pair with quick accents and
feints, juxtaposing circular rhythm and improvisation. Also present is Miles
Davis' modal classic "Blue in Green." This drummerless reading with
DeJohnette at the piano is more abstract. Ravi's soprano is beautifully
lyrical inside the modes, while Garrison adorns both players in sparse
layers of honeyed echo. The inclusion of Earth, Wind & Fire's "Serpentine"
is not as out of place as it initially seems: DeJohnette played with the
group's founder Maurice White in Chicago. The slow, unwinding funk is a
showcase for Coltrane's phrasing and Garrison's groove-laden bass playing as
the drummer adds tough, slippery breaks. This group showcases its collective
prowess in the long title track. Commencing with an urgent single-chord
piano and synth pulse, tapping cymbals, and syncopated hi-hat, Garrison
employs a low-end chordal bass toward Coltrane's long, labyrinthine soprano
melody. The tune unfurls, building to a stunning crescendo at the
conclusion. "Two Jimmys" (for Hendrix and Garrison) offers a Middle Eastern
modal center via synth and a treated bassline. Coltrane's tenor moves from
the inside to out while DeJohnette's drums deliver a martial cadence that
eventually splits the jam wide open. "Rashied" (in tribute to Coltrane,
Sr.'s great last drummer Rashied Ali) is a wailing improv duet between
DeJohnette and Ravi, exploring their own version of "interstellar space."
DeJohnette contributes "Lydia" (an homage to his wife) as a post-bop ballad
with gorgeous bassline lyricism from Garrison, and the lovely piano trio
closer "Soulful Ballad." Historical (re)examinations aside, In Movement is a
compelling first statement from a band who, despite generational
differences, is connected through deep listening and harmonic intelligence.
This group's future is rife with possibility.