Mouse_on_mars--live_in_munich-DVB2004-kW

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MP3/FLAC
Group
kW
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87,64 MB
Files
1
Date
2005-06-12

NFO

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     artist    · mouse on mars
     release   · live in munich
     year      · 2004             
     genre     · electronic
     website   · www.mouseonmars.de

     date      · 09-may-2005
     quality   · alt-preset standard
     source    · digital video broadcast

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     01 live in munich                                             66:39

     playtime  · 01h 06m 39s         

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     german post-techno duo mouse on mars are among a growing number of 
     electronic music groups dabbling in complex, heavily hybridized    
     forms that include everything from ambient, techno, and dub to     
     rock, jazz, and jungle. the combined efforts of andi toma and jan  
     st. werner (of koln and dusseldorf, respectively), mouse on mars   
     formed in 1993, reportedly when werner and toma met either at a    
     death-metal concert or a health-food store. working from werner's  
     studio, the pair fused an admiration for the early experiments of  
     krautrock outfits like can, neu!, kluster, and kraftwerk into an   
     offbeat update including influences from the burgeoning german     
     techno and ambient scenes. a demo of material found its way to     
     london-based guitar-ambient group seefeel, who passed it on to the 
     offices of their label, too pure. mom's first single, "frosch,"    
     was released by the label soon after, and was also included on the 
     debut album, vulvaland. immediately hailed for its beguiling,      
     inventive edge that seemed to resist all efforts at easy           
     "schublade" (an even less flattering approximation of the english  
     "pigeonhole"), vulvaland was reissued in 1995 by (oddly) rick      
     rubin's american recordings label, who also released their         
     follow-up, iaora tahiti, soon after. more upbeat and varied than   
     their debut, the album made some inroads into the american         
     marketplace, but the group's somewhat challenging complexity and   
     steadfast refusal to pander make widespread popularity unlikely.   
     they returned in 1997 with three different releases -- the ep      
     cache coeur naif, the lp autoditacker, and the vinyl-only          
     instrumentals. another vinyl-only release (glam) appeared in 1998, 
     and was followed a year later by the "official" follow-up to       
     autoditacker, niun niggung. although remixes are rare, the group   
     began appearing with increasing frequency on compilations of       
     experimental electronic music, including volume's popular trance   
     europe express series. they were also prominently featured on a    
     pair of tribute albums -- folds and rhizomes and in memoriam --    
     dedicated to french poststructuralist philosopher gilles deleuze.  

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     visit ln~#klangwerk

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01-mouse_on_mars--live_in_munich-kw.mp387,64 MB