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▀█████▓▌ FORSAKEN Proudly Presents ▐▓█████▀
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▓▄██ ██▄▓
▓█▀▄▄ Artist : Big Bad Voodoo Daddy ▄▄▀█▓
▐▓▌▐█▌ Album : Louie Louie Louie ▐█▌▓▌
▐▀▄██ Label : Savoy Jazz ██▄▀▌
▄███▌ Genre : Jazz ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2017-06-16 ██▀▄▌
▐▓▌▐█▌ Quality : 885 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 287.80 MB ███▓
▀ ▀█▌ Time : 43:06 min ▐█▀ ▀
▓▄███ Url : http://tinyurl.com/ydhkpbvq ███▄▓
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▄██▀ ▀██▄
██▌ 1. Dinah 2:54 ▐██
██▌ 2. Oh, Marie 2:41 ▐██
██▌ 3. Is You Is, Or Is You Ain't My Baby? 4:04 ▐██
██▌ 4. Jack, You're Dead! 3:18 ▐██
██▌ 5. Whistle Stop 2:31 ▐██
██▌ 6. Choo Choo Ch'boogie 2:59 ▐██
██▌ 7. Basin Street Blues 3:44 ▐██
██▌ 8. Jump, Jive, An' Wail 3:53 ▐██
██▌ 9. Knock Me A Kiss 2:48 ▐██
██▌ 10. Struttin' With Some Barbeque 3:55 ▐██
██▌ 11. Five Months, Two Weeks, Two Days 2:29 ▐██
██▌ 12. Ain't Nobody Here But Us Chickens 3:19 ▐██
██▌ 13. When The Saints Come Marching Home 4:31 ▐██
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████ Although still largely associated with the '90s neo-swing ████
████ movement, Big Bad Voodoo Daddy have long outrun that moment's MTV ████
████ zeitgeist and spent the 2010s deepening their jazz roots. The ████
████ past decade-and-a-half have found them branching out, exploring ████
████ New Orleans blues, Cajun, and second-line traditions on 2003's ████
████ Save My Soul, and paying tribute to legendary Harlem bandleader ████
████ Cab Calloway on 2009's How Big Can You Get? In this spirit of ████
████ reinvestigating their influences, the band's 11th studio album, ████
████ 2017's urbane and upbeat Louie Louie Louie, finds them ████
████ celebrating three of their biggest musical heroes: Louis ████
████ Armstrong, Louis Prima. and Louis Jordan. Here, the band round up ████
████ a nicely curated set of tunes popularized by the three "Louies" ████
████ and inject them with their own zesty brand of jump blues. Some of ████
████ the song choices are deliciously on the nose with cuts like ████
████ Jordan's "Ain't Nobody Here But Us Chickens," Prima's "Five ████
████ Months, Two Weeks, Two Days," and Jordan's "Jack, You're Dead!," ████
████ feeling like well-loved road covers the band have played hundreds ████
████ of times. Others, especially Armstrong's Herculean "Struttin' ████
████ with Some Barbecue" and the suavely refined "Basin Street Blues," ████
████ with their nuanced harmonies and tricky horn lines, vibrate with ████
████ a sense of danger and ambition as if the band had dared ████
████ themselves to make them their own. Thankfully, they do. ████
████ Elsewhere, we get equally compelling takes on "Dinah," "Choo Choo ████
████ Ch'Boogie," "Knock Me a Kiss," and more. It's also fun to hear ████
████ the band put their own stamp on one of the biggest anthems of the ████
████ neo-swing movement, Prima's "Jump, Jive an' Wail," popularized in ████
████ 1998 by the Brian Seltzer Orchestra. Still centered on lead ████
████ singer/guitarist Scotty Morris, Big Bad Voodoo Daddy have settled ████
████ into a warm, crisply delivered style of swing that's studio savvy ████
████ and precise while also full of in-the-moment improvisation and an ████
████ overall live-sounding aesthetic. Helping to achieve this ████
████ aesthetic is longtime pianist Joshua Levy, who supplied all the ████
████ arrangements on Louie Louie Louie. Also impressive are ████
████ bandmembers trumpeter Glen "The Kid" Marhevka, alto and tenor ████
████ saxophonist Karl Hunter, and baritone saxophonist Andy Rowley, ████
████ who all get plenty of room to solo. The result is an album that ████
████ strikes a balance between Jazz at Lincoln Center-style adherence ████
████ to tradition and dynamic, pop-informed bravura showmanship. ████
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