Hans_Hassler-Wie_Die_Zeit_Hinter_Mir_Her-(IntaktCD288)-PROMO-CD-FLAC-2017-HOUND

Section

MP3/FLAC

Group

HOUND

Size

284,38 MB

Files

18

Date

2017-10-05

NFO

HOUND presents...

Artist.......: Hans Hassler
Album........: wie die zeit hinter mir her
Label........: Intakt
Genre........: Jazz
Catnr........: IntaktCD288
Source.......: CD
Rip.date.....: 2017-10-03
Str.date.....: 2017-10-20
Quality......: 696kbps/44.1kHz/2 channels
Url..........: http://www.intaktrec.ch/288-a.htm

track  title                                          time



 1.    Wohin?                                         3:23
 2.    Einerlei - Zweierlei?                          5:48
 3.    Wozu - und wieso nicht?                        2:54
 4.    Fragezeichen - allein in einer Stadt           1:08
 5.    Calanda                                        5:14
 6.    Benigna                                        4:12
 7.    Das Dreieck und der Teppich                    6:52
 8.    Spitziges Zeug                                 3:20
 9.    Die Sanduhr ohne Sand                          1:24
 10.   Disput - aber oho!                             7:56
 11.   Die zweieckige Krone                           5:25
 12.   NΣhmaschinen-Boogie                            4:03
 13.   AkkordΣmon                                     1:43
 14.   Ach so!                                        0:40
 15.   Das Lied von den Rosen û den kleinen           0:59


                                            Runtime  55:01
                                            Size     298.19


Release Notes:

Hans Hassler, born 1945 in Graubⁿnden, East Switzerland, is the true Swiss king
of accordion. Hassler inspires the listener with his playful virtuosity, a good
sense of humour and a musical imagination without borders.

For Hans Hassler, performing on a variety of stages, to return to the studio as
a soloist means adding something significant to anything which has already been
played. It doesnÆt necessarily have to be new or different; it has to be
substantial. Hans Hassler has retained something of the originality of his
playing. He combines this elemental, physical and spontaneously deployed
music-making power with a finely tuned sense for artistic form. Appropriately
enough for this two-handed instrument, this often involves a dialogue across the
spectrum between heavenly descant and droning lowlands. There are ethereal lone
notes and powerful clusters of tones, and altogether a great deal of dynamics,
scurrility, humour, drama and thoughtfulness. That, if we wish to name it, is
Hassler music.





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