Gnawed_vs_RxAxPxE-Split-(IXC-MC-001)-TAPE-2012-DEF

Section
MP3/FLAC
Group
DEF
Size
119,98 MB
Files
14
Date
2017-10-06

NFO

                _:_    D         E          F   _:_
          __     |                               |     __
        __\/_____|_             _______         _|_____\/__
   __.._\_\/     |          ____\      \_        |     \/_/_..__
   \_||   \/     |   ______/            /________:     \/   ||_/
+-----'          :___\__  \___   /     /_\       |          `-----+
| ......         |     /     /  /     /     _____|         ...... |
| : ...:......   |    /     /  ______/      ___/      .....:... : |
| :.::.:     :   |   /     /__/      |      |         :    :.::.: |
| . :: ......:...|___________/       |______|.........:..... :: . |
|   :: ::    :         /_____________|                :    : ::   |
| : ::::::::::  ------------------------------------  ::::::::: : |
| . |  ::                                                  :  | . |
|   |  ::             Gnawed Vs Rxaxpxe - Split            :  |   |
| . |  ::                                                  :  | . |
|   |  :::::::::::::::::::::::::::::::::::::::::::::::::::::  |   |
|   |                          ..::..                         |   |
|   |__      ___   __   ___   ___   _____  ___________________|   |__.
|  _\_ \_   _\  \_/ /  _\  \__\_ \__\  _/__\  \_              |   |  |
|_/ __  /__/  /  / /__/  /  /     /\__   /  /  / - I N F O -  |   |  |
|\   \    \   __/   /   ___/  /  /   /  /  ___/               |   |  |
| \___\____\____\__/\____\/_____/______/____\_________________|   |__|
|   |                                                         |   |
|   |   artist: Gnawed Vs Rxaxpxe                             |   |
|   |    album: Split                                         |   |
|   |    label: Industrial-Culture                            |   |
|   |  cat num: IXC-MC-001                                    |   |
|   |    genre: Noise                                         |   |
|   |     year: 2012                                          |   |
|   |  website: N/A                                           |   |
|   |                                                         |   |
|   | rls date: 10.2017                                       |   |
|   |   source: Tape                                          |   |
|   |  quality: VBRkbps / Joint Stereo                        |   |
|   |   tracks: 11                                            |   |
|   |   length: 58:33                                         |   |
|   |     size: 119,92MB                                      |   |
|   |                                                         |   |
|   |    ------------------------------------------------     |   |
|   |__   ___     ___    ___  __    __________________________|   |__.
|___/ /___\_ \_  _\_ \__/ _/ / /__ _\ __/_                    |   |  |
|\_   __/ _   /_/     /  /  / // /_\__   /   - T R A C K S -  |   |  |
| /  /    /    /  /  /  /__/ _    /  /  /                     |   |  |
| \__/___/____/_____/\____/__/___/_____/______________________|   |__|
|   |                                                         |   |
|   |  A1    Gnawed - Routine Taboo                    04:04  |   |
|   |  A2    Gnawed - Flesh Cell                       06:01  |   |
|   |  A3    Gnawed - Forever                          05:35  |   |
|   |  A4    Gnawed - Pretend                          04:22  |   |
|   |  A5    Gnawed - Hiding The Scars                 04:01  |   |
|   |  A6    Gnawed - Chains                           04:43  |   |
|   |  B1    RxAxPxE - Burning Faith                   05:52  |   |
|   |  B2    RxAxPxE - Wisdom                          06:37  |   |
|   |  B3    RxAxPxE - Awakening                       09:12  |   |
|   |  B4    RxAxPxE - His Name                        04:54  |   |
|   |  B5    RxAxPxE - Free                            03:12  |   |
|   |                                                         |   |
|   |                             > total playtime:    58:33  |   |
|   |                                                         |   |
|   |    ------------------------------------------------     |   |
|  _|________           ___   ___   __________________________|   |__.
|  \__   _   \_________/  /___\  \__\  __/__                  |   |  |
|    /   /   /      /_   __/  /   /\___    /   - N O T E S -  |   |  |
|   /___/   /   /  / /  / /  ____/    /   /                   |   |  |
|   |  /___/______/  \__/ \___/   \______/____________________|   |__|
|   |                                                         |   |
|   |   A Side arranged, recorded and mastered in 2011 by     |   |
|   |   Grant Ridchardson at the Rathole                      |   |
|   |                                                         |   |
|   |   B side arranged and recorded by Rxaxpxe in 2010.      |   |
|   |   Mastered by Electro Jesus in the Humiliation Chapel,  |   |
|   |   January 2011                                          |   |
|   |                                                         |   |
|   |                         ------                          |   |
|   |                                                         |   |
|   |   This is the first release on the newly-founded        |   |
|   |   Industrial Culture label from Germany founded in      |   |
|   |   March 2012; the Gnawed /RxAxPxE c60 split cassette.   |   |
|   |   A plain black cassette housed in a retro black and    |   |
|   |   clear cassette case, black and white artwork, 100     |   |
|   |   standard copies and 23 limited steel edition copies.  |   |
|   |   This is an attractive first release; strong sounds    |   |
|   |   are needed to match these high opening visual         |   |
|   |   standards.                                            |   |
|   |                                                         |   |
|   |   Grant Richardson's Minneapolis USA based Gnawed       |   |
|   |   project have been releasing since 2009 with several   |   |
|   |   cassettes and splits with the likes of Taklamakan ,   |   |
|   |   Pusdrainer and Disthroned Agony . Gnawed are          |   |
|   |   described as Harsh/ Industrial /Power Electronics.    |   |
|   |                                                         |   |
|   |   Gnawed begin with Routine Taboo which opens with an   |   |
|   |   impressive scope of Death blast and drone. The drone  |   |
|   |   increases in depth with incoherent vocalisations      |   |
|   |   from what sounds like sampled news or documentary     |   |
|   |   reports. Flesh Cell resonates blasts and noises that  |   |
|   |   carry things on smoothly from where Routine Taboo     |   |
|   |   left off, distorted hisses pitch in, followed by      |   |
|   |   sharp electronic frequencies over a choppy deeper     |   |
|   |   base sound. This functions as a Dark Ambient base     |   |
|   |   upon which power noises are overlaid. Forever hums    |   |
|   |   into action before turning into a Tibetan type        |   |
|   |   sounding drone punctuating through a rough sea of     |   |
|   |   coiling noises. This contrasts away from the          |   |
|   |   previous two tracks well. Gnawed reaches an           |   |
|   |   impressive bombast that does not get too muddied as   |   |
|   |   can sometimes happen in noise work, where artists     |   |
|   |   attempt to make form from overly chaotic work.        |   |
|   |   Pretend starts with a single synth blast before a     |   |
|   |   wall of noise parallels it, this uses more wall       |   |
|   |   methods with the synth making noises behind the       |   |
|   |   Walls' broken frontal blast. Wavering feedback        |   |
|   |   enters as a third sound/contrast; it pushes the       |   |
|   |   noise forward, so the wall is an element of the       |   |
|   |   entire composition, not the composition being a       |   |
|   |   composed wall. Hiding the Scars feeds back with       |   |
|   |   thumping deep noises battling sharp pitches of        |   |
|   |   noise. This is the most industrial sounding of all    |   |
|   |   the tracks, it sounds like a massive loud busy        |   |
|   |   factory kicking off sonically in production. Chains   |   |
|   |   opens with Hellish blasts of sounds, like uneven      |   |
|   |   over amplified breathing, this leans toward a more    |   |
|   |   noisy ambient sound, a violent slow finale to the     |   |
|   |   Gnawed side.                                          |   |
|   |                                                         |   |
|   |   The Gnawed tracks are all strong, there is variety    |   |
|   |   in all of the sounds used and different methods,      |   |
|   |   it's not all samey. There is a lot of inventiveness   |   |
|   |   and good use of sample, most certainly on the         |   |
|   |   opening track Routine Taboo. Sharpness and            |   |
|   |   consideration seem to define the Gnawed approach;     |   |
|   |   things never get murky or dull.                       |   |
|   |                                                         |   |
|   |   Germany's RxAxPxE is a harsh noise+ project and has   |   |
|   |   been active since 2005. I am curious to see how       |   |
|   |   powerful RxAxPxE are in sound, due to their extreme   |   |
|   |   name, imagery and bold statements on their website:   |   |
|   |                                                         |   |
|   |   Formed in 2005. Combining harsh electronical noise    |   |
|   |   with gore elements, power electronics, explicit       |   |
|   |   lyrics and visuals, rXaXpXe creates the soundtrack    |   |
|   |   to a new reality.                                     |   |
|   |                                                         |   |
|   |   Burning Faith is a sharp Power Industrial work, a     |   |
|   |   sharp creaking blasting. It has a wall-like density,  |   |
|   |   but there's a lot more going on, beyond merely being  |   |
|   |   a wall. It is thick and dense compared to Gnawed but  |   |
|   |   still effective as there's clarity to the sound, a    |   |
|   |   defined density, with clear definitive sounds also.   |   |
|   |   The entire sound sharpens like fingernails on a       |   |
|   |   school blackboard as it progresses, an impressive     |   |
|   |   aggressive intro. Wisdom pulsates into action with    |   |
|   |   deep feedback and is then hit with static. The two    |   |
|   |   sounds compete for the forefront but seem to settle   |   |
|   |   on a truce where one leads, working in harmony        |   |
|   |   eventually with each other and it works in an         |   |
|   |   interesting way that contrasts with Burning Faith.    |   |
|   |   This suddenly accelerates into the rumblings of       |   |
|   |   Awakening which quickly turns into what I would call  |   |
|   |   an aggressive Power Wall, this is not like before     |   |
|   |   where a wall is an ingredient of the track, a lot of  |   |
|   |   grinding, sharp sounds and static blasts combine to   |   |
|   |   form an entire spiky wall. Awakening peters out to    |   |
|   |   kick into His Name which is a more recognisable       |   |
|   |   traditional wall that ups the ante even more. Crispy  |   |
|   |   sharp grinding sounds fight with blasts at a          |   |
|   |   hyperspeed of mass that is almost rhythmic or         |   |
|   |   looped, this intensifies as deeper blasts roar and    |   |
|   |   both weave through each other. There is a hellish     |   |
|   |   ambience created from the combination of both. Free   |   |
|   |   begins with a rumbling crackle, that is cut into and  |   |
|   |   later complimented with negative humming feedback, a  |   |
|   |   kind of low wall, industrial grinding noises make a   |   |
|   |   cameo appearance.                                     |   |
|   |                                                         |   |
|   |   rXaXpXe does use harsh sounds, but is master at       |   |
|   |   making them work together, a kind of simultaneously   |   |
|   |   brutal and beautiful noise. They are on their way to  |   |
|   |   creating a language of their own different but like   |   |
|   |   the New Blockaders  did with noise early on. This     |   |
|   |   would be accelerated by moving away from              |   |
|   |   conventional noise sounds. Three raw elements can be  |   |
|   |   combined and become complimentary to each other.      |   |
|   |   rXaXpXe doesn't need the name or imagery as he makes  |   |
|   |   thinking noise, well produced thought out work,       |   |
|   |   seriously considered sounds.                          |   |
|   |                                                         |   |
|   |   Both artists have made strong contributions to this   |   |
|   |   split. Each side is crystal clear, well thought out,  |   |
|   |   varied, inventive, interesting and impressive. Were   |   |
|   |   both artists aware of what the other was making, it   |   |
|   |   is difficult to decide who made the better side?      |   |
|   |   Each contribution juggles up existing genres freely,  |   |
|   |   a coincidental strength or an agreed method? It       |   |
|   |   shows both Gnawed and rXaXpXe capable of mixing and   |   |
|   |   shifting confidently and fluidly, I'd urge both to    |   |
|   |   throw anything in the mix and see what happens. This  |   |
|   |   split cassette serves as an excellent addition to     |   |
|   |   the work of both artists and a good first release by  |   |
|   |   Industrial-Culture.                                   |   |
|   |                                                         |   |
|   |        -- https://heathenharvest.org                    |   |
|   |                                                         |   |
|   |    ------------------------------------------------     |   |
|  _|_______  _________         ______________________________|   |__.
|  \_   _   \_\_  \_   \  ______\ ___/__                      |   |  |
|   /   /   /  /   /   /_/   /\___     /         - N E W S -  |   |  |
|  /___/   /  ____/   / /   /     /   /                       |   |  |
|   | /___/____/  \___/____/_________/________________________|   |__|
|   |                                                         |   |
|   |  hi2u! go to the show, buy the records, stop whining    |   |
|  _|______  ____   ___   __________  ________________________|   |__.
|  \_  ___/__\__ \__\_ \__\_ \_   _/__\  _/__                 |   |  |
|   /  \_   / _   /_ /  /  /  /  /\____     /  - H E L L O -  |   |  |
|   \___   /  /    / __/  ___/  /     /    /                  |   |  |
|   |  /__/__/____/__/ \__/ /__/__________/___________________|   |__|
|   |                                                         |   |
|   |  13  1way aeroholics agw bass bcc berc bnp boss ct cmc  |   |
|   |  d2h ddb diss divinestylers dl dps ethnic fmr fnt fwyh  |   |
|   |  hit2000 hm hqem hta hushhush i8 impg jazzman kinky kw  |   |
|   |   maem mbs njs noir nuc nuhs radial sb sever shelter    |   |
|   |          pyt siberia soup sour sq tr trt usr            |   |
|   |                                                         |   |
|   |      ... thank you for the music and/or the good fun!   |   |
|   |_________________________________________________________|   |_.
|   |    nfo & design by #MONk!# of diViNE sTYLERS!           |   | |
| _ |---------------------------------------------------------| _ |-'
|/ \|                                                         |/ \|

Files

PathSize
00-gnawed_vs_rxaxpxe-split-(ixc-mc-001)-tape-2012.m3u269 B
00-gnawed_vs_rxaxpxe-split-(ixc-mc-001)-tape-2012.nfo15,18 KB
00-gnawed_vs_rxaxpxe-split-(ixc-mc-001)-tape-2012.sfv379 B
a1-gnawed-routine_taboo.mp37,50 MB
a2-gnawed-flesh_cell.mp311,84 MB
a3-gnawed-forever.mp310,78 MB
a4-gnawed-pretend.mp39,12 MB
a5-gnawed-hiding_the_scars.mp38,78 MB
a6-gnawed-chains.mp310,26 MB
b1-rxaxpxe-burning_faith.mp313,27 MB
b2-rxaxpxe-wisdom.mp312,42 MB
b3-rxaxpxe-awakening.mp318,91 MB
b4-rxaxpxe-his_name.mp310,00 MB
b5-rxaxpxe-free.mp37,09 MB