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| Artist : Bizarre |
| Album : Hanni Cap Circus (Advance) |
| Bitrate : VBR kbps |
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+-------------------------------[Release Info]-------------------------------+
| |
| Label : Sanctuary Urban |
| Year : 2005 |
| Genre : Rap |
| Ripper : Kournikova |
| Rip date : 2005-06-21 |
| Store date : 2005-06-28 |
| Size : 101 megs |
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+--------------------------------[Track List]--------------------------------+
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| 1. Public Service Announcement (Skit) 0:26 |
| 2. Intro 1:38 |
| 3. Gospel Weed Song 3:35 |
| 4. Fuck Your Life feat. Sindee Syringe 4:29 |
| 5. Fat Father (Skit) 1:46 |
| 6. Let The Record Skip 2:45 |
| 7. I'm In Luv Witchu 2:44 |
| 8. Rockstar 3:01 |
| 9. Ghetto Music feat. Swifty, Stic Man And King Gordy 4:33 |
| 10. Life Styles (Skit) 1:22 |
| 11. I'm So Cool 4:18 |
| 12. Porno Bitches feat. Big Boi And Devin The Dude 4:38 |
| 13. Crush On You 2:54 |
| 14. Bad Day 5:08 |
| 15. I Need A Friend 2:57 |
| 16. One Chance 4:03 |
| 17. Hip Hop feat. Eminem 4:31 |
| 18. Doctor Doctor feat. Obie Trice 3:43 |
| 19. Coming Home feat. Raphael Saadiq And Kuniva 3:46 |
| 20. Nuthin' At All feat. D12 4:30 |
| ----------------------------------------------------------------------- |
| 66:47 |
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+-------------------------------[Release Notes]------------------------------+
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| D12 Baby... you know who he is... Bizarre! |
| |
| Enjoy! |
| |
| In these turbulent times of war, trashy reality TV, divided blue and red |
| states, and cardboard politically correct censors, there is one man who |
| can rise above the madness. There is a force willing to fight for the |
| underdog and the downtrodden. There's an individual who takes pride in |
| being a role model for millions of kids in need of guidance in a violent |
| and sex-obsessed world gone out of control. |
| Unfortunately, that man is Bizarre. |
| |
| What else can be said for the weirdest member of Detroit's notorious |
| platinum plus hip-hop crew D12 (Dirty Dozen). Indeed, in past lyrical |
| outbursts, Bizarre has boasted of engaging in S&M orgies with midgets, |
| bumping off (late) comic actor John Candy, and mistakenly picking up |
| transvestites in a drug-induced haze while recklessly wheeling a Harley |
| Davidson. |
| |
| Having delivered his brand of demented comic relief meets sicko lyrical |
| brilliance on D12's SoundScan-topping releases Devil's Night (2001) and |
| D12 World (2004), Bizarre is once again poised to piss off the status |
| quo with Hannicap Circu s , his solo debut on Redhead Records/ Arsenal |
| Entertainment/Sanctuary Urban. And while such a seemingly disturbing |
| album title is bound to stir protest among P.C. enforcers, Bizarre |
| maintains there's a more conceptual meaning behind the madness. |
| |
| Hannicap Circus finds Bizarre stepping out from the motley crew safety |
| net of D12 members Eminem, Kon Artis, Swift, Kuniva and Proof. And |
| according to the hip-hop wildman, it's about damn time. His public |
| fistfights for control over the Dirty Dozen against ôleaderö Marshall |
| Mathers have become legendary in music industry circles (ôMarshall was |
| just asking to be punched out,ö riffs Bizarre.) The ongoing rivalry |
| picks up from where D12's 2004 hit ôMy Bandö left off on his first |
| single ôRock Star.ö On the fast-paced Slim Shady produced track, Bizarre |
| proclaims his dominance as an artist who has exceeded the likes of |
| Elvis, The Osmonds, and Kiss combined. Who could argue? ôI'm the man, |
| the lead singer of the band, on stage for thousands of fans/I used to be |
| a dancer for Hammer, if you look you can see me in the camera,ö Bizarre |
| flips in his trademark husky flow. |
| |
| On ôBad Day,ö an hilarious reworking of Ice Cube's 1992 West Coast |
| classic ôIt Was A Good Day,ö Bizarre is backed by hip-hop producing |
| legend Erick Sermon and unleashes a witty dose of off-centered |
| story-telling. ôI gotta go because I got on flip-flops, if I slow down |
| then my feet will drop/Had to stop at the red light, everybody laughing |
| at my yellow dirt bike,ö says the dejected rapper. The brazen ôGospel |
| Weedö (producer TK) proves that nothing is sacred in the warped mind of |
| Bizarre. And the x-rated R&B fueled ôPorno Bitches,ö produced by D12's |
| Mr. Porter and featuring fellow comedic rhymer Devin tha Dude and |
| Outkast's own Big Boi, finds the deranged emcee claiming, ôI love porn, |
| but niggas be hating/R. Kelly ain't got nothing on the shit I be |
| making.ö |
| |
| In keeping with Bizarre's unpredictable showmanship, Hannicap Circus' |
| maddening diverse range of collaborations, from stic.man of the |
| politically conscious group Dead Prez to fellow offbeat Detroit emcee |
| King Gordy, more than makes sense. But it's the autobiographical |
| coming-of-age tale ôHip Hopö (Hi Tek) and the heartfelt family |
| dedication ôComing Homeö (Raphael Saadiq)ö that's sure to surprise |
| longtime Bizarre followers. ôWhenever I leave, I know it still hurt,ö he |
| testifies over the latter soulful track that also features fellow D12 |
| spitter Kuniva. The song, which conveys Bizarre's pain of leaving his |
| wife and kids behind for the pitfalls of the road, is a side of the man, |
| born Rufus Johnson, rarely visualized in his music. The self-described |
| ôeccentric family man,ö who now calls Atlanta home, says he wanted to |
| use Hannicap Circus to show there's another side to his wildman persona. |
| |
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