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.::::::::::::::::::::::::: PSYCZ TEAM PROUDLY PRESENTS :::::::::::::::::::::::.
::|»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»|::
::| Paul Haslinger - Planetary Traveler |::
::| |::
::| |::
::| Artist.....> Paul Haslinger |::
::| Album......> Planetary Traveler |::
::| Type.......> DVDRip |::
::| |::
::| Label......> Third Planet Studios Rel.date..> 17.06.2005 |::
::| CatalogNr..> WHE73001 Str.date..> 00.00.1997 |::
::| |::
::| URL........> http://www.thirdplanet-inc.com |::
::| |::
::| |::
::| No.Tracks..> 01 Source.......> DVD |::
::| Lenght min.> 37:50 min |::
::| Size.......> 58,4 MB Grabber......> ACE DVD Audio Extractor|::
::| Encoder......> Lame 3.96.1 --APS |::
::| Genre......> Ambient Quality......> VBRkbps / 44,1kHz |::
::| Style......> ChillOut Channel Mode.> Joint-Stereo |::
::| |::
::| |::
::|_________________________________________________________________________|::
::::::::::::::::::::::::::::: RELEASE NOTES ::::::::::::::::::::::::::::
::|»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»|::
::| |::
::| We are terrorized for the dual sfv fukup earlier today and the time |::
::| between this nasty fix. Zip extras included, our deep apologies. |::
::| |::
::| Note: |::
::| PsyCZ brings you a bonus to another prior release (09.05.2005) |::
::| Planetary.Traveler.1997.COMPLETE.NTSC.MDVDR-PsyCZ. |::
::| |::
::| This release contains audiotracks ripped from the original DVD .. we |::
::| included both ordinary mp3 and original AC3 sound (in .zip file), |::
::| because we always try to supply collectors with the best quality |::
::| possible. I hope you will welcome and enjoy this experimental release. |::
::| |::
::| Just a note: |::
::| We tagged release as -DVDRip-, because it really is DVD rip. i.e. |::
::| audiotrack ripped from original Video DVD. Tagging it as -DVDA- would |::
::| be complete nonsense, since DVDA is a separate DVD standard, which does |::
::| not include any video, but contains Hi-Fi audio in 96kHz samplerate. |::
::| |::
::| I am Sumoc, last of the Phleig, the Planetary Travelers. "Planetary |::
::| Traveler" is a world-class fusion of music and visuals--a multi-media |::
::| flight log through intergalactic worlds--by a mysterious and alien |::
::| race. The all-digital production is the first of its kind, produced |::
::| entirely on desktop computers. Grammy-nominated composer Paul Haslinger |::
::| (Tangerine Dream) provides a powerful masterpiece that dramatically |::
::| enhances the journey through 8 planets, each unique in its topography, |::
::| character and exquisite beauty. "Planetary Traveler" is one trip you |::
::| don't want to miss. |::
::| |::
::| With those words begins the ultimate quest of a mysterious alien race. |::
::| Their visual flight logs unfold in a mesmerizing display of nature's |::
::| sart on a cosmic scale. Spectacular planetary landscapes overwhelm the |::
::| senses in an unparalleled fusion of computer animation and originally |::
::| scored music. Planetary Traveler is the brainchild of two-time Emmy |::
::| award winning director/producer Jan C. Nickman, noted for such projects |::
::| as the computer animated hit The Mind's Eye. The brilliant original |::
::| music score was created by Grammy nominated composer Paul Haslinger. |::
::| Two years in the making with some of the world's top digital artists. |::
::| Planetary Traveler is the first full length program ever produced |::
::| entirely on desktop computers. For this special DVD release, the |::
::| artists returned to their Macintoshes to create over 30 minutes of |::
::| additional interactive video content. The composer opened up his master |::
::| tracks to make a Dolby Surround Sound version especially for this disc. |::
::| A new digital video master was created from the source files to take |::
::| advantage of the enhanced color and sharpness of the DVD delivery |::
::| medium |::
::| |::
::| Planetary Traveler is the brainchild of two-time Emmy award winning |::
::| director/producer Jan C. Nickman, noted for such projects as the |::
::| computer animated hit The Mind's Eye. The brilliant original music |::
::| score was created by Grammy nominated composer Paul Haslinger. |::
::| |::
::| Two years in the making with some of the world's top digital artists, |::
::| Planetary Traveler is the first full length program ever produced |::
::| entirely on desktop computers. For this special DVD release, the |::
::| artists returned to their macintoshes to create over 30 minutes of |::
::| additional interactive video content. The composer opened up his master |::
::| tracks to make a Dolby Surround Sound version especially for this disc. |::
::| A new digital video master was created from the source files to take |::
::| advantage of the enhanced color and sharpness of the DVD delivery |::
::| medium. |::
::| |::
::| In the decade since Tangerine Dream disbanded, Paul Haslinger has |::
::| launched a second career as a rising film composer. His score for |::
::| crazy/beautiful met with acclaim and he's got two summer blockbusters |::
::| on the roster - a contribution to Speilberg's Minority Report and the |::
::| full score for the chick surf flick, Blue Crush. |::
::| |::
::| Haslinger prefers to compose in his home with keyboards and a Mac-based |::
::| system running Cubase and the Universal Audio UAD-1 card with Powered |::
::| Plug-Ins. As the tools in his arsenal grow more sophisticated, |::
::| Haslinger finds that his approach to composing now encompasses what he |::
::| terms "pre-engineering". "Mixing and composing have somehow merged for |::
::| me. As I write, I think about engineering; I apply compressors and I |::
::| apply EQ - I apply everything that an engineer would do. I still have |::
::| an engineer come in to balance the mix at the end for that outside |::
::| perspective. It used to be that a composer wouldn't touch an EQ or |::
::| wouldn't touch a mixing board. Now not only are you touching it, you're |::
::| working with it as part of your compositional system." |::
::| |::
::| The technique begs the question whether Haslinger now composes with a |::
::| sound in mind or if he's inspired by a given sound. "Sometimes I'm |::
::| inspired by a sound I get with certain presets or I try out a module |::
::| and something just happens - something sounds really cool on a |::
::| particular drum loop and I try to write a piece around it because I |::
::| just like the sound. Other times it's fairly analytical and I really |::
::| want to get this analog crunch, this warm sound and this would be the |::
::| drum loop to do it and this would be the plug-in to do to and you go |::
::| about it that way. So sometimes it's planned and sometimes I just enjoy |::
::| and roll with it." |::
::| |::
::| Because Haslinger is now composing with compressors and EQs in mind, he |::
::| was challenged to find plug-ins that met his sense of quality, "I need |::
::| things like the UAD-1 card to get better results than with standard |::
::| plug-ins." He relied heavily on the UAD-1 for both the pieces |::
::| commissioned for Minority Report. "For a scene set in a cyber club of |::
::| the future, they were looking for a pumping track. The difficulty with |::
::| cues like these is in the mid-range - we don't know the final levels |::
::| and it shouldn't compete with the sound effects. In this case, we gave |::
::| them heavily compressed versions and less compressed versions with all |::
::| of the elements separate, giving them control over the bass separately. |::
::| A lot of the warmth resides in the bass and by dialing into or out of |::
::| the bass; you can affect the whole track." |::
::| |::
::| The trademark analog warmth and "crunch" of the classic Universal Audio |::
::| hardware were just the sounds Haslinger sought for the Blue Crush |::
::| score. "This is about girls who live on the beach, so we're using |::
::| guitar and electric piano like a Wurlitzer - a dirtied up and smushed |::
::| sound. Whenever I needed to create some extra warmth I'd dial up an |::
::| 1176 or an LA2 and play with them a little bit. For the surf |::
::| competition scenes, the director's instruction was to work |::
::| psychologically - let the waves be the big impact, let the music drive |::
::| her inner demons and the psychology of the audience. That led me into |::
::| the old problem of warming up what is essentially a bunch of sequences, |::
::| and that's where the UAD- 1 came in to round out the sound with the |::
::| 1176 and Nigel. |::
::| |::
::| As a keyboard player, Haslinger is delighted with the sound of the |::
::| UAD-1 plug-ins. "It's always been a dream to have any number of 1176s |::
::| and LA2s in any combination you could want. That alone is dramatic. |::
::| Also, the Nigel plug-in is enormously useful for me. Distortion is |::
::| where it's at, especially for keyboard players like myself who need to |::
::| compensate for the fact that we're not guitar players and we can't get |::
::| that nice warm crunch. Nigel is so complex, I'm using it with a Swiss |::
::| army knife approach to get that sense of running through a guitar amp, |::
::| something that is easily missing in keyboard centric music. I've been |::
::| using it on different piano sounds and it's amazing, the three |::
::| dimensionality that the sound gets once it runs through Nigel as |::
::| opposed to plastic sounding." Concludes Haslinger, "I'm thinking like a |::
::| sound engineer these days. I think that it's has become part of the |::
::| writing process and any musician that says it's not is basically a |::
::| traditionalist hanging on to the ideas of the last millennium. Don't |::
::| quote me on that." |::
::| |::
::| Composer - filmography |::
::| (In Production) (2000s) (1990s) (1980s) |::
::| |::
::| Into the Blue (2005) (completed) |::
::| The Girl Next Door (2004) |::
::| Bring It On Again (2004) (V) |::
::| Underworld (2003/I) |::
::| ... aka Underworld (Germany) |::
::| The Italian Job (2003) (song "Girls And Posse Surf") |::
::| ... aka Braquage a l'italienne (France) |::
::| Blue Crush (2002) |::
::| ... aka Blue Crush (Germany) |::
::| Minority Report (2002) (songs "The Ad-Mall" and "The Neuroflex") |::
::| Pretty When You Cry (2001) (one cue) |::
::| Picture Claire (2001) |::
::| Crazy/Beautiful (2001) |::
::| Cheaters (2000/I) (TV) |::
::| Infinity's Child (1999) (V) |::
::| The Story of Computer Graphics (1999) |::
::| Planetary Traveler (1997) (V) |::
::| Vivid (1997) (song "Future Primitive") |::
::| ... aka Luscious |::
::| Pointman (1994) (TV) |::
::| The Man Inside (1990) (as Tangerine Dream) |::
::| ... aka Affaire Walraff, L' (France) |::
::| Rainbow Drive (1990) (TV) (as Tangerine Dream) |::
::| Catch Me If You Can (1989) (as Tangerine Dream) |::
::| Dead Solid Perfect (1988) (TV) (as Tangerine Dream) |::
::| Miracle Mile (1988) (as Tangerine Dream) |::
::| Destination Berlin (1988) (as Tangerine Dream) |::
::| Red Nights (1988) (V) (as Tangerine Dream) |::
::| Three O'Clock High (1987) (as Tangerine Dream) |::
::| Near Dark (1987) (as Tangerine Dream) |::
::| Shy People (1987) (as Tangerine Dream) |::
::| Zoning (1987) (as Tangerine Dream) |::
::| Deadly Care (1987) (TV) (as Tangerine Dream) |::
::| Tonight's the Night (1987) (TV) (as Tangerine Dream) |::
::| ... aka The Game of Love |::
::| Canyon Dreams (1987) (V) (as Tangerine Dream) |::
::| The Park Is Mine (1986) (TV) (as Tangerine Dream) |::
::| Filmography as: Composer, Miscellaneous Crew |::
::| Miscellaneous Crew - filmography (2000s) (1990s) |::
::| Minority Report (2002) (song producer: "The Ad-Mall" and "The |::
::| Neuroflex") |::
::| Lara Croft: Tomb Raider (2001) (music programmer) |::
::| ... aka Tomb Raider (USA: short title) |::
::| Red Planet (2000) (music programmer) |::
::| Pitch Black (2000) (music arranger) |::
::| ... aka The Chronicles of Riddick: Pitch Black (USA: DVD box title) |::
::| The Siege (1998) (music programmer) |::
::| The Negotiator (1998) (music programmer) |::
::| ... aka Verhandlungssache (Germany) |::
::| Phoenix (1998) (additional music arranger) |::
::| Chinese Box (1997) (music programmer) |::
::| Spawn (1997) (additional orchestrator) |::
::| Vivid (1997) (singer: "Future Primitive") |::
::| ... aka Luscious |::
::| |::
::| |::
::::. ....................................................... .::::
: : : TRACKLIST : : :
:...:.......:.....................................................:.......:...:
No : Title : : time : :
....:.......: :.......:...:
: :
01. Planetary Traveler 37:50 : :
......:...:
Total: 37:50 min:
:
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::| |::
::| As time goes by, the world matures. PsyCZ has matured and the scene has |::
::| matured. PsyCZ started releasing in VBR over two years ago, and was met |::
::| with skepticism. As time went by, more and more realised that VBR is |::
::| superiour to cbr 192. Finally, in 2004, VBR is allowed by the scene. |::
::| PsyCZ will also in 2004 continue to bring you the finest psychedelic |::
::| trance music from around the world, as we have since 2001. |::
::| |::
::|_________________________________________________________________________|::
::::::::::::::::::::::::::::::::..........:: GREETINGS ::...........:::::::::::
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::|_________________ |::
_______________ Greetings go out to everyone |::
___________ doing this for the love. |::
_______ Specially the veteran groups ;) |::
____ |::
⌐ PsyCZ 2004 _________________________________________________________|::