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░ ▓█████████▓▓█▀ ▐█▄██▓▀
▐███▓██▀▀▓▀░ [ J U S T F U N . P R E S E N T S ] ██▓▓█▀▀
░ ▓████▓▌ ░ ▐▓▀▀
▓ ▐█████▓█ ▀ ░
▀█▄▓████▓▓▄█▀ Artist.......: VA ░▓ ▌
▄▀██▓██▓▓▀ Album title..: 1 Year - ambient ░▓░▐▓
▓▓▄▀█▓▓▓▀ Label........: Fax (all labels) ░▓░ █▓▌
▐█▓▓ ▀▓ Genre........: Ambient ░▓▓▓ ▐█▓▓
▓█▓▌ ▓░ ███▓▓[z0o]░
▐██░ ░ ░ ▄ ░▄▄▄▄▓▄▄▓████▓▓▄▄▄▄▓▄▄
▀▓█░▄ ▌ ░▓░ [ R E L E A S E . I N F O ] ▓░ ▓▀▓█████████████▓▓▓▀
░ ▀▀▓█▄▐▓ ░▓▓▓░ ░▓▓▓░ ░ ▀▓██████▓██▓▓▀ ░
░ ░ █▓▌▄▄▄ ▄▓ ░▓▓▓░ ░▓▓▓▓▓▓░ ▀▓█████▓▓▓
░▓▓░ ▐█▓▓ ░ ░▓▓░ Rip date....: 06/21/2005 ░▓▓ ▐███████▓▓▌ ░
░░ ███▓▓ ▓▓░▓░ Str. date...: 11/22/1993 ░▓▓░ ▓███▀ ▀▓█▓▓ ░
▄▄▄▄▄▓▄▄▓████▓▓▄▄▄▄░▄▄ Ripper......: JUST ▓ ▐█▓▀ ░ ░▀█▓▌
▀▓█████████████▓▓▓▀ Size........: 97,10 MB ░▓░ █▀ ░░▓▓▓ ▀▓
░ ▀▓██████▓██▓▓▀ ▓░ Playtime....: 72:40 min ▓▓ ▀░ ░ ░ ░▓░ ░▀
▀▓█████▓▓▓ ░░▓ Cat.nr......: PKPWPS 1 ░▓▓░▓▓▓▓ ▓▓▓░
░ ▐███████▓▓▌░▓▓▓░ Quality.....: VBR ░▓▓▓▓▓ ▓░▓▓░░ ░
▓███▀ ▀▓█▓▓ ▓░░ Encoder.....: LAME v3.90.3 (Dibrom's) ░▒░ ░▓░ ░
▐█▓▀ ░░ ▀█▓▌░ ░ ▒
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░ ▄█▒████████▓▓▀ ▀▓██▓███▓▄
▄▓██░██████▓▓█▀ [ T R A C K . L I S T I N G ] ▀▀▀▓██▓▌
▓█████████▓▓█▀ ▐█▄██▓▀
▐███▓██▀▀▓▀░ ██▓▓█▀▀
▓████▓▌ ░ track title time ▐▓▀▀
▓████▓▌ ▀ ░▌
▓████▓▌ 01. Pete Namlook - Je suis seule et triste ici 08:24 ▓▌
▓████▓▌ (Air) ▓▌
▓████▓▌ 02. Dr. Atmo & Ramin - Apadana (Sad World) 05:03 ▓▌
▓████▓▌ 03. Pete Namlook & Mixmaster Morris - Fishology 09:15 ▓▌
▓████▓▌ (Dreamfish) ▓▌
▓████▓▌ 04. Pete Namlook & Geir Jenssen - The Fires of 06:12 ▓▌
▓████▓▌ Ork II (The Fires of Ork) ▓▌
▓████▓▌ 05. Pete Namlook - Live at XS 1 (Sextant) 15:08 ▓▌
▓████▓▌ 06. Pete Namlook - Space Shuttle 03:40 ▓▌
▓████▓▌ (Romantic Warrior) ▓▌
▓████▓▌ 07. Pete Namlook & Dr. Atmo - Omid/Hope (Silence) 21:52 ▓▌
▓████▓▌ 08. Pete Namlook - Silence (Namlook) 03:06 ▓▌
▓████▓▌ ▓▌
▓████▓▌ [ A B O U T . T H i S . R E L E A S E ] ▓▌
▓████▓▌ ▓▌
▓████▓▌ Artist: VA ▓▌
▓████▓▌ Title: 1 year - ambient ▓▌
▓████▓▌ Label: FAX ALL LABELS ▓▌
▓████▓▌ Cat No: PKPWPS 1 ▓▌
▓████▓▌ Format: CD (72.40 min) ▓▌
▓████▓▌ Release date: 22/11/1993 (Limitation: 500 copies) ▓▌
▓████▓▌ ▓▌
▓████▓▌ A compilation of the best ambient tracks from the ▓▌
▓████▓▌ first year of Fax. ▓▌
▓████▓▌ ▓▌
▓████▓▌ Here's some info from Namlook about the first year: ▓▌
▓████▓▌ ▓▌
▓████▓▌ "Everything developed very logically, I took one ▓▌
▓████▓▌ step after the other and reacted according the ▓▌
▓████▓▌ results. First of all was my strong will to make a ▓▌
▓████▓▌ living through music. This came to me after I ▓▌
▓████▓▌ learned to play the guitar and experienced that to ▓▌
▓████▓▌ make music is an ambivalent thing. You play ▓▌
▓████▓▌ something and the instrument responds with sound. ▓▌
▓████▓▌ This sound effects the environment you are situated ▓▌
▓████▓▌ in and this environment (depending on where you ▓▌
▓████▓▌ are) starts giving musical feedback. This meant ▓▌
▓████▓▌ more to me than just making music. And from the ▓▌
▓████▓▌ very beginning I was interested in a breed of music ▓▌
▓████▓▌ which is now called "Ambient." If you wanted to ▓▌
▓████▓▌ make music in the 70ies the first thing you had to ▓▌
▓████▓▌ learn was how to tune your instrument (especially ▓▌
▓████▓▌ when you were a guitar player like me with nothing ▓▌
▓████▓▌ but a tuning fork). The only way to do this was to ▓▌
▓████▓▌ use the musical directions of this time. So I ▓▌
▓████▓▌ started with "Beatles Complete" (cough!) to learn ▓▌
▓████▓▌ about playing chords and then moved over to ▓▌
▓████▓▌ classical music and after that remembered Cool Jazz ▓▌
▓████▓▌ music which was frequently played on the radio when ▓▌
▓████▓▌ I was a kid. From this time on my bible was "the ▓▌
▓████▓▌ Real Book" with all the Jazz Standards inside and I ▓▌
▓████▓▌ learned to play solos on the guitar with the ▓▌
▓████▓▌ "Kirchentonarten" (don't know what this is called ▓▌
▓████▓▌ in English... you know... Lydian, Phrygian ▓▌
▓████▓▌ etc...)["Kirchentonarten" literally translates to ▓▌
▓████▓▌ "church tone art", which by the examples of lydian ▓▌
▓████▓▌ and phrygian, probably refers to formal music ▓▌
▓████▓▌ modalities (as opposed to the ancient Indo-European ▓▌
▓████▓▌ languages of the same names)]. At about this time I ▓▌
▓████▓▌ started to compose and my first "song" was created ▓▌
▓████▓▌ by using the precious Revox tape recorder from my ▓▌
▓████▓▌ father to record some bird sounds and play first ▓▌
▓████▓▌ with guitar and alter with my friends sitar along ▓▌
▓████▓▌ the overdubbed and noisy tape. ▓▌
▓████▓▌ ▓▌
▓████▓▌ Given the choice I would love to have been born 15 ▓▌
▓████▓▌ years later and would have started making music by ▓▌
▓████▓▌ recording natural sounds of the country side with a ▓▌
▓████▓▌ DAT recorder, sample them and play along these ▓▌
▓████▓▌ sounds with two fingers using Cubase Audio and some ▓▌
▓████▓▌ analog gear. ▓▌
▓████▓▌ ▓▌
▓████▓▌ Don't get me wrong, but I could have lived very ▓▌
▓████▓▌ comfortable without having learned "Beatles ▓▌
▓████▓▌ Complete" (loosing a lot of friends because I sung ▓▌
▓████▓▌ along my "chord progressions" at that time) and ▓▌
▓████▓▌ going mad while trying to tune my guitar properly ▓▌
▓████▓▌ (this was the most useless 1/2 year of my life). ▓▌
▓████▓▌ ▓▌
▓████▓▌ Then came first gigs with the first band and the ▓▌
▓████▓▌ first 10,--DM fee. Afterwards the first album ▓▌
▓████▓▌ "Romantic Warrior," the second, the third and ▓▌
▓████▓▌ then... "Techno": the first Maxi-Sequential-a ▓▌
▓████▓▌ collaboration with DJ Criss as an advisor (until ▓▌
▓████▓▌ today the best advisor for Techno-Dance I ever ▓▌
▓████▓▌ had). He convinced me to use one of my older tracks ▓▌
▓████▓▌ (from about 1986) which nobody wanted to have ▓▌
▓████▓▌ before I released it as a "Chill-Out" track on the ▓▌
▓████▓▌ B-side as "The Mission/Sonne." Then another Maxi ▓▌
▓████▓▌ followed and I started to produce music with Pascal ▓▌
▓████▓▌ (F.E.O.S) and so on. My "production possee" was ▓▌
▓████▓▌ growing but I was still not able to make ends meet ▓▌
▓████▓▌ through music and had to deal with A&R managers who ▓▌
▓████▓▌ tried to convince me what good and what boring ▓▌
▓████▓▌ music is. When I finished producing I went from one ▓▌
▓████▓▌ label to another and tried to sell the tracks. ▓▌
▓████▓▌ Suddenly my output was getting to immense and ▓▌
▓████▓▌ nobody wanted to release our music any longer. At ▓▌
▓████▓▌ this time I was producing together with Non Eric ▓▌
▓████▓▌ and Pascal for "True Colours" and the same thing ▓▌
▓████▓▌ happened again. No one wanted this track. Eric and ▓▌
▓████▓▌ me were toying with the idea of producing our own ▓▌
▓████▓▌ label, but we didn't have the money and we were not ▓▌
▓████▓▌ quite sure who would sell our records. But... after ▓▌
▓████▓▌ waiting for an answer from several labels for a ▓▌
▓████▓▌ long time we just started doing the pressings ▓▌
▓████▓▌ ourselves and managed to sell the 500(!!!) copies, ▓▌
▓████▓▌ This was our first limited edition of Maxis. ▓▌
▓████▓▌ ▓▌
▓████▓▌ We did 500 only because we were still interested in ▓▌
▓████▓▌ getting a licensing deal with bigger labels. After ▓▌
▓████▓▌ that, Non Eric and me discontinued our ▓▌
▓████▓▌ collaboration. He was more on an Ego-Trip but I ▓▌
▓████▓▌ mainly wanted to keep the label to develop better ▓▌
▓████▓▌ possibilities for all the people I was working ▓▌
▓████▓▌ with. The breakthrough came with a telephone-call ▓▌
▓████▓▌ from DJ Criss who worked at Boy record shop in ▓▌
▓████▓▌ Frankfurt at that time: "Come down to Boy and meet ▓▌
▓████▓▌ Stefaan from Music Man... Oh no, I'm just ▓▌
▓████▓▌ producing... Come - he's important, perhaps we can ▓▌
▓████▓▌ sell True Colours, Deltraxx and Limelight to him... ▓▌
▓████▓▌ Alright, but if it is not important I'll kick your ▓▌
▓████▓▌ ass." ▓▌
▓████▓▌ ▓▌
▓████▓▌ It was important - Stefaan listened to the tracks, ▓▌
▓████▓▌ complained that True Colours was too commercial (!) ▓▌
▓████▓▌ but liked the other tracks a lot and promised to ▓▌
▓████▓▌ get back to me. I waited and waited, finally after ▓▌
▓████▓▌ giving up I received an unexpected fax from a guy ▓▌
▓████▓▌ called Lieven from N.E.W.S. (Music Man ▓▌
▓████▓▌ distribution) and he suggested licensing without ▓▌
▓████▓▌ advance. I called and told him my most favourite ▓▌
▓████▓▌ story: No way without advance! He confirmed me to ▓▌
▓████▓▌ release the stuff on my own label and they would ▓▌
▓████▓▌ distribute it. that was the way it started... They ▓▌
▓████▓▌ supported all of my musical ideas and never ▓▌
▓████▓▌ complained or tried to discuss with me about my ▓▌
▓████▓▌ music. Now the time for my 'Ambient' music had ▓▌
▓████▓▌ come. Long term dreams waited to come true... the ▓▌
▓████▓▌ beginner: "Silence" together with genius Ambient ▓▌
▓████▓▌ advisor Dr. Atmo. At this time he was the only guy ▓▌
▓████▓▌ who was also very deep into 'Ambient" music like ▓▌
▓████▓▌ me. None of the other musicians, Djs and musical ▓▌
▓████▓▌ advisors really understood our way and philosophy. ▓▌
▓████▓▌ We produced Silence in the summer of '92 and since ▓▌
▓████▓▌ then tried to sell it to other record companies but ▓▌
▓████▓▌ again... nobody wanted it and nearly everybody had ▓▌
▓████▓▌ it on their desks. I was thinking a lot about doing ▓▌
▓████▓▌ the CD myself but I was scared because I didn't ▓▌
▓████▓▌ have enough money and finally asked how many copies ▓▌
▓████▓▌ NEWS would take. They took 320 copies and this ▓▌
▓████▓▌ helped me to just break even. Silence was gone ▓▌
▓████▓▌ within a very short period of time. We were the ▓▌
▓████▓▌ first label in Germany who released a full length ▓▌
▓████▓▌ ambient cd. ▓▌
▓████▓▌ ▓▌
▓████▓▌ Our definition of Trance "Hardtrance" was a also ▓▌
▓████▓▌ very successful and culminated in the "4Voice" ▓▌
▓████▓▌ project. Other labels recognized that there was ▓▌
▓████▓▌ something new going on and that the people on the ▓▌
▓████▓▌ dancefloor liked it a lot so they copied our style ▓▌
▓████▓▌ and commercialized it. This was the sign for me to ▓▌
▓████▓▌ personally stop with this kind of music. My ▓▌
▓████▓▌ ambition was to discover something new and to lay ▓▌
▓████▓▌ new tracks in music. It was never my intention to ▓▌
▓████▓▌ do what everybody else does... ▓▌
▓████▓▌ ▓▌
▓████▓▌ The "Sub Label" gives musicians who work together ▓▌
▓████▓▌ with me the possibility to release their own music ▓▌
▓████▓▌ without running from one label to another ▓▌
▓████▓▌ discussing their music and begging for advances. ▓▌
▓████▓▌ The "World Label" was necessary because I wanted to ▓▌
▓████▓▌ work on a worldwide "Ambient" idea and collaborate ▓▌
▓████▓▌ with people from many different countries to ▓▌
▓████▓▌ enhance the 'Ambient" music. ▓▌
▓████▓▌ ▓▌
▓████▓▌ I'm sorry to put "Ambient" in quotation marks all ▓▌
▓████▓▌ the time, but for me in "Ambient" music, everything ▓▌
▓████▓▌ is possible and the word "Ambient" does not match ▓▌
▓████▓▌ all the musical possibilities we have within the ▓▌
▓████▓▌ music we do nowadays. It's important that you ▓▌
▓████▓▌ understand "Ambient" as more than one musical ▓▌
▓████▓▌ direction. It can be Dance ("The Fires of Ork"), ▓▌
▓████▓▌ Chill Out ("2350 Broadway"), Jazz ("Harmonize," ▓▌
▓████▓▌ "Air"), Classical ("Silence"), Ethnical ("Sad ▓▌
▓████▓▌ World") and Experimental ("Alien Community") or ▓▌
▓████▓▌ simply all kinds of music. I think that the main ▓▌
▓████▓▌ reason for the success of "Ambient" music is that ▓▌
▓████▓▌ you, the listener, are getting more and more open ▓▌
▓████▓▌ minded and that pure structured beat and form ▓▌
▓████▓▌ oriented music of other musical directions becomes ▓▌
▓████▓▌ boring after a while. ▓▌
▓████▓▌ ▓▌
▓████▓▌ With Ambient we are able to make on the one hand ▓▌
▓████▓▌ more complex and intelligent music which is mainly ▓▌
▓████▓▌ dedicated to the environment we are living in and ▓▌
▓████▓▌ on the other hand express and transport deepest ▓▌
▓████▓▌ emotions from us to you, our listeners all over the ▓▌
▓████▓▌ world." ▓▌
▓████▓▌ ▓▌
▓████▓▌ Further info: ▓▌
▓████▓▌ http://music.hyperreal.org/labels/fax ▓▌
▓████▓▌ http://2350.org (reviews) ▓▌
▓████▓▌ ▓▌
▓████▓▌ ▓▌
░ ▓████▓▌ ▓▌
▓ ▐█████▓█ [ A B O U T . U S ] ▓▌
▀█▄▓████▓▓▄█▀ ▓▌
▀██▓██▓▓▀ Our group consists of many rippers who are music enthu- ▓▌
▀█▓▓▓▀ siasts. Justfun is releasing different kind of music ▓▌
▀▓ like indie rock, trip-hop, ethnic, jazz, french, ▓▌
░ electro and many more ... We will bring you the music ▓▌
░ we like and share it with the rest of the under- ▓▌
░ ground scene. If you have, like us, a passion for ▄ ▓▌
░ music, don't hesitate to contact us ! ▄▄█▌ ▓▌
░ ▄████▓▌ ▓▌
░ GREETinGs : Nuhs . Hit2000 . DGN . Ksi . RAC . CHR █████▀▀▀▀ ▓▌
░ Om . rH . Fuffens . Remix . CMG . SB . Amok ░███ ▓▌
░ Kw . LOGOS . iTS . i . APC . Aaf . Diss . ESC ██▌ ▓▌
SEVcD . RNS . pyt ... ▓██ ▓▌
░ and all ppl who share music with us ! ▄▄▄██▌ ▓▌
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▄▓██▓██████▓▓█▀ [ C O N T A C T ] ▀▀▀▓██▓▌
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▐███▓██▀▀▓▀░ We're currently looking for : ██▓▓█▀▀
▓████▓▌ ░ - music enthusiast ppl buying cds on a regular basis. ▐▓▀▀
▓████▓▌ - ppl who can get promos or advanced rls. ▀ ░▌
░ ▓████▓▌ - Siteop who can provide at least 10mbits and ▓▌
▓ ▐█████▓█ 100gb+ for our archive. ▄ ▓▌
▀█▄▓████▓▓▄█▀ - People with skill and experience ▄▄█▌ ▓▌
▀██▓██▓▓▀ ... and everyone who wants to help in a ▄████▓▌ ▓▌
▀█▓▓▓▀ pleasant atmosphere our Just family. █████▀▀▀▀ ▓▌
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░ Share your forces with us ! ██▌ ▓▌
▌ jfun@hushmail.com ▓██ ▌ ▓▌
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░ ▀▓██████▓██▓▓▀ NFO and Layout proudly made in Quebec ░ ▀▓██████▓██▓▓▀
▀▓█████▓▓▓ by z0oy0rk ▀▓█████▓▓▓
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▓███▀ ▀▓█▓▓ [ J U S T F U N born in Apr. 2 0 0 0 ] ▓███▀ ▀▓█▓▓
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▀░ ░ ░▀ ▀░ z!░▀