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Bollani-Bodilsen-Lund - Gleda-Songs From Scandinavia
Title : Gleda-Songs From Scandinavia
Artist : Bollani-Bodilsen-Lund
Genre : Jazz
Year : 2005
BCC Rel Date : Jun-26-2005
Audio Bitrate : VBR kbps / Joint-Stereo
Sample Rate : 44,1 kHz Stereo
Encoder : Lame
Tracks : 09
Label : Stunt
Ripped By : BCC Team
Source : CDDA
Length : 57:07 min
Size : 80,3 MB
01.Aldrig Som Aldrig [05:14]
02.Den Allersidste Dans [06:17]
03.Moder, Jeg Er Trat, Nu Vil Jeg Sove [05:50]
04.Armband [05:52]
05.Dansen og Valsen [07:02]
06.Morgenlys Over Kobenhavn [07:26]
07.Kimer I Klokker [04:05]
08.Glemmer Du [06:37]
09.Gleda [08:44]
-------
57:07 min
The Italian virtuoso, pianist Stefano
Bollani, began his collaboration with two
Danish musicians after the 2003 Jazzpar
concerts, at which they accompanied the great
Italian trumpeter Enrico Rava. One day of
rehearsal, two concerts, and five hours in a
recording studio resulted in their first CD,
Mi Ritorni In Mente, which became a jazz hit
in Italy as well as in Denmark. Following
Danish and Italian tours, it became clear
that this constellation was destined to be of
a more permanent nature. You need not be a
musician to understand what bassist Jesper
Bodilsen means when he says, The fascinating
thing about playing with Stefano is his
brilliant musicality. You never know whats
going to happen; all you know is that it is
so very inspiring. His playing combines
playfulness and humor with something very
deep.
This is probably in part due to the fact that
Bollani has always expressed himself in a
wide range of idioms. Although classically
trained, he has played jazz and pop since
childhood, and even once contemplated a
vocalist career. The diversity and unbiased
outlook are two traits he shares with bassist
Jesper Bodilsen and drummer Morten Lund.
After ten years of collaboration on numerous
projects, these two musicians are possibly
the tightest bass/drum team of their
generation on the Danish jazz scene.
The trios first album was dominated by
Italian tunes and standard type material.
However, the concluding tune, a Swedish folk
song called Liten Karin, pointed in new
directions. This tune became the beacon that
showed the way toward this new collection.
Stefano Bollani wanted to play more
Scandinavian tunes but on one condition: he
would not listen to recorded versions of the
music, so as not to feel influenced. Jesper
Bodilsen did the necessary research.
Probably few, if any, of the nine tunes are
known outside of Scandinavia. Although there
is a span of 100 years between the newest and
oldest of them, and though it is true that
one should be careful about elevating songs
to evergreen status, still the material here
contains much of whatever it is that
evergreens are made of. We are treated to
brilliant new interpretations of Den
Allersidste Dans (The Very Last Dance) from
the 1951 movie Mod Mig Pa Cassiopeia (Meet Me
On Cassiopeia), a small stroke of genius by
Kai Normann Andersen, also the composer of
Glemmer Du (If You Forget), and once again,
one wonders why so few Danish jazz musicians
use his music. The saddest song I ever heard,
says Bodilsen of Moder Jeg Er Trat, Nu Vil
Jeg Sove (Mother I Am Tired, Now I Want To Go
To Sleep) one of Fini Henriques less cheerful
tunes, written to the poem Det Doende Barn
(The Dying Child) by Hans Christian Andersen.
The CD also features the title track, Gleda,
by Norwegian Bjorn Eidsvag, and tunes by Lisa
Nilsson, Katrine Madsen, Thomas Laub and
others.
On GLEDA the trio finds a melodic and
original tone in a music concentrated around
Scandinavian material. They have succeeded in
creating a beautiful, refreshing and modern
sound in a wonderfully well-defined
recording. Hearing one of Europes great
pianists interpret these tunes is pure
pleasure. Although rounded of another musical
culture, his open-minded lack of bias, and
that of his Danish companions, create lovely,
surprising new facets and miracles!
http://diapazon.pl/PelnaPlyta.php?Id=6433
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