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Sea Wolf - White Water, White Bloom
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|||||| -----------------=--= RELEASEiNFO =-=------------------- ||||||
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||| Artist Name_____> Sea Wolf |||
||| Album Name______> White Water, White Bloom |||
||| Label___________> Dangerbird |||
||| Genre___________> Indie |||
||| URL_____________> |||
||| Release Date____> 2017-10-25 |||
||| Street Date_____> 2009-09-02 |||
||| Size____________> 269.64mb ||
|| Playtime________> 40:02 ||
|| Encoder_________> FLAC 1.3.1 ||
|| Quality_________> 893 kbps / 44.1khz / 2 channels ||
|| ||
| |
| -----------------=--= TRACKLiST =-=------------------- |
| |
| |
| 1 Wicked Blood 4:25 |
| 2 Dew In The Grass 4:24 |
| 3 Orion & Dog 3:49 |
| 4 Turn The Dirt Over 2:59 |
| 5 O Maria! 4:00 |
| 6 White Water, White Bloom 4:29 |
| 7 Spirit Horse 3:53 |
| 8 The Orchard 3:26 |
| 9 The Traitor 4:17 |
| 10 Winter's Heir 4:20 |
| |
| |
| -----------------=--= N O T E S =-=------------------- |
| |
| |
| Sea Wolf emerged in 2007 as a tuneful alternative to Bright Eyes, |
| with both bands championing a mix of tremulous vocals and sharp, |
| Americana-styled songwriting. White Water, White Bloom doesn't do |
| much to dispel those similarities, but it does widen the band's |
| sound, with bandleader Alex Church carefully splitting his time |
| between the organic and the orchestral. Church wrote the entire |
| album alone, yet all ten tracks feature contributions from an army |
| of musicians, including several members of Sea Wolf's touring |
| lineup. With producer Mike Mogis (one of the chief architects of |
| Bright Eyes' sound) behind the boards, White Water evokes a lush, |
| chamber-country ambiance, sounding intimate one minute and grandly |
| expansive the next. At the center of everything is Church's |
| attention to melody, which shines as brightly on the album's |
| sparsest songs -- "Orion & Dog," "The Orchard," "Winter's Heir" -- |
| as on the more bombastic numbers. Even so, it's the fully |
| orchestrated material that makes the biggest impact. Church and |
| Mogis lace their autumnal anthems with strings, organs, woodwinds, |
| and clash cymbals, creating mini-symphonies that leave their mark |
| but rarely overstay their welcome. The resulting tunes are lush, |
| but few are truly dense, and White Water's biggest asset is its |
| ability to wield such a large sound without replacing the woodsy, |
| cozy feel of Church's solo performances. |
| |
| |
| -----------------=--= GREETiNGS =-=------------------- |
| |
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