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The Get Up Kids - Guilt Show
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|||||| -----------------=--= RELEASEiNFO =-=------------------- ||||||
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|||| |||
||| Artist Name_____> The Get Up Kids |||
||| Album Name______> Guilt Show |||
||| Label___________> Vagrant |||
||| Genre___________> Rock |||
||| URL_____________> |||
||| Release Date____> 2017-11-03 |||
||| Street Date_____> 2004-03-02 |||
||| Size____________> 338.16mb ||
|| Playtime________> 45:25 ||
|| Encoder_________> FLAC 1.3.1 ||
|| Quality_________> 997 kbps / 44.1khz / 2 channels ||
|| ||
| |
| -----------------=--= TRACKLiST =-=------------------- |
| |
| |
| 1 Man Of Conviction 1:33 |
| 2 The One You Want 3:15 |
| 3 Never Be Alone 3:17 |
| 4 Wouldn't Believe It 3:47 |
| 5 Holy Roman 2:50 |
| 6 Martyr Me 3:26 |
| 7 How Long Is Too Long 2:24 |
| 8 Sick In Her Skin 4:25 |
| 9 In Your Sea 3:02 |
| 10 Sympathy 3:09 |
| 11 The Dark Night Of The Soul 3:01 |
| 12 Is There A Way Out 6:20 |
| 13 Conversation 4:56 |
| |
| |
| -----------------=--= N O T E S =-=------------------- |
| |
| |
| Back in the day (four years ago), the Get Up Kids were about giddy |
| anthems and Superchunk posters in practice rooms. Still, a strong |
| emphasis on songwriting did suggest there was more than just more |
| and louder power chords on the band's horizon, and their strings |
| officially came in with 2002's On a Wire. The album scuttled punk |
| fervor and plaintive vocal cries in favor of subtle pop vessels |
| loaded with ambitious writing. A little too ambitious -- Wire at |
| times seemed like a gaggle of great ideas running around with |
| their heads cut off. But Matt Pryor and the lads have had a few |
| years to figure it out, and with Guilt Show, they officially put |
| the Get Up Kids' past to bed. Pryor's screechy vocals can still |
| suggest the bravado of youth. But he's moved past love letters to |
| long-distance girlfriends, or bawling on the phone as the guitars |
| blare and the drums stumble in double time. No, the lyrics here |
| are pensive, reflecting on growing families, responsibilities, and |
| bittersweet post-twentysomething realities. ("All my will to |
| fight/Redemption is a bitch to end all," from the fabulous "The |
| Dark Night of the Soul"). As the songwriting promise of GUK's |
| youth has been fully realized, so has its musical transformation. |
| Besides its wry and wiry lyrics, Guilt Show's real stars are the |
| keyboards of James Dewees. His soft touch dominates the album's |
| solid midsection, fleshing out each mature pop flourish and '60s |
| influence. An organ guides the Replacements-ish "Martyr Me," while |
| "How Long Is Too Long" emerges from layers of whirring synths into |
| a straightforward pop gem with its own keys to go by. "In Your |
| Sea" is downright Technicolor jaunty, even if, like Spoon, it's |
| quietly acerbic, and the rocking "One You Want" is as accessible |
| and meaningful as anything from the past, but turns on a telling |
| lyric -- "It's too late to turn your age around" -- and features a |
| baroque bridge right out of a Michael Penn song. This is the |
| maturity of the Get Up Kids today. Yesterday doesn't matter |
| because Guilt Show broadcasts the update: the Get Up Kids have |
| grown into a talented American pop/rock band worthy of being held |
| accountable today, both for what they're saying and how they're |
| sounding. |
| |
| |
| -----------------=--= GREETiNGS =-=------------------- |
| |
|\ /|
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