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░ ▓█████████▓▓█▀ [ J U S T F U N . P R E S E N T S ] ▐█▄██▓▀
▐███▓██▀▀▓▀░ ██▓▓█▀▀
░ ▓████▓▌ ░ Artist.......: Roswell Rudd ▐▓▀▀
▓ ▐█████▓█ Album........: Roswell Rudd ▀ ░
▀█▄▓████▓▓▄█▀ Genre........: Jazz ░▓ ▌
▄▀██▓██▓▓▀ Language.....: English ░▓░▐▓
▓▓▄▀█▓▓▓▀ Label........: Universal ░▓░ █▓▌
▐█▓▓ ▀▓ Catnr........: n/a ░▓▓▓ ▐█▓▓
▓█▓▌ URL..........: n/a ▓░ ███▓▓[z0o]░
▐██░ ░ ░ ▄ ░▄▄▄▄▓▄▄▓████▓▓▄▄▄▄▓▄▄
▀▓█░▄ ▌ ░▓░ [ R E L E A S E . I N F O ] ▓░ ▓▀▓█████████████▓▓▓▀
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░▓▓░ ▐█▓▓ ░ ░▓▓░ source......: CDDA ░▓▓ ▐███████▓▓▌ ░
░░ ███▓▓ ▓▓░▓░ playtime....: 38:00 min ░▓▓░ ▓███▀ ▀▓█▓▓ ░
▄▄▄▄▄▓▄▄▓████▓▓▄▄▄▄░▄▄ rip.date....: Jul-02-2005 ▓ ▐█▓▀ ░ ░▀█▓▌
▀▓█████████████▓▓▓▀ str.date....: 000-00-2004 ░▓░ █▀ ░░▓▓▓ ▀▓
░ ▀▓██████▓██▓▓▀ ▓░ ripper......: JusT TeaM ▓▓ ▀░ ░ ░ ░▓░ ░▀
▀▓█████▓▓▓ ░░▓ grabber.....: EAC v.0.95 prebeta 4 ░▓▓░▓▓▓▓ ▓▓▓░
░ ▐███████▓▓▌░▓▓▓░ encoder.....: LAME v.3.90.3 Modified ░▓▓▓▓▓ ▓░▓▓░░ ░
▓███▀ ▀▓█▓▓ ▓░░ size........: 34,5 MB ░▒░ ░▓░ ░
▐█▓▀ ░░ ▀█▓▌░ quality.....: VBR/44,1Hz/Joint-Stereo ░ ▒
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░ ▄█▒████████▓▓▀ ▀▓██▓███▓▄
▄▓██░██████▓▓█▀ [ T R A C K . L I S T I N G ] ▀▀▀▓██▓▌
▓█████████▓▓█▀ ▐█▄██▓▀
▐███▓██▀▀▓▀░ ██▓▓█▀▀
▓████▓▌ ░ track title time ▐▓▀▀
▓████▓▌ ▀ ░▌
▓████▓▌ 01. Respects 10:33 ▓▌
▓████▓▌ 02. Old Stuff 08:58 ▓▌
▓████▓▌ 03. Jabulani 05:00 ▓▌
▓████▓▌ 04. Sweet Smells 10:20 ▓▌
▓████▓▌ 05. Pannonica 03:09 ▓▌
▓████▓▌ ▓▌
▓████▓▌ [ A B O U T . T H i S . R E L E A S E ] ▓▌
▓████▓▌ ▓▌
▓████▓▌ Bebop was probably the worst thing ever to happen ▓▌
▓████▓▌ to the trombone. While the blockish rhythms and ▓▌
▓████▓▌ rough-hewn sonorities of early jazz were ▓▌
▓████▓▌ tailor-made for -- and in part, defined by -- the ▓▌
▓████▓▌ infinitely flexible instrument, the technical ▓▌
▓████▓▌ requirements of modern jazz just about put it out ▓▌
▓████▓▌ of business. Over the years, a number of very fine ▓▌
▓████▓▌ players (J.J. Johnson and Frank Rosolino being, ▓▌
▓████▓▌ arguably, the foremost among them) managed to adapt ▓▌
▓████▓▌ the instrument to the exigencies of bop. In the ▓▌
▓████▓▌ process, however, they were usually forced to ▓▌
▓████▓▌ sacrifice the peculiar tonal expressivity that sets ▓▌
▓████▓▌ the trombone apart from other jazz instruments. It ▓▌
▓████▓▌ wasn't really until the advent of free jazz that ▓▌
▓████▓▌ trombonists reclaimed the slides, smears, growls, ▓▌
▓████▓▌ and groans that had virtually disappeared from the ▓▌
▓████▓▌ current of jazz's development for some 20-plus ▓▌
▓████▓▌ years. It's no coincidence that free jazz's most ▓▌
▓████▓▌ acclaimed trombonist, Roswell Rudd, mostly bypassed ▓▌
▓████▓▌ bop altogether, going straight from being a ▓▌
▓████▓▌ tailgate trombonist in a Dixieland band to ▓▌
▓████▓▌ co-founding the ultra avant-garde New York Art ▓▌
▓████▓▌ Quartet, with very few stops in between. Rudd ▓▌
▓████▓▌ exploited the trombone's natural proclivities to ▓▌
▓████▓▌ the fullest. In his hands, the horn became less a ▓▌
▓████▓▌ note-playing machine than a kind of human-powered ▓▌
▓████▓▌ analog synthesizer. Rudd didn't try to mimic a ▓▌
▓████▓▌ language, bebop, that was spoken most naturally by ▓▌
▓████▓▌ players of keyed instruments. Instead, he jumped ▓▌
▓████▓▌ wholeheartedly into free jazz -- a type of music ▓▌
▓████▓▌ more concerned with exploring sound for its own ▓▌
▓████▓▌ sake -- a style for which he and his instrument ▓▌
▓████▓▌ were exceedingly well-equipped. ▓▌
▓████▓▌ ▓▌
▓████▓▌ Rudd's first instrument was the French horn, which ▓▌
▓████▓▌ he studied from the age of 11. His father was an ▓▌
▓████▓▌ amateur drummer who introduced his son to jazz. In ▓▌
▓████▓▌ his teens, Rudd began teaching himself to play the ▓▌
▓████▓▌ trombone; Woody Herman's star trombonist, Bill ▓▌
▓████▓▌ Harris, was a particular favorite. He played ▓▌
▓████▓▌ Dixieland, while he attended Yale, with a band ▓▌
▓████▓▌ called Eli's Chosen Six. From 1960-1962 he worked ▓▌
▓████▓▌ with legendary pianist Herbie Nichols, who became ▓▌
▓████▓▌ something of a mentor to Rudd. From 1961-1963, Rudd ▓▌
▓████▓▌ played in a band with soprano saxophonist Steve ▓▌
▓████▓▌ Lacy and drummer Dennis Charles. The band would ▓▌
▓████▓▌ later be informally known as the School Days ▓▌
▓████▓▌ Quartet, after the 1963 Emanem album of that name. ▓▌
▓████▓▌ The group's repertoire consisted entirely of ▓▌
▓████▓▌ Thelonious Monk tunes. In 1962, he joined trumpeter ▓▌
▓████▓▌ Bill Dixon's free jazz group, who also included ▓▌
▓████▓▌ tenor saxophonist Archie Shepp and drummer Charles. ▓▌
▓████▓▌ In 1964, he founded and co-led the New York Art ▓▌
▓████▓▌ Quartet (with saxophonist John Tchicai) and ▓▌
▓████▓▌ participated in the October Revolution in Jazz, an ▓▌
▓████▓▌ early free jazz festival organized by Bill Dixon ▓▌
▓████▓▌ and held in a New York City cafΘ. Rudd spent the ▓▌
▓████▓▌ latter half of the '60s playing in Archie Shepp's ▓▌
▓████▓▌ band, Charlie Haden's Liberation Music Orchestra, ▓▌
▓████▓▌ and a group led by saxophonist Gato Barbieri. In ▓▌
▓████▓▌ 1968, he formed the Primordial Quartet (with ▓▌
▓████▓▌ saxophonists Lee Konitz and Robin Kenyatta, and ▓▌
▓████▓▌ pianist/vibist Karl Berger). The group disbanded in ▓▌
▓████▓▌ 1970. Rudd's compositions for the Jazz Composer's ▓▌
▓████▓▌ Orchestra were recorded in 1973 on the album ▓▌
▓████▓▌ Numatik Swing Band (JCOA). ▓▌
▓████▓▌ ▓▌
▓████▓▌ Although Rudd recorded occasionally in the '70s and ▓▌
▓████▓▌ '80s (notably under Lacy's leadership), he ▓▌
▓████▓▌ gradually became less visible, as matters of ▓▌
▓████▓▌ economic survival took precedence over creative ▓▌
▓████▓▌ concerns. He worked a variety of non-musical jobs ▓▌
▓████▓▌ and spent time teaching at the college level. After ▓▌
▓████▓▌ being denied tenure at the University of Maine in ▓▌
▓████▓▌ Augusta, Rudd moved to the Catskill region of New ▓▌
▓████▓▌ York state, where he worked steadily in a hotel ▓▌
▓████▓▌ resort band. The mid-'90s found him busy musically ▓▌
▓████▓▌ once again. Albums on the C.I.M.P. label, under his ▓▌
▓████▓▌ own name and as a sideman, helped reestablish him ▓▌
▓████▓▌ as a jazz player. In 2000, Rudd and Lacy reunited ▓▌
▓████▓▌ to record (with Lacy's regular rhythm section, ▓▌
▓████▓▌ bassist Jean-Jacques Avenel and drummer John ▓▌
▓████▓▌ Betsch, and vocalist Irene Aebi) Monk's Dream for ▓▌
▓████▓▌ the Verve label; the band also toured in support of ▓▌
▓████▓▌ the album. At the turn of the millennium, Rudd ▓▌
▓████▓▌ performed with some frequency in Europe and New ▓▌
▓████▓▌ York, regaining his reputation as the father of ▓▌
▓████▓▌ free jazz trombone. ▓▌
▓████▓▌ ▓▌
▓████▓▌ *************************************************** ▓▌
▓████▓▌ ▓▌
▓████▓▌ Trombonist Roswell Rudd made his debut as leader ▓▌
▓████▓▌ with this eponymous 1965 date recorded in the ▓▌
▓████▓▌ Netherlands for the European-based America label. ▓▌
▓████▓▌ Fans of Rudd will immediately recognize his ▓▌
▓████▓▌ peculiar slide-heavy and note-bending style. While ▓▌
▓████▓▌ the album is primarily a free jazz effort, tracks ▓▌
▓████▓▌ such as "Old Stuff" and "Respects" do belie a ▓▌
▓████▓▌ quasi-boppish influence not dissimilar to the work ▓▌
▓████▓▌ of avant-garde icon saxophonist Ornette Coleman. ▓▌
▓████▓▌ Rudd is joined here by alto saxophonist John ▓▌
▓████▓▌ Tchicai, bassist Finn Von Eyben, and drummer Louis ▓▌
▓████▓▌ Moholo. ▓▌
▓████▓▌ ▓▌
░ ▓████▓▌ ▓▌
▓ ▐█████▓█ [ A B O U T . U S ] ▓▌
▀█▄▓████▓▓▄█▀ ▓▌
▀██▓██▓▓▀ Our group consists of many rippers who are music enthu- ▓▌
▀█▓▓▓▀ siasts. Justfun is releasing different kind of music like ▓▌
▀▓ indie rock, trip-hop, ethnic, jazz, french, brazilian ▓▌
░ electro and many more ... We will bring you the music ▓▌
░ we like and share it with the rest of the under- ▄ ▓▌
░ ground scene. If you have, like us, a passion for ▄▄█▌ ▓▌
░ music, don't hesitate to contact us ! ▄████▓▌ ▓▌
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░ GREETinGs : NuHS . Hit2000 . DGN . KSi . SEQ . CHR ░███ ▓▌
░ Om . rH . Fuffens . Remix . FMF . SB ██▌ ▓▌
Kw . LOGOS . iTs . i . ATM . aAF . ... ▓██ ▓▌
░ and all ppl who share music with us ! ▄▄▄██▌ ▓▌
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▄▓██▓██████▓▓█▀ [ C O N T A C T ] ▀▀▀▓██▓▌
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▐███▓██▀▀▓▀░ We're currently looking for : ██▓▓█▀▀
▓████▓▌ ░ - music enthusiast ppl buying cds on a regular basis. ▐▓▀▀
▓████▓▌ - ppl who can get promos or advanced rls. ▀ ░▌
░ ▓████▓▌ - Siteop who can provide at least 10mbits and ▓▌
▓ ▐█████▓█ 50gb++ for our archive. ▄ ▓▌
▀█▄▓████▓▓▄█▀ - People with skill and experience ▄▄█▌ ▓▌
▀██▓██▓▓▀ ... and everyone who wants to help in a ▄████▓▌ ▓▌
▀█▓▓▓▀ pleasant atmosphere our Just family. █████▀▀▀▀ ▓▌
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▀▓█████▓▓▓ by z0oy0rk ▀▓█████▓▓▓
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▓███▀ ▀▓█▓▓ [ J U S T F U N born in Apr. 2 0 0 0 ] ▓███▀ ▀▓█▓▓
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