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┌────────┐ ██▀▀
───┤ Info ├──────────────────────────────────────────────────────────────────
└────────┘
Chelsea Wolfe-Hiss Spun
Artist : Chelsea Wolfe
Album : Hiss Spun
Label : N/A
Year : 2017
Genre : Rock Source : CDDA
Encoder : FLAC 1.3.1 Bitrate : 834kbps
Playtime : 48:18 Size : 291,67 MB
┌────────┐
───┤ Tracks ├──────────────────────────────────────────────────────────────────
└────────┘
Tracks:
01 Spun 05:29
02 16 Psyche 04:19
03 Vex 03:02
04 Strain 01:14
05 The Culling 06:01
06 Particle Flux 04:53
07 Twin Fawn 06:07
08 Offering 02:50
09 Static Hum 04:21
10 Welt 01:54
11 Two Spirit 05:04
12 Scrape 03:04
┌────────┐
───┤ Notes ├──────────────────────────────────────────────────────────────────
└────────┘
Crafting 'doom-drenched electric folk', Los Angeles'
Chelsea Wolfe grew up in Northern California with a
father who had a country band and his own home studio,
so she was immersed in music at an early age and began
recording herself at age nine; by the time she was in
fourth grade, she knew she wanted to be a singer.
However, it wasn't until 2009, when she returned from a
three-month tour with a performance artist friend in
spaces including old nuclear factories, that she began
making music for others to hear.
Wolfe recorded with her friends on a portable eight-
track, the results of which became her 2010 debut
album, "The Grime And The Glow". Wolfe also contributed
a radically different version of the Strokes' "The
Modern Age" to a tribute to the band curated by
Stereogum.com, and her song "Moses" was used as the
soundtrack to artist/director Richard Phillips' short
film Sasha Grey.
On "Hiss Spun", Wolfe goes even deeper, darker, and
heavier with her music than she did on "Abyss". To help
her reach these depths, she assembled a murderer's row
of metal talent: In addition to longtime collaborator
Ben Chisholm and drummer Jess Gowrie, with whom she'd
been in a band years before, she recruited Converge's
Kurt Ballou, Queens Of The Stone Age'sTroy Van Leeuwen,
and Aaron Turner of Isis, Sumac, and Old Man Gloom.
Somehow, the heavier Wolfe's music gets, the more
eloquence and nuance she finds in its sheer volume. She
wastes no time introducing "Hiss Spun" crushing weight
with "Spun", which sounds exactly like the 'heavy love'
she sings about. It's equally glorious and ominous,
with something erotic and all-consuming in its slowly
swaying beat, beautifully sinister guitars, and Wolfe's
weightless soprano floating above it all.
Though she shares the spotlight gracefully - Van
Leeuwen's guitar work makes each of the album's first
three songs a standout, while Turner's growls add an
extra doomy authenticity to "Vex" - as on Abyss, it's
clear that "Hiss Spun" is metal done her way. Wolfe
incorporates a relentless electronic pulse into the
climate change lament "Offering", and strips things
down to little more than piano and her voice on "Welt".
Ballou's production leaves space for the full range of
her unearthly vocals, allowing her to reach epic highs
and lows on songs such as "The Culling" and "Twin
Fawn", both of which offer some of the album's most
tender moments before unleashing their dark majesty.
The span of "Hiss Spun" sounds matches the ways Wolfe
poetically expresses love, betrayal, strength, and
decay in personal and global terms. She depicts a world
hell-bent on destroying itself on "Particle Flux" and
"Static Hum", surrounding her imagery of war's victims
and a planet on fire with suffocating white noise.
Though the stories on songs like "Two Spirit" are
smaller, the stakes are just as high, and when Wolfe
sings 'my regret will never consume me' on the
apocalyptic finale "Scrape", it can't help but feel
like a victory.
Both fierce and fragile, "Hiss Spun" presents an artist
in compelling control of the entire scope of her
expression.
┌────────┐
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└────────┘