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Virtual Reality Bootcamp (c) FxpHD
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The world of Virtual Reality has exploded with enormous interest,
investment and opportunities for creative exploration. In this 100
level course we will get you up to speed with the current approaches,
gear and opportunities. We feel this is something fxphd does very well,
provide current deep technical insight on tech that is still evolving,
with interview and contributions from experts from around the world.
This course will talk to those producing VR, marketing it and promoting
it so you can fully understand what is involved and how to position
yourself to take advantage of this explosion of activity.
Currently there is no one killer pipeline or 'solution' to VR so it is
important that you get up to speed with the diversity of opinions and
approaches coupled with a solid technical understanding of the issues.
Led by Mike Seymour and John Montgomery, we will explore everything
from filming and stitching to Lightfields and Plenoptic capture right
through to distributing your work and the business opportunities.
VR is a very real alternative for creative image professionals and
effects companies alike, with the literally billions being invested by
Facebook and Google, can you afford not to understand the issues and
challenges that are being presented ?
Applications
How can VR be used? It is not enough as a professional to make it just
because it is coolà or at least it is a lot cooler to also have a
meaningful business application. We speak to producers around the world
about just they see the budgets and production funding models evolving.
We have built long term relationships with a series of key developers
and producers to try and give you the most informed perspective on this
very much evolving environment.
Viewing Devices
Oculus Rift, DK1 Dk2, Cove, GearVR, Valve, cardboard... all just a few
of the options for viewing, but just how much does the player influence
the project design? How does the data rates of mobile differ from the
opportunities of head tracking? We will explore the key issues with
people who were buying Oculus Rifts on Kickstarter - when the ôvrö
community were laughing at the ability of the new company to even
deliver.
Large and small rigs
While we will cover the entry level GoPro multi-camera 3D printer rigs
we will also talk to companies doing 6 or 9 Epic RED Rigs. These big
rigs offer incredible resolution but flying a 6 Red Epic rig on a crane
is no small deal (!). We feel it is important when you sit down with a
client to discuss a project that you have all the pros and cons of each
option to maximize your projects chance of success.
Live Action Filming Language
Just what is the language of VR film - when cuts, closeups, and
traditional framing becomes irrelevant. While Filming and stitching is
clearly a challenge in VR, it also directly affects how well you can
derive a virtual stereo par for play back. Any camera rig will have the
film backs offset from the nodal center - but just what does that mean
to producing high end final content?
Audio
In a VR world where you canÆt cut to a close up or reframe for effect,
audio becomes even more important. Audio not only sets the mood and
scores the emotional content but with full audio solutions it can drive
the viewers attention to the correct orientation, - want someone to
turn around? Try exploding a tank behind them! But with this very
personal audio experience, how does sound design and sound mixing need
to work? We talk to the professionals who have experience in VR sound
design (and even mic design for VR).
Production/post
There are a range of key tools being used today in VR production and
rendering, at NAB even more opportunities and pipelines present -
widening further your choices for high end production.
Deliverables
If you want to deliver VR content what is the format? What is the color
space? How do I grade and master the final deliverable and can I future
proof the project? The requirements for a game engine real time VR
experience is very different from a performed live action piece or a
Lightfield render. We outline the current options.
course syllabus
Class 1
An interview with Mark Bolas from Mixed Reality Lab (MxR), ICT, USC.
Class 2
Mike explains OtoyÆs lightfield technology and the Octane Render
roadmap.
Class 3
HTC Valve and user cases plus an interview with Michael Henson.
Class 4
Beginning our look at live action VR. Using virtual reality photography
to examine the problems of parallax and multiple camera rigs. A brief
look at three types of rigs we'll be covering in the course: GoPro,
Epic/Dragon, and Jaunt. A discussion with Digital Quilt's Geoffrey Bund
about their homemade RED Dragon rig.
Class 5
Beginning our look at live action VR. Using virtual reality photography
to examine the problems of parallax and multiple camera rigs. A brief
look at three types of rigs we'll be covering in the course: GoPro,
Epic/Dragon, and Jaunt. A discussion with Digital Quilt's Geoffrey Bund
about their homemade RED Dragon rig. Part 2.
Class 6
Mike talks to Jon Wadelton and Simon Robinson from the Foundry about
their current development of VR tools.
Class 7
Getting set up for shooting with a six GoPro 360 VR rig, considerations
before you shoot and suggestions for useful equipment, including the
Freedom 360 Mount. We also continue our discussion with Digital Quilt's
Geoffrey Bund about their own GoPro VR rig.
Class 8
Prepping and file organization for constructing the stitched
environment, correcting for misaligned sections, ghosting and exporting
the various cameras for further compositing.
Class 9
An approach for doing VR previs, VR distribution channels, a variety of
VR capture methods, and a look at a prototype audio rig for capturing
360 degree audio.
Class 10
Mike talks to Rob Bredow about the ILMxLAB and the Jurassic World VR
experience.
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Type .... : Instructional Video
Genre ... : Bookware
Disks ... : 95
URL ..... : https://www.fxphd.com
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█▓▒ ▓ C) Sit back, and enjoy! ▓ ▒▓█
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