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Kelela-Take Me Apart
Artist : Kelela
Album : Take Me Apart
Label : Warp Records
Year : 2017
Genre : R&B Source : CDDA
Encoder : FLAC 1.3.1 Bitrate : 809kbps
Playtime : 53:50 Size : 315,24 MB
┌────────┐
───┤ Tracks ├──────────────────────────────────────────────────────────────────
└────────┘
Tracks:
01 Frontline 05:39
02 Waitin 03:15
03 Take Me Apart 04:03
04 Enough 05:09
05 Jupiter 02:05
06 Better 04:26
07 LMK 03:38
08 Truth Or Dare 04:12
09 S.O.S. 02:22
10 Blue Light 03:37
11 Onanon 04:32
12 Turn To Dust 04:29
13 Bluff 01:12
14 Altadena 05:11
┌────────┐
───┤ Notes ├──────────────────────────────────────────────────────────────────
└────────┘
Kelela synthesizes contemporary R&B and progressive
electronic music with an aptitude for prompting club
play as much as bedroom listening. The vocalist and
songwriter, born Kelela Mizanekristos in Washington,
D.C, was raised in suburban Maryland and didn't have
aspirations as a singer until she started studying
jazz. Subsequent obsessions with Amel Larrieux and
Little Dragon helped push her toward finding her own
style - one she found after she moved to Los Angeles in
2010.
Mixtape seemed like an unnecessarily modest designation
for "Cut 4 Me", one of the most striking and satisfying
releases of 2013. Almost four years to the day, after
key appearances on songs by the likes of Kindness,
Solange, Danny Brown, and Gorillaz, and the release of
a strong EP, Kelela followed it up with this second
full-length, what she calls her first album. The
distinction suddenly made sense. Like "Cut 4 Me", "Take
Me Apart" is predominantly electronic and progressive
R&B, one moment as dreamlike and fevered as an intense
courtship, then as startling and chilling as a breakup.
It's more composed, less pieced together, with mixtape
and EP collaborators Jam City, Ariel Rechtshaid, and
Arca primary among a comparatively supplemental and
mostly new crew of associates. This also comes across
more as a work of in-person interaction than one of
distanced communication. Nothing is as volcanic as
"Bank Head" or as rush-inducing as "Rewind" - two past
gems - but these hyperballads and zero-gravity jams
always stimulate, covering a broader spectrum of
emotional states with deeper resonance.
Take the tender "Better", where, over lightly shuffling
drums, bobbing bass, and finger snaps and handclaps,
Kelela accosts her lover, threatening to "amputate"
rather than cut off - knowing it'll hurt her more - yet
confessing 'I can't bear the way you look at me when I
let you down'. In "Take Me Apart" itself, Kelela
combines literal expressions of anxious anticipation
with multiple water metaphors reinforced with drums
that ripple and hurtle to evoke an emotional
engulfment. Bedroom commands, incantations, and
blissed-out expressions are abundant, as are no-strings
propositions like the stomping/snaking highlight "LMK".
Although they're all the way in the moment, there's
always a looming sense - due to dissension and
concealment referenced elsewhere, compounded by faintly
eerie production touches and the persistent element of
sorrow in Kelela's silvery voice - that it'll end in
tears.
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