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────┤ Info ├─────────────────────────────────────────────────────────────────
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Artist | Atmosphere
Title | Lucy Ford: The Atmosphere EP's
Genre | Hip-Hop Format | Album
Source | CD Time | 69:25
Label | Rhymesayers Entertainment Store | 2001
Catalog | RS2200-2 Rip | 2017
Bitrate | 867 kbps Size | 442.79 MB
Freq | 44.1 kHz Encoder | FLAC 1.3.1
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
01. Between The Lines 5:19
02. Like Today 4:02
03. Tears For The Sheep 2:51
04. Guns And Cigarettes 4:21
05. Don't Ever Fucking Question That 4:17
06. It Goes 4:27
07. If I Was Santa Claus 3:50
08. Aspiring Sociopath 5:24
09. Free Or Dead (Prod. Jel) 4:46
10. Party For The Fight To Write 3:53
11. Mama Had A Baby And His Head Popped Off 4:24
12. They're All Gonna Laugh At You (Prod. Jel) 2:04
13. Lost And Found (Prod. Jel) 4:39
14. The Woman With The Tattooed Hands 3:30
15. Nothing But Sunshine (Prod. Moodswing9) / Homecoming 11:38
(Feat. El-P)
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
A hip-hop group from Minneapolis, Atmosphere centers around rapper Slug
(aka Sean Daley). The son of a black father and a white mother who divorced
when he was a teenager, Slug became entranced with hip-hop, graffiti, and
breakdancing, and formed the Rhymesayers collective (originally known as
Headshots) with two high-school friends - Siddiq Ali (Stress) and Derek
Turner (Spawn). After some early gigs as Urban Atmosphere, where Slug DJ'ed
behind Spawn's rhyming, the pair hooked up with producer Ant (Anthony
Davis) as well as like-minded locals such as MC Musab, Mr. Gene Poole, and
the Abstract Pack, forming an underground hip-hop clique dedicated to
freestyling, clever and complex lyrics, and anti-gangsta positivity.
The opening track on "Lucy Ford", "Between The Lines", burrows into the
heads of a frustrated policeman, an oblivious young girl who watches movies
perpetually to get away from her own life, and an indie rapper who descends
into self-abnegation instead of self-aggrandizement - hardly typical
subject matter for a rap song. In fact, with Slug's singsong delivery, it
hardly seems like a rap song at all, and is tugged back toward the genre
only by Ant's steady beat-making. But then Atmosphere proves not to be
typical in most every respect on this debut full-length, which is much the
better for the duo's, and particularly its MC's, peculiarities.
"Lucy Ford" actually collects the bulk of a pair of early Fat
Beats-distributed vinyl EPs from the Minneapolis-based group on a single
long-playing disc. It makes for a sterling introductory display. Like
Eminem, Atmosphere is a joy to hear when caricaturing old school
trash-talking ('Guns And Cigarettes', with a truly inspired, bluesy Ant
track) and even more so when Slug is lampooning his own penchant for
indulgent egotism ('It Goes') with hilarious, self-deprecating one-liners.
At other times, however, Atmosphere bogs down in a more earnest
self-involvement, as on the romance ballad "Don't Ever Fucking Question
That", where the duo reaches for heartfelt with less-than-convincing
results.
Slug excels when he allows his obvious passion to settle on subjects
outside himself, as when he tries to coax the hip-hop community toward a
higher calling on "Tears For Sheep", or, more breathtakingly, mixes
autobiographical details with flights of pure imagination. The best tracks
tend to occur when he plums the psychological depths of complex characters
through brainy, abstract, and freewheeling narratives that exist somewhere
in a surreal netherworld ('If I Was Santa Claus', 'Aspiring Sociopath',
'Party For The Fight To Write', 'The Woman With The Tattooed Hands', the
aforementioned 'Between The Lines').
On these songs, the duo approaches dazzling heights that Eminem could never
approach. Despite its few flaws, including a bit of merely serviceable
filler, Lucy Ford offered one of the freshest voices in rap in 2000; in
fact, its stronger moments are among the most forward-thinking hip-hop ever
made.
┌────────┐
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└────────┘