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┌────────┐ ██▀▀
────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | Jens Lekman
Title | An Argument With Myself
Genre | Indie Format | EP
Source | CDEP Time | 17:50
Label | Secretly Canadian Store | 2011
Catalog | SC211 Rip | 2017
Bitrate | 822 kbps Size | 110.41 MB
Freq | 44.1 kHz Encoder | FLAC 1.3.1
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
01. An Argument With Myself 3:49
02. Waiting For Kirsten 3:47
03. A Promise 4:34
04. New Directions 2:42
05. So This Guy At My Office 2:58
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
Sweden's Jens Lekman emerged from relative obscurity to quickly establish
himself as the darling of the global indie pop set, winning widespread
acclaim from fans and critics for his uncommonly witty and well-crafted pop
songs. Born February 6, 1981, in Gothenburg, Sweden, Lekman exhibited
little interest in music as a child, but at 14 was recruited to play bass
in a friend's cover band. Within weeks he was writing his own original
material, quickly accumulating hundreds of songs. Assuming the alias Rocky
Dennis (borrowed from the disfigured protagonist of the 1985 American film
Mask), Lekman recorded and released a series of limited-edition CD-Rs
beginning with 2001's "The Budgie-Album".
Coming almost four years after the release of the excellent "Night Falls
Over Kortedala" album, Lekman's 2011 EP "An Argument With Myself" is made
up of five songs that according to Lekman didnÆt fit the mood of the songs
he'd been working on for a full album. Those songs must reflect the more
somber and soulful aspects of Lekman's work because the songs on the EP
represent the upbeat, almost chirpy side of his musical personality. The
title track has an undulating Afro-pop rhythm and an ultra-twee lyrical
construct that has him arguing with himself as he walks down a Melbourne
city street at night.
Elsewhere, he waits to spot Kirsten Dunst at a cafe (she's in Gothenburg
filming a movie) and thinks about his city and how it's changing, sings
street map directions, and laments crap jobs. All sung in his patented
sincere and charmingly awkward voice and backed by intelligently
sophisticated pop. This time perhaps a bit too sophisticated, as it's the
first time Lekman's records have sounded played by professionals instead of
pieced together with samples or stumbled through by friends, and inspired
instead of painstakingly crafted. It gives the songs a sheen of studio
gloss they don't need at all and distracts from LekmanÆs innate humanity
and the intimacy he so easily transmits most of the time.
Also, it's a very bad idea to have a song with a fake reggae beat a couple
songs after making fun of people stumbling out of a reggae bar. Maybe it's
a joke, since it's attached to a song about knuckleheads at the office, but
it's not one that works particularly well. Which is too bad, because the
song has the best melody of any here and LekmanÆs vocal harmonies are
divine. Overall, the EP feels like a placeholder and not a vital part of
his catalog; Lekman sounds like he's merely cruising along. He probably
should have waited until after he released his long-awaited third album to
release this EP of songs that sound like castoffs. Entertaining castoffs,
but not his best work by far.
┌────────┐
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└────────┘