Gil_Scott-Heron-The_Revolution_Will_Not_Be_Televised_Plus-Remastered-CD-FLAC-2017-THEVOiD

Section

MP3/FLAC

Group

THEVOiD

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347,18 MB

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24

Date

2017-12-16

NFO

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────┤ Info   ├─────────────────────────────────────────────────────────────────
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     Artist  | Gil Scott-Heron
     Title   | The Revolution Will Not Be Televised Plus

     Genre   | Jazz+Funk                            Format  | Album
     Source  | CD                                   Time    | 63:37

     Label   | BGP Records                          Store   | 2017
     Catalog | CDBGPD 305                           Rip     | 2017

     Bitrate | 745 kbps                             Size    | 363.82 MB
     Freq    | 44.1 kHz                             Encoder | FLAC 1.3.1

    ┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
    └────────┘

     01. The Revolution Will Not Be Televised                        3:07
     02. Sex Education: Ghetto Style                                 0:52
     03. The Get Out Of The Ghetto Blues                             5:08
     04. No Knock (Without Intro)                                    1:31
     05. Lady Day And John Coltrane                                  3:35
     06. Pieces Of A Man                                             4:54
     07. Home Is Where The Hatred Is                                 3:21
     08. Brother (Without Intro)                                     1:46
     09. Save The Children                                           4:27
     10. Whitey On The Moon (Without Intro)                          1:27
     11. Did You Hear What They Said?                                3:29
     12. When You Are Who You Are                                    3:22
     13. I Think I'll Call It Morning                                3:31
     14. Or Down You Fall                                            3:13
     15. Free Will                                                   3:31
     16. The Middle Of Your Day                                      4:30
     17. Speed Kills                                                 3:16
     18. Paint It Black                                              0:33
     19. Who'll Pay Reparations On My Soul?                          5:16
     20. The Revolution Will Not Be Televised (First Version)        2:48

    ┌────────┐
────┤ Notes  ├─────────────────────────────────────────────────────────────────
    └────────┘

     One of the most important progenitors of rap music, Gil Scott-Heron's
     aggressive, no-nonsense street poetry inspired a legion of intelligent
     rappers while his engaging songwriting skills placed him square in the R&B
     charts later in his career, backed by increasingly contemporary production
     courtesy of Malcolm Cecil and Nile Rodgers (of Chic). Born in Chicago but
     transplanted to Tennessee for his early years, Scott-Heron spent most of
     his high-school years in the Bronx, where he learned firsthand many of the
     experiences that later made up his songwriting material. He had begun
     writing before reaching his teenage years, however, and completed his first
     volume of poetry at the age of 13. Though he attended college in
     Pennsylvania, he dropped out after one year to concentrate on his writing
     career and earned plaudits for his novel, The Vulture.

     Spanning 1970-1972, superb collection "The Revolution Will Not Be
     Televised" takes us back to Scott-Heron's early years, when he was working
     with jazz producer Bob Thiele - a man who had been in the studio with
     everyone from John Coltrane and Pharoah Sanders to Coleman Hawkins. But
     "The Revolution Will Not Be Televised" isn't a jazz collection per se; it's
     a collection of innovative R&B and spoken poetry that contains jazz
     influences and finds Scott-Heron employing such jazz musicians as flutist
     Hubert Laws and bassist Ron Carter. Like the Last Poets, Scott-Heron has
     been described as 'one of the first rappers' - and while he was hardly the
     first person to speak in rhyme to music, there are definitely parallels
     between angry sociopolitical poems like "Whitey On The Moon", "No Knock",
     and "Brother" and hip-hop commentary from the 1980s.

     Poetry, however, doesn't dominate this album - most of the selections
     illustrate Scott-Heron's excellence as a singer, including "Home Is Where
     The Hatred Is", "Did You Hear What They Said", and the poignant "Save The
     Children". One of the collection's less political tracks is "Lady Day And
     John Coltrane", an R&B classic that articulates how easily jazz can lift a
     person's spirits. "The Revolution Will Not Be Televised" isn't the last
     word on Scott-Heron's artistry - he recorded many more treasures after
     leaving Flying Dutchman for Arista in 1975. But it's one of the collections
     to acquire if you're exploring his artistry for the first time.

     Remastered from original tapes, here are the jazz poet's finest Flying
     Dutchman recordings, as originally compiled in 1974 - with nine bonus
     tracks from his first three albums.

    ┌────────┐
────┤░░░░░░░░├─────────────────────────────────────────────────────────────────
    └────────┘

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