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▄▓█████████▓▓█▀ ▀▀▀▓██▓▌
░ ▓█████████▓▓█▀ [ J U S T F U N . P R E S E N T S ] ▐█▄██▓▀
▐███▓██▀▀▓▀░ ██▓▓█▀▀
░ ▓████▓▌ ░ Artist.......: Richard Thompson ▐▓▀▀
▓ ▐█████▓█ Album........: Front Parlour Ballads ▀ ░
▀█▄▓████▓▓▄█▀ Genre........: Folk ░▓ ▌
▄▀██▓██▓▓▀ Language.....: English ░▓░▐▓
▓▓▄▀█▓▓▓▀ Label........: Cooking Vinyl ░▓░ █▓▌
▐█▓▓ ▀▓ Catnr........: COOKCD325 ░▓▓▓ ▐█▓▓
▓█▓▌ URL..........: http://www.richardthompson-music.com ▓░ ███▓▓[z0o]░
▐██░ ░ ░ ▄ ░▄▄▄▄▓▄▄▓████▓▓▄▄▄▄▓▄▄
▀▓█░▄ ▌ ░▓░ [ R E L E A S E . I N F O ] ▓░ ▓▀▓█████████████▓▓▓▀
░ ▀▀▓█▄▐▓ ░▓▓▓░ ░▓▓▓░ ░ ▀▓██████▓██▓▓▀ ░
░ ░ █▓▌▄▄▄ ▄▓ ░▓▓▓░ source......: CDDA ░▓▓▓▓▓▓░ ▀▓█████▓▓▓
░▓▓░ ▐█▓▓ ░ ░▓▓░ playtime....: 46:55 min ░▓▓ ▐███████▓▓▌ ░
░░ ███▓▓ ▓▓░▓░ rip.date....: 27-07-2005 ░▓▓░ ▓███▀ ▀▓█▓▓ ░
▄▄▄▄▄▓▄▄▓████▓▓▄▄▄▄░▄▄ str.date....: 08-08-2005 ▓ ▐█▓▀ ░ ░▀█▓▌
▀▓█████████████▓▓▓▀ ripper......: JustFunCrew ░▓░ █▀ ░░▓▓▓ ▀▓
░ ▀▓██████▓██▓▓▀ ▓░ grabber.....: EAC V0.95 prebeta 4 ▓▓ ▀░ ░ ░ ░▓░ ░▀
▀▓█████▓▓▓ ░░▓ encoder.....: LAME version 3.90.3 ░▓▓░▓▓▓▓ ▓▓▓░
░ ▐███████▓▓▌░▓▓▓░ size........: 63,5 MB ░▓▓▓▓▓ ▓░▓▓░░ ░
▓███▀ ▀▓█▓▓ ▓░░ quality.....: VBRkbps/44,1Hz/Joint-Stereo░ ░▓░ ░
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░ ▄█▒████████▓▓▀ ▀▓██▓███▓▄
▄▓██░██████▓▓█▀ [ T R A C K . L I S T I N G ] ▀▀▀▓██▓▌
▓█████████▓▓█▀ ▐█▄██▓▀
▐███▓██▀▀▓▀░ ██▓▓█▀▀
▓████▓▌ ░ track title time ▐▓▀▀
▓████▓▌ ▀ ░▌
▓████▓▌ 01. Let it Blow 04:52 ▓▌
▓████▓▌ 02. For Whose Sake ? 02:31 ▓▌
▓████▓▌ 03. Miss Patsy 03:58 ▓▌
▓████▓▌ 04. Old Thames Side 04:03 ▓▌
▓████▓▌ 05. How Does Your Garden Grow ? 02:09 ▓▌
▓████▓▌ 06. My Soul, My Soul 05:33 ▓▌
▓████▓▌ 07. Cressida 03:27 ▓▌
▓████▓▌ 08. Row, Boys, Row 02:34 ▓▌
▓████▓▌ 09. The Boys of Mutton Street 02:54 ▓▌
▓████▓▌ 10. Precious One 03:48 ▓▌
▓████▓▌ 11. A Solitary Life 04:11 ▓▌
▓████▓▌ 12. Should I Betray ? 03:29 ▓▌
▓████▓▌ 13. When We Were Boys, at School 03:26 ▓▌
▓████▓▌ ▓▌
▓████▓▌ [ A B O U T . T H i S . R E L E A S E ] ▓▌
▓████▓▌ ▓▌
▓████▓▌ Richard Thompson releases a new album on August 8th ▓▌
▓████▓▌ , 'Front Parlour Ballads' , his second album ▓▌
▓████▓▌ released on Cooking Vinyl following 2003's 'The Old ▓▌
▓████▓▌ Kit Bag' . It is Thompson's first solo acoustic ▓▌
▓████▓▌ album since 1981's 'Strict Tempo'' and, remarkably, ▓▌
▓████▓▌ the first ever acoustic studio album of original ▓▌
▓████▓▌ songs in his extensive discography. ▓▌
▓████▓▌ ▓▌
▓████▓▌ Encompassing everything from rollicking tales of ▓▌
▓████▓▌ quickie marriages in 'Let it Blow' , a lilting love ▓▌
▓████▓▌ song dedicated to 'Miss Patsy' , a metaphorical ▓▌
▓████▓▌ voyage through the rough seas of the big-time music ▓▌
▓████▓▌ business in 'Row, Boys, Row' and the devastatingly ▓▌
▓████▓▌ beautiful lament of 'Precious One' , 'Front Parlour ▓▌
▓████▓▌ Ballads' is a treasure box of stories and ▓▌
▓████▓▌ characters, all delivered with Thompson's masterful ▓▌
▓████▓▌ guitar work, sonorous voice and bittersweet lyrics. ▓▌
▓████▓▌ ▓▌
▓████▓▌ "The production on this record is the kind of thing ▓▌
▓████▓▌ the audience actually asks for," Thompson explains. ▓▌
▓████▓▌ "They ask for simple; they don't want the frills in ▓▌
▓████▓▌ the way. They don't want the glossy, hi-fi ▓▌
▓████▓▌ production-they wouldn't know what to do with it. ▓▌
▓████▓▌ They want to hear the squeaks of fingers on strings ▓▌
▓████▓▌ and, dare I say, the cock-ups. So that's what ▓▌
▓████▓▌ they're gonna get." ▓▌
▓████▓▌ ▓▌
▓████▓▌ During his four decades of music making, Richard ▓▌
▓████▓▌ Thompson has been set upon by a fiercely loyal and ▓▌
▓████▓▌ singularly attentive constituency-aficionados for ▓▌
▓████▓▌ whom every nuance in Thompson's oeuvre, from his ▓▌
▓████▓▌ choice of a particular word to the fret on which ▓▌
▓████▓▌ his fingers alight at any given moment carries some ▓▌
▓████▓▌ degree of significance (for bountiful evidence, ▓▌
▓████▓▌ take a look at the interaction between fans and ▓▌
▓████▓▌ artist on richardthompson-music.com, his delightful ▓▌
▓████▓▌ website). So it's fair to say that those fans have ▓▌
▓████▓▌ a treat in store with Front Parlour Ballads, ▓▌
▓████▓▌ Thompson's second album with Cooking Vinyl ▓▌
▓████▓▌ following 2003's The Old Kit Bag. It's his first ▓▌
▓████▓▌ solo acoustic effort since 1981's Strict Tempo! and ▓▌
▓████▓▌ the first-ever acoustic studio album of original ▓▌
▓████▓▌ songs in his extensive discography. ▓▌
▓████▓▌ ▓▌
▓████▓▌ Encompassing everything from rollicking tales of ▓▌
▓████▓▌ quickie marriages in "Let it Blow," a lilting love ▓▌
▓████▓▌ song dedicated to "Miss Patsy," a metaphorical ▓▌
▓████▓▌ voyage through the rough seas of the big-time music ▓▌
▓████▓▌ business in "Row, Boys, Row" and the devastatingly ▓▌
▓████▓▌ beautiful lament of "Precious One," Front Parlour ▓▌
▓████▓▌ Ballads is a treasure box of stories and ▓▌
▓████▓▌ characters, all delivered with Thompson's masterful ▓▌
▓████▓▌ guitar work, sonorous voice and bittersweet lyrics. ▓▌
▓████▓▌ Many of these songs were written in one of their ▓▌
▓████▓▌ author's intermittent thematic bursts, and they all ▓▌
▓████▓▌ insisted on being together, so Thompson, the father ▓▌
▓████▓▌ of scores of songs as well as five biological ▓▌
▓████▓▌ offspring, knew enough about how these things work ▓▌
▓████▓▌ to arrange a play date. ▓▌
▓████▓▌ ▓▌
▓████▓▌ "The production on this record is the kind of thing ▓▌
▓████▓▌ the audience actually asks for," Thompson explains. ▓▌
▓████▓▌ "They ask for simple; they don't want the frills in ▓▌
▓████▓▌ the way. They don't want the glossy, hi-fi ▓▌
▓████▓▌ production-they wouldn't know what to do with it. ▓▌
▓████▓▌ They want to hear the squeaks of fingers on strings ▓▌
▓████▓▌ and, dare I say, the cock-ups. So that's what ▓▌
▓████▓▌ they're gonna get." ▓▌
▓████▓▌ ▓▌
▓████▓▌ It should be pointed out at this juncture that the ▓▌
▓████▓▌ term "solo" in reference to the recording in ▓▌
▓████▓▌ question is absolutely literal. These performances ▓▌
▓████▓▌ were laid down in Thompson's home studio, situated ▓▌
▓████▓▌ in the garage of his home in Los Angeles, with nary ▓▌
▓████▓▌ another soul in the vicinity; he simply pressed ▓▌
▓████▓▌ RECORD and commenced to emote into the microphone, ▓▌
▓████▓▌ accompanying himself on his trusty wooden guitar. ▓▌
▓████▓▌ On some of the tracks he overdubbed a second ▓▌
▓████▓▌ acoustic, making for a rich textural filigree; on ▓▌
▓████▓▌ others he added electric bass, mandolin and/or ▓▌
▓████▓▌ accordion. He brought in percussionist Debra Dobkin ▓▌
▓████▓▌ (Bonnie Raitt, Was/Not Was, Thompson's own 1000 ▓▌
▓████▓▌ Years of Popular Music) to bang rhythmically on ▓▌
▓████▓▌ various handy objects for the album's two rockin' ▓▌
▓████▓▌ ringers, "Let It Blow" and "My Soul, My Soul," on ▓▌
▓████▓▌ which his muse, apparently in a party mood, ▓▌
▓████▓▌ compelled him to plug in his electric and make some ▓▌
▓████▓▌ noise, "front parlour" and "ballads" be damned. On ▓▌
▓████▓▌ the remaining 11 numbers, however, your host and ▓▌
▓████▓▌ his muse are on their best behavior. ▓▌
▓████▓▌ ▓▌
▓████▓▌ Of his solitary approach to Front Parlour Ballads, ▓▌
▓████▓▌ Thompson says, "There's a danger with that method ▓▌
▓████▓▌ that you get too confessional or too introverted in ▓▌
▓████▓▌ your style of delivery, so I had to be aware of ▓▌
▓████▓▌ that. Because I've heard home recordings where it's ▓▌
▓████▓▌ all projected to about two inches in front of their ▓▌
▓████▓▌ nose, and somehow that's not quite enough. So I ▓▌
▓████▓▌ learned to project 10 feet away-through the wall ▓▌
▓████▓▌ into the next room," he quips. "I think if you ▓▌
▓████▓▌ concentrate on telling the story, you don't really ▓▌
▓████▓▌ have time to think about much else. You want to get ▓▌
▓████▓▌ inside the story, inside the song. ▓▌
▓████▓▌ ▓▌
▓████▓▌ "Bearing that in mind, it was a nice thing because ▓▌
▓████▓▌ I didn't really think about it. I just thought, ▓▌
▓████▓▌ 'Oh, well, I'll just go in and see if the equipment ▓▌
▓████▓▌ works. And while I'm doing that, I'll just put ▓▌
▓████▓▌ something down and see what happens. Well, that ▓▌
▓████▓▌ sounds OK-let me just overdub another guitar so I ▓▌
▓████▓▌ can learn how to overdub with this particular ▓▌
▓████▓▌ hardware.' And then things just got done. It was ▓▌
▓████▓▌ nice to think, 'Oh, I've got an hour before I go ▓▌
▓████▓▌ out-I'll just go and record something.' So it was ▓▌
▓████▓▌ done very casually." ▓▌
▓████▓▌ ▓▌
▓████▓▌ When it's pointed out that the album might more ▓▌
▓████▓▌ accurately be titled Garage Ballads, Thompson ▓▌
▓████▓▌ replies, "I suppose so. I was just trying to get a ▓▌
▓████▓▌ nicer picture in people's minds than me sitting ▓▌
▓████▓▌ among the propane tanks and whatever else is back ▓▌
▓████▓▌ there." ▓▌
▓████▓▌ ▓▌
▓████▓▌ No artist to emerge in the second half of the ▓▌
▓████▓▌ '60s-a remarkably bountiful period-has gone on to ▓▌
▓████▓▌ have a more productive and vital career than ▓▌
▓████▓▌ Thompson. While still a teenager, the protagonist ▓▌
▓████▓▌ of this piece founded and led Fairport Convention, ▓▌
▓████▓▌ which was to British folk-rock what the Byrds were ▓▌
▓████▓▌ to the idiom's American equivalent-meaning more ▓▌
▓████▓▌ Childe ballads and less sunshine. Thompson's solo ▓▌
▓████▓▌ albums, beginning with 1972's Henry the Human Fly, ▓▌
▓████▓▌ reveal an artist of unparalleled dimension who has ▓▌
▓████▓▌ followed his muse as boldly as fellow iconoclast ▓▌
▓████▓▌ Neil Young. The series of albums Thompson recorded ▓▌
▓████▓▌ during the 1970s and early '80s with his then-wife ▓▌
▓████▓▌ Linda, including the exquisite Pour Down Like ▓▌
▓████▓▌ Silver and culminating in the devastating Shoot Out ▓▌
▓████▓▌ the Lights, charted the ups and downs of a ▓▌
▓████▓▌ relationship with unstinting candor. His vast and ▓▌
▓████▓▌ ever-growing body of original material is marked by ▓▌
▓████▓▌ consistent intelligence, taste and emotional ▓▌
▓████▓▌ purity-which is why so many of his songs have been ▓▌
▓████▓▌ covered by other quality artists, a stellar list ▓▌
▓████▓▌ that includes the likes of Elvis Costello, Bonnie ▓▌
▓████▓▌ Raitt, Del McCoury, Graham Nash, X, Los Lobos and ▓▌
▓████▓▌ Bob Mould. And Thompson is among the most ▓▌
▓████▓▌ distinctive of guitar virtuosos, capable of ▓▌
▓████▓▌ breathtaking drama and sublime delicacy, depending ▓▌
▓████▓▌ on the song and the amp setting, if indeed an amp ▓▌
▓████▓▌ happens to be employed. ▓▌
▓████▓▌ ▓▌
▓████▓▌ Thompson is in the midst of a whirlwind of ▓▌
▓████▓▌ activity, with his 2005 projects encompassing three ▓▌
▓████▓▌ performance documents-Live in Providence (a 2003 ▓▌
▓████▓▌ band recording on DVD; Cooking Vinyl), Austin City ▓▌
▓████▓▌ Limits (CD and DVD from 2001; New West) and 1000 ▓▌
▓████▓▌ Years of Popular Music (CD and DVD from 2005; ▓▌
▓████▓▌ Cooking Vinyl)-the soundtrack to Werner Herzog's ▓▌
▓████▓▌ film Grizzly Man and a five-disc box set containing ▓▌
▓████▓▌ classics and unreleased tracks (Free Reed Records ▓▌
▓████▓▌ and Music). What keeps him going? "It's just a ▓▌
▓████▓▌ drive-you're driven to do it," Thompson says. "If ▓▌
▓████▓▌ you're not driven, maybe you shouldn't bother. If ▓▌
▓████▓▌ you haven't written a song for a couple of weeks, ▓▌
▓████▓▌ you get itchy-you start twitching. You have to get ▓▌
▓████▓▌ it out there, whatever it is. I've been twitching ▓▌
▓████▓▌ for 40 yearsàwhich is great. It's wonderful to ▓▌
▓████▓▌ still be enthusiastic about what is basically one's ▓▌
▓████▓▌ employment, and to have been that way all the way ▓▌
▓████▓▌ through. I still guiltily look over my shoulder ▓▌
▓████▓▌ sometimes, thinking, 'This is too much fun.'" ▓▌
▓████▓▌ ▓▌
░ ▓████▓▌ ▓▌
▓ ▐█████▓█ [ A B O U T . U S ] ▓▌
▀█▄▓████▓▓▄█▀ ▓▌
▀██▓██▓▓▀ Our group consists of many rippers who are music enthu- ▓▌
▀█▓▓▓▀ siasts. Justfun is releasing different kind of music like ▓▌
▀▓ indie rock, trip-hop, ethnic, jazz, french, brazilian ▓▌
░ electro and many more ... We will bring you the music ▓▌
░ we like and share it with the rest of the under- ▓▌
░ ground scene. If you have, like us, a passion for ▄ ▓▌
░ music, don't hesitate to contact us ! ▄▄█▌ ▓▌
░ ▄████▓▌ ▓▌
░ GREETinGs : Nuhs . Hit2000 . DGN . KSi . RAC . CHR █████▀▀▀▀ ▓▌
░ Om . rH . Fuffens . Remix . CMG . SB . AMOK ░███ ▓▌
░ Kw . aPC . iTS . i . RNS . aAF . diss . ESC ██▌ ▓▌
pyt . SEVcD ... ▓██ ▓▌
░ and all ppl who share music with us ! ▄▄▄██▌ ▓▌
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▄▓██▓██████▓▓█▀ [ C O N T A C T ] ▀▀▀▓██▓▌
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▐███▓██▀▀▓▀░ We're currently looking for : ██▓▓█▀▀
▓████▓▌ ░ - music enthusiast ppl buying cds on a regular basis. ▐▓▀▀
▓████▓▌ - ppl who can get promos or advanced rls. ▀ ░▌
░ ▓████▓▌ - Siteop who can provide at least 10mbits and ▓▌
▓ ▐█████▓█ 50gb++ for our archive. ▄ ▓▌
▀█▄▓████▓▓▄█▀ - People with skill and experience ▄▄█▌ ▓▌
▀██▓██▓▓▀ ... and everyone who wants to help in a ▄████▓▌ ▓▌
▀█▓▓▓▀ pleasant atmosphere our Just family. █████▀▀▀▀ ▓▌
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░ Share your forces with us ! ██▌ ▓▌
▌ IRC : You know ▓██ ▌ ▓▌
░ ▐▓ Email : jfun@hushmail.com ▄▄▄██▌ ▐▓ ▓▌
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░ ▀▓██████▓██▓▓▀ NFO and Layout proudly made in Quebec ░ ▀▓██████▓██▓▓▀
▀▓█████▓▓▓ by z0oy0rk ▀▓█████▓▓▓
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▓███▀ ▀▓█▓▓ [ J U S T F U N born in Apr. 2 0 0 0 ] ▓███▀ ▀▓█▓▓
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▀░ ░ ░▀ ▀░ z!░▀