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┌────────┐ ██▀▀
────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | Kurt Vile
Title | Wakin On A Pretty Daze
Genre | Indie Format | Album
Source | CD Time | 69:03
Label | Matador Records Store | 2013
Catalog | OLE 998-2 Rip | 2018
Bitrate | 901 kbps Size | 462.58 MB
Freq | 44.1 kHz Encoder | FLAC 1.3.1
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
01. Wakin On A Pretty Day 9:30
02. KV Crimes 3:56
03. Was All Talk 7:41
04. Girl Called Alex 6:19
05. Never Run Away 3:24
06. Pure Rain 5:08
07. Too Hard 8:03
08. Shame Chamber 4:46
09. Snowflakes Are Dancing 3:22
10. Air Bud 6:29
11. Goldtone 10:25
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
Philadelphia songwriter Kurt Vile was already recording himself at home by
age 14, shortly after his bluegrass-loving father purchased him a banjo to
encourage his youthful creativity. By age 17, Vile was self-releasing
cassettes of his home recordings, which in the earliest days were strongly
influenced by the raw slacker pop of the Drag City roster. He would
continue to record prolifically, releasing cassettes and CD-Rs of his solo
material while holding down a day job as a forklift operator.
Philadelphia songsmith Vile's 2011 album "Smoke Ring For My Halo" was a
definitive shift for the artist away from home-recorded overexposed fuzz
pop toward a more sprawling, textural, and most markedly introspective
style. The follow-up, fifth album "Wakin On A Pretty Daze", continues in
this direction, but pushes the changes begun on Halo with even more
articulate production, extended exploration in lengthy songs, and even
deeper looks inward, if all approached through Vile's one-of-a-kind fog.
Beginning with the nine-plus-minute "Wakin On A Pretty Day", the album
immediately takes the mantle from its predecessor, offering up wistful
interplay between acoustic and electric guitar tones, Vile's dour mumbled
vocals, and an overall emotional sense caught somewhere between the hope
and promise of youth and the exhaustion of everyday life. It's this
deceptively complex perspective cloaked in seemingly lunkheaded guitar
heroics that makes Vile so interesting and helps keep the compositions on
"Pretty Daze" captivating even as many of them stretch past the six-minute
mark.
"KV Crimes" comes on with a lazy classic rock riff but beneath its stony
shuffle and sneery vocals lies a heart of both melody and a palpable sense
of diminished excitement being reborn. Longer tracks like "Girl Called
Alex" and "Goldtone" capture the dark wistfulness of Where You Been-era
Dinosaur Jr. or the dreamy driftiness of Neil Young at his most
guitar-centric peaks. Much like his former/sometimes band the War On Drugs,
there's an undercurrent of working-class rock a la Tom Petty or Bruce
Springsteen here (Vile even drops the lyric 'Springsteen pristine' in one
song).
However, with the spaced-out vaporous jams of "Wakin On A Pretty Daze", it
becomes clear that Kurt Vile isn't aiming to ape or even update the canon
of classic guitar-based songwriters, but is very much his generation's
chapter of the evolution of rock. Easily his most focused and accessible
work, "Pretty Daze" is the strongest so far in a chain of releases that
seem to suggest there are even greater heights to be reached.
┌────────┐
────┤░░░░░░░░├─────────────────────────────────────────────────────────────────
└────────┘