H A i L S A T A N !
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| | . // \\ . . // \\ . . / / \ | . // . . \ / |
| __| |__// \ \\_| |_// \ \\_| _ /___/ \ \| |__//__| |__\ |
| \ |_ / \ \ | | / \ \ | | / \ \ |__ ___| | / |
| \____// . \|___|/ . \|___| / . \ ____\\ |/ _____|
| ----/__________\ - /__________\ - |__/__________\ ---- \___________/mK^dS!
| .
| | Briqueville-II-CD-FLAC-2017-CATARACT
| - EST. 2o14 - | .....................................................
| ____.____ ____. _______. __________________________________________
| _\___|. /____._/ |__\__ |_) (_.
| \ | _ | __| | | STORE: 00-00-2017 RELEASE: 12-29-2017 |
| \ | / | __/| | | GENRE: Metal |
| \___|__/| | | | | | BiTRATE: 921 kbps Avg 44.1kHz 2 channels |
| | ----|___|___|--|_________|- ENCODER: FLAC v1.3.1 |
| | LABEL: BRISK |
| | LANGUAGE: English |
| | SiZE: 285.4MB |
| | FiLES: 3 Files |
| | URL: http://https://tinyurl.com/yd8r |
| `-----------------------------------------------------------------------'
| `--------------------------------------------------------------------
| | ___________.____ ____. ______. .__._. .____
| - TRACKS! - | \__ .__| _ |_.__\__ | \ _|_| | |_| _/_____
| .--------------------\ |\ _ |\ . |_.\ \_\ _ |_____ /-.
| | \ | \ | |_\ | | \ |\ | |_. |/ /__|
| | - ---\__|--\__|_____|\__|\_|--\___|-\_|_____|____//_/|
| | |
| | [ #] [.TRACK.TITLE]....................................[...TiME..]|
| | |
| | [01]...[.AKTE V [..10:56..]|
| | [02]...[.AKTE VI [..11:14..]|
| | [03]...[.AKTE VII [..19:30..]|
| | |
| | [41:40 min]|
| |______________ _______________|
| |_________/ \ ____________
| /___________________________________________\ \
| -GROUP / RELEASE- |/____________________________________________\
| _____ -NOTES- | ______.
| __\___ \_._______._|________._\__. |____. ____________________
| \ | |\ . |\__ .__|\ | | ___|__._____) (_____.
| \ | | \ | | \ | \ ___|_____ | |
| - -\__| |--\____|----\__|-----\__|-\_______| |
| .|___|----------------------------------' |
| | |
| | There is no denying that instrumental music, such as post-rock and |
| | post-metal, works extremely well as accompanying soundtrack to |
| | movies and documentaries. The nature of the genre where emotions |
| | build up gradually towards a musical climax complement climatic |
| | scenes on the big screen like no other. It is therefore no surprise |
| | that the BBC has been dipping into MogwaiÆs back catalogue on |
| | numerous occasions for the soundtracks of their drama series and |
| | documentaries. Or remember when Godspeed You! Black EmperorÆs æEast |
| | HastingsÆ was so greatly used in the movie 28 Days Later where the |
| | climax works so well with the main character Jim fleeing from fast |
| | chasing zombies, really keeping you on the edge of your seat even |
| | more. |
| | |
| | Some bands, like Australian post-rock band Dumbsaint, take it to |
| | another level where they release their music with matching film |
| | components. Belgium based post-metal band Briqueville has done |
| | something similar where they released a short film for the track |
| | æAkte IIÆ (Act II) when they release their self-titled debut album, |
| | and they have done something similar again with their second |
| | release II for the track æAkte VIÆ. |
| | Musically Briqueville ticks all the post-metal boxes. Heavy |
| | riffing, big sounding drums, and various amounts of tempo and riff |
| | changes. Some post-metal can be a bit borderline boring, but |
| | luckily this isnÆt the case with this band as they keep the musical |
| | changes and directions very interesting. To come back to the |
| | soundtrack comparison, it really is as if youÆre watching a movie |
| | whilst listening to their music. Take the bit of melodic guitar in |
| | the first track æAkte VÆ starting at around 7 minutes into the |
| | track, where I can totally imagine a change of scenes or an |
| | important moment in the storyline of a movie. |
| | |
| | The band themselves likes to keep things mystical and mysterious |
| | though as there isnÆt much known about the musicians behind the |
| | band. Their website tells the story of an underground movement |
| | called ôHet Verbondö, which arose in 1934 and dedicated their time |
| | to tell the tragic stories of a miserable past. Apparently the band |
| | got together in 2001 as a union of masked men gathered along the |
| | banks of the river Scheldt to revive this old movement. |
| | Interestingly they decided to use the medium of (mainly) |
| | instrumental music to do so, but this probably explains the use of |
| | films to accompany the story theyÆre telling with their music. |
| | |
| | Aesthetically Briqueville reminds me of their fellow countrymen in |
| | Amenra, with a black and white website and imaginary, creepy |
| | looking stills and repeating film segments etc. Musically they fall |
| | more in line with Pelican, Russian Circles and I suppose to an |
| | extent with Godspeed You! Black Emperor. |
| | |
| | Personally I am not the biggest post-rock/post-metal fan, and a |
| | band really needs to produce something special for me to listen to |
| | their album more than once, but in the case of BriquevilleÆs II |
| | this is really no problem at all as IÆve had multiple listens |
| | already and I still discover new layers, sounds and riffs with each |
| | listen. Fans of this musical genre should really listen to this |
| | band and their new album as you wonÆt be disappointed. |
| | |
| | (echoesanddust.com) |
| | |
| | Note; Tracknames are capitalized, as seen on the tracklist. |
| | |
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| - Hi5's/HAiLS - |
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| /___|___|_____| | |/________| 86D - BERC - REGRET - BRiGAND |
| ---------------| | mK^dS!--- DeBT - DiVINE STYLERS! |
| | | | DeVOiD - NBFLAC |
| | |______________| LORD SATAN |
| | |
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| - LAYOUT & DESiGN - | TEAM CATARACT: PHYSICAL MEDIA ONLY.
|__. -BY- .__|
| 41ONk!# oF | DON'T BE FUCKING CHEAP. BUY WHAT YOU LIKE.
|divine stylers!|
|__ __|
)_________(