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▓█▀▄▄ Artist : Grigory Sokolov ▄▄▀█▓
▐▓▌▐█▌ Album : Mozart, Rachmaninov: Concertos ▐█▌▓▌
▐▀▄██ Label : Deutsche Grammophon ██▄▀▌
▄███▌ Genre : Classical ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2017-03-10 ██▀▄▌
▐▓▌▐█▌ Quality : 549 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 302.57 MB ███▓
▀ ▀█▌ Time : 71:41 min ▐█▀ ▀
▓▄███ Url : http://tinyurl.com/y74xzg2x ███▄▓
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██▌ 1. Mozart Piano Concerto 23 In A Major K488: 1. Allegro 11:48 ▐██
██▌ 2. Mozart Piano Concerto 23 In A Major K488: 2. Adagio 7:43 ▐██
██▌ 3. Mozart Piano Concerto 23 In A Major K488: 3. Allegro Assai 8:14 ▐██
██▌ 4. Rachmaninov Piano Concerto 3 In D Minor Op30: 1. Allegro Ma 17:27 ▐██
██▌ Non Tanto ▐██
██▌ 5. Rachmaninov Piano Concerto 3 In D Minor Op30: 2. Intermezzo. 11:29 ▐██
██▌ Adagio ▐██
██▌ 6. Rachmaninov Piano Concerto 3 In D Minor Op30: 3. Finale. Alla 15:00 ▐██
██▌ Breve ▐██
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████ The Russian pianist Grigory Sokolov has had some Glenn ████
████ Gould-level quirks to go with, it increasingly seems, Glenn ████
████ Gould-level talent. One of those quirks is a demand for control ████
████ over auditorium lighting, but of more consequence has been ████
████ Sokolov's total refusal to record in a studio. He has relented to ████
████ the degree that he has signed a contract with Deutsche Grammophon ████
████ allowing the release of selected live recordings, and albums like ████
████ this one have allowed those not lucky enough to cross Sokolov's ████
████ concert path to experience what they've been missing. The two ████
████ recordings come from different concerts, ten years apart. The ████
████ Mozart Piano Concerto No. 23 in A major, K. 488, was recorded at ████
████ Salzburg's Mozart Week in 2005, with the Mahler Chamber Orchestra ████
████ under Trevor Pinnock. It's a beautiful recording of the work, ████
████ with hypnotically songful phrasing in the outer movements ████
████ especially. But it's the Rachmaninov Piano Concerto No. 3 in D ████
████ minor, Op. 30, that really stands out. Recorded at the Royal ████
████ Albert Hall in 1995, with Yan Pascal Tortelier and the BBC ████
████ Philharmonic Orchestra doing yeoman's work in keeping up with an ████
████ extraordinary performance by Sokolov in which brilliance and ████
████ interiority intertwine seamlessly. Sample anywhere, really: the ████
████ first movement (track 4) provides abundant evidence of what makes ████
████ the reserved English audience explode in cheers at the end. This ████
████ is a landmark performance in the grand Russian tradition. As a ████
████ bonus you get not only a film about Sokolov by Russian producer ████
████ Nadia Zhdanova, but also poems by Sokolov's late wife Inna ████
████ Sokolova in the booklet. A real treat. ████
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