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▀█████▓▌ FORSAKEN Proudly Presents ▐▓█████▀
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▓▄██ ██▄▓
▓█▀▄▄ Artist : Gary Hoey ▄▄▀█▓
▐▓▌▐█▌ Album : Dust and Bones ▐█▌▓▌
▐▀▄██ Label : Mascot Music ██▄▀▌
▄███▌ Genre : Blues ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2016-07-29 ██▀▄▌
▐▓▌▐█▌ Quality : 899 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 284.71 MB ███▓
▀ ▀█▌ Time : 42:03 min ▐█▀ ▀
▓▄███ Url : http://garyhoey.com ███▄▓
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▄██▀ ▀██▄
██▌ 1. Boxcar Blues 3:43 ▐██
██▌ 2. Who's Your Daddy 4:15 ▐██
██▌ 3. Born to Love You 3:15 ▐██
██▌ 4. Dust & Bones 4:08 ▐██
██▌ 5. Steamroller (Tribute to Johnny Winter) 3:25 ▐██
██▌ 6. Coming Home (Featuring Lita Ford) 4:56 ▐██
██▌ 7. Ghost of Yesterday 3:47 ▐██
██▌ 8. This Time Tomorrow 4:35 ▐██
██▌ 9. Back Up Against the Wall 3:05 ▐██
██▌ 10. Blind Faith 3:12 ▐██
██▌ 11. Soul Surfer 3:42 ▐██
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████ Just as alternative rock was signaling the death knell for many ████
████ of the guitar shredders of the late '80s, a few instrumentalists ████
████ were able to sneak in under the radar, such as Gary Hoey -- who ████
████ attracted some attention via his 1993 debut, Animal Instinct. ████
████ Hailing from Boston, Massachusetts Hoey was first a music fan ████
████ before picking up the guitar -- following such renowned rock ████
████ bands that hailed from the area (Aerosmith, J. Geils Band, ████
████ Boston, etc.). It wasn't long afterward that Hoey decided to give ████
████ the guitar a try, initially inspired by the usual guitar greats ████
████ (especially Jimi Hendrix, whom he dug initially because of his ████
████ "cool clothes"). Hoey was not entirely self-taught, however, as ████
████ he would often hang around outside of Boston's renowned Berklee ████
████ School of Music, make friends, and then offer to pay them for ████
████ lessons. Sensing that he should devote all of his time to music, ████
████ Hoey dropped out of high school and began playing Boston's local ████
████ clubs, making ends meet by teaching guitar to others. ████
████ ████
████ Hoey's big break appeared to come his way in 1982, when Ozzy ████
████ Osbourne began looking for a replacement for his recently ████
████ deceased guitarist, Randy Rhoads. Despite a series of auditions ████
████ (including Hoey being asked to fly out to Los Angeles), he failed ████
████ to land the gig, but in the process, he decided to relocate ████
████ permanently to the West Coast. Packing up all his belongings in a ████
████ U-Haul, Hoey arrived with $17,000 in his pocket (saved from his ████
████ playing and teaching gigs). Years later, Hoey eventually came to ████
████ the attention of manager Dave Kaplan, who helped get the ████
████ guitarist's career moving forward. Although it wasn't the best of ████
████ times to launch a career for a "guitar hero" in 1993 (with ████
████ Nirvana and Pearl Jam being all the rage), Hoey did just that ████
████ and, surprisingly, scored a sizeable MTV/radio hit with his cover ████
████ of the early-'70s prog rock gem "Hocus Pocus" by the ████
████ Netherlands-based group Focus. The album it was taken from, ████
████ Animal Instinct, also featured contributions from a few notable ████
████ names of '80s hard rock -- bassist Tony Franklin (ex-Firm), ████
████ keyboardist Claude Schnell (ex-Dio), and drummer Frankie Banali ████
████ (ex-Quiet Riot). ████
████ ████
████ Hoey never managed to scale the same heights again commercially, ████
████ but it didn't prevent him from carving a niche for himself, as ████
████ his albums got progressively more surf-based and rootsy. A ████
████ friendship with surf guitar great Dick Dale soon blossomed, with ████
████ Dale going as far as declaring Hoey as one of his all-time ████
████ favorite players, alongside the likes of Eric Clapton, B.B. King, ████
████ and AndrΘs Segovia (in Guitar Player magazine), which led to the ████
████ two working together. The two talented guitarists went toe to toe ████
████ on a remake of "Miserlou" (titled "Miserlou '97") for the 1997 ████
████ benefit album M.O.M., Vol. 2: Music for Our Mother Ocean, which ████
████ also saw Hoey produce and play on another track for the ████
████ collection, "V-12 Cadillac," by a then still unknown Jewel. ████
████ ████
████ Hoey continued to issue solo albums on a regular basis (including ████
████ a series of Christmas-themed releases), regular guested on ████
████ several nationally syndicated radio shows (Mancow, Mark & Brian, ████
████ etc.). He's worked with various musical instrument and ████
████ electronics companies creating his own signature gear for retail. ████
████ In 2006, Hoey released American Made on Surfdog Records. Over the ████
████ next decade, he worked constantly, touring regularly -- including ████
████ seasonal sorties under his Ho! Ho! Hoey umbrella -- contributing ████
████ music to film and TV, and recording steadily. Beginning with ████
████ 2013's Boxcar Blues, he started to move toward blues music, a ████
████ route he continued to pursue on 2016's Dust & Bones. ████
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