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p r o u d l y p r e s e n t s ..::
░ Artist | VA
Title | Macondo Revisitado (The Roots of Subtropical Music
Genre | Latin
Source | Vinyl
Format | 2xVinyl
Label | Vampi Soul
Catalog | VAMPI 165
Released | 2015-00-00
Ripped | 2018-02-07
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Quality | 256 kbps avg at 48.0 kHz ▄▄███▀▀
Encoder | Lame 3.98.4 V0 ▄▄██▀▀ ░
Size | 140.04 MB ▄▄█████▀ ░░░
Playtime | 72:28 ▄███▄▄▄▄▄ ▄█▀ ▓█▄ ░░
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░ R E L E A S E I N F O R M A T I O N
Talking about Subtropical music could be seen as heresy but it's
necessary heresy. Necessary in order to start telling the story of
this music born in the Caribbean but performed from the south, with
its own characteristics and temperature. We're talking about a
peripheral phenomenon: the Uruguayan independent label Macondo and
its discography linked to the 70s Montevideo dance music scene. Here
we have a selection of some of the most prominent and best
recordings created and released by Macondo between 1975 and 1979.
Artists sought to emulate tropical music styles popular in Caribbean
and Central American countries like Cuba (guaguanc≤, guaracha)
Puerto Rico, Panama (bomba, plena, merengue) and Colombia (porro,
vallenato and, of course, cumbia), but within this process of
adaptation and hybridisation there are elements, procedures and
codes that spawned a music that possesses a post-territorial
identity and universe of its own. Arguably one of the most
influential elements in this respect is the plena beat: this musical
cell originally from Puerto Rico was embraced warmly by Uruguayan
musicians, possibly due to its rhythmic-metric compatibility with
the supreme Afro-Uruguayan beat, candombe. This grafting process is
facilitated by the existence of the Afro-Uruguayan culture and
population. We discover here yet another variation on the
Afro-diaspora sound, part of the Black Atlantic psycho-geographical
adventure.At the end of the 50s, big bands like Cortijo y su Combo
or Sonora Matancera reached the Southern Cone for the first time. In
parallel, the local pioneer Pedro Ferreira and his orchestra, the
Cubanacan, worked to lay the foundations of the candombe songbook,
as well as performing Afro-Cuban and Brazilian repertoires.
Meanwhile the records of CΘsar Concepci≤n, Moncho Le±a, Mon Rivera
and others were adopted and covered; re-appropriated by this new
generation with complete naturalness. There was a strong cultural
impact and as a result a new generation of groups emerged from the
melting pot of all these different influences: the names and
repertoires of the groups Combo Camagⁿey, Sonora Borinquen, Sonora
Cienfuegos, Grupo Latino point straight back to their heritage while
these acts embarked on their respective recording journeys with
labels like Clave, Orfeo and Mallarini. Set up in the port area of
Montevideo, Macondo Discos was founded by the Chilean entrepreneur
Luis Onel and named after the town from Garcφa Mßrquez's fictional
universe. In its early days the label produced a catalogue
comprising folk, tango, murga and rock. 1975 onwards, after the
release of the LPs "Tropical caliente" by Cienfuegos and
"Exclusivo!" by Borinquen, marks the "Golden Age of tropical music
in our country" according to Carlos Goberna, founder of Sonora
Borinquen. Macondo became a veritable tropical music factory in
Uruguay, amassing together with Guacamayo (a sublabel dedicated to
new artists) nearly 200 records in its ten years of existence. One
of the most important figures from this era is the arranger,
composer and trumpeter Mario Maldonado. He started his career in the
mid-60s in Sonora Veracruz, a legendary outfit where he met vocalist
Chico Ferry. Then both coincided again in the Conjunto Casino, led
by the trumpeter Ernesto Negrφn. Maldonado would then go on to join
Grupo Cubano, Borinquen and direct the musical production of records
by Antillano, Maracaibo and others. Half of the compositions on the
album "Las estrellas de Macondo" ("The Stars Of Macondo"), created
under his musical direction and arrangements, were written by him.
He was one of the outstanding performers and musicians on the label,
collaborating on an album where the search for a more sophisticated
sound is clear, with more meticulous and orchestrated arrangements,
presenting a more challenging repertoire in pursuit of a more
contemporary and electric sound. The artists who took part in the
project include Dardo Martφnez on guitar and bass (Borinquen),
Yeneca Natal on the piano (Maracaibo), and on tumbadoras Jorge
Magari±os (Mag·) from Grupo Cubano, Walter Aguirre (Campe≤n) and
Benjamφn Arrascaeta, leader and founder of Conjunto Cienfuegos.
-munsterrecords
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.. ░░░░░ ▀███████████████▄▄█▀▀██████████████▀▀ ░░░░░
::. ░░░░ ▀▀██████████████████████▀██████▀ ░░░░
ooh ye.. ░ ▀██████████████▄░▀███████▀
▀▀████████████▄▄▄▄ ▀
::t r a c k l i s t ::: ▀██████▀▀
::: . ▀▀
------------------------------------------------------------------------------
01. Sonido Cotopaxi - Melisa 2:33
02. Grupo Electr≤nico Keguay - Alumbra Luna 3:05
03. Las Estrellas de Macondo - Si Fueras T· 3:29
04. Tropicana 70 - Plena Sensacional 2:57
05. Conjunto Casino - QuΘ Golazo! 4:08
06. Sonora Borinquen - El Disco Rayao 2:51
07. Grupo Manatφ - La Noche 3:07
08. Combo Camagⁿey - Paranß 3:28
09. Sonora Cienfuegos - Pies Mojados 3:15
10. Grupo Latino - Resalsa 3:50
11. Las Estrellas de Macondo - Marφa Mercedes 3:30
12. Sonora Borinquen - Recordando A Mi Barrio 4:06
13. Groupo Casino - Plena Costera 3:17
14. Anakaona - El Sequesito 4:02
15. Sonora Cienfuegos - Solo Para Tontos 3:40
16. Grupo Cubano - Quien No Vive En Mi Paφs 2:51
17. Conjunto Casino - La Salsa Nostra 4:01
18. Grupo Maracaibo - Juan 3:41
19. Grupo Antillano - Ya No Puedo Vivir Sin Ti 3:09
20. Las Estrellas de Macondo - Tumbahiana 3:50
21. Combo Camagⁿey - Costumbres 3:38
-----
72:28
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███▀▀ ::.. ▄███▀▀▀▀▀▀████░▓█ ▀▀██▀░░▄█▀▀ ▄█████▄▄░░ ▀███▄
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and then we chill ▄██▓░ ░▄ ▄█▀█ ▓███ ▀███▀░░▄█▀▀▄▄██▀██▄ ░ ▀ ▄██▄
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G R O U P N E W S ::: ▄██▄█▀▀▀█▀██▄█▀ ░░ ▀█▓▀ █▀ ░▄████ ▀█▄ ▀███
.. ▀█▓▀░░▄██░████ ░░░ ██▄▄░░ ▄▀ ██░ ▀ ░░▀█▀
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▀▀▀ ▀ ▀▀ G R E E T I N G S ██▄█░█▓▄▄█▄
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░ Special Thanks to DSP CMS FTD KrbZ JCE FuFFeNS IGR iMPG diss
░ and all rippers that have and continue to rip quality music. ░
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▀█▄░░░ ░ ▄ aSC' fairchild o4, 11 ▀ ▀▀▀
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