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| |
| Artist : Public Enemy |
| Album : New Whirl Odor (Advance) |
| Bitrate : VBR kbps |
| |
+-------------------------------[Release Info]-------------------------------+
| |
| Label : Slam Jamz Records |
| Year : 2005 |
| Genre : Rap |
| Rip date : 2005-08-30 |
| Store date : 2005-11-01 |
| Size : 90 megs |
| |
+--------------------------------[Track List]--------------------------------+
| |
| 1. Intro 0:33 |
| 2. New Whirl Odor 3:24 |
| 3. Bring That Beat Back 4:17 |
| 4. Intermission One 1:45 |
| 5. Put Yo Hands In The Air 3:24 |
| 6. Questions 3:07 |
| 7. Makes Ya Blind 5:34 |
| 8. Look It Here 4:27 |
| 9. Get Down 1:44 |
| 10. The Revolution Rocks On 4:19 |
| 11. Check What Ya Listenin' To 5:46 |
| 12. Somethin' To Say 3:23 |
| 13. So What Ya Sayin' 4:01 |
| 14. Intermission Two 1:15 |
| 15. Back In The Building 11:50 |
| ----------------------------------------------------------------------- |
| 58:49 |
| |
+-------------------------------[Release Notes]------------------------------+
| |
| Their first studio album in over three years... a couple months in |
| advance. Check it out... |
| |
| Public Enemy rewrote the rules of hip-hop, becoming the most influential |
| and controversial rap group of the late '80s and, for many, the |
| definitive rap group of all time. Building from Run-D.M.C.'s |
| street-oriented beats and Boogie Down Productions' proto-gangsta |
| rhyming, Public Enemy pioneered a variation of hardcore rap that was |
| musically and politically revolutionary. With his powerful, |
| authoritative baritone, lead rapper Chuck D rhymed about all kinds of |
| social problems, particularly those plaguing the black community, often |
| condoning revolutionary tactics and social activism. In the process, he |
| directed hip-hop toward an explicitly self-aware, pro-black |
| consciousness that became the culture's signature throughout the next |
| decade. Musically, Public Enemy were just as revolutionary, as their |
| production team, the Bomb Squad, created dense soundscapes that relied |
| on avant-garde cut-and-paste techniques, unrecognizable samples, |
| piercing sirens, relentless beats, and deep funk. It was chaotic and |
| invigorating music, made all the more intoxicating by Chuck D's forceful |
| vocals and the absurdist raps of his comic foil Flavor Flav. With his |
| comic sunglasses and an oversized clock hanging from his neck, Flav |
| became the group's visual focal point, but he never obscured the music. |
| While rap and rock critics embraced the group's late-'80s and early-'90s |
| records, Public Enemy frequently ran into controversy with their |
| militant stance and lyrics, especially after their 1988 album, It Takes |
| a Nation of Millions to Hold Us Back, made them into celebrities. After |
| all the controversy settled in the early '90s, once the group entered a |
| hiatus, it became clear that Public Enemy were the most influential and |
| radical band of their time. |
| |
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