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proudly presents
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VA - The Rough Guide to the Music of the Andes: Bolivia
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Artist: VA
Album: The Rough Guide to the Music of the Andes: Bolivia
Company: world music
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Rel. Date : 08/31/2005 Streetdate : 00/00/2005
Ripper : team Supplier : NOYB
Genre : Ethnic Style : Ethnic
Quality : VBRkbps / 44.1kHz Mode : Joint-Stereo
Grabber : EAC Encoder : lame 3.90.3 -aps
Songs : 16 Playtime : 60:06 min
Size : 84,10 MB
Url : n/a
Type : Album Source : CDDA
Language : English
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Featuring many tracks sourced from local companies, The Rough
Guide To The Music Of The Andes: Bolivia (RGNET1147CD) places
the original architects of the Bolivian sound alongside the
modern artists of today.
Framed by snow-capped peaks, La Paz is the largest city of
landlocked Bolivia and the strength of the indigenous culture
makes it an ideal home for the country's music industry.
Bolivia is the birthplace of the conjunto folklorico - a
modern marriage of European string instruments and Andean
flutes - and home to the rich musical wealth of nueva
canci≤n, taquirari and the striking rhythms of the Bolivian
Carnival.
Born and raised in the remote rural mountain village of Qala
Qala, Luzmila Carpio rose to national attention with her
performances at the song competition in Oruro (home to
Bolivia's largest carnival} and was crowned '±usta del
folklore' ('princess of folklore'), in 1971. She has
dedicated her career to the music of the Quechua and Aymara
people, and 'Bartolino Sisaman' represents the typical
singing style of the southern Altiplano.
At the core of Los Kjarkas, the most famous of all conjunto
folklorico groups, are the Hermosa brothers. Over the years,
they have encompassed the performance of music from
indigenous Bolivian people and composed new pieces in
traditional rhythms.
A seminal figure in the cueca scene of Tarija, in southern
Bolivia, kindergarten teacher Enriqueta Ulloa has been
performing the music of her homeland for over thirty years.
'Dalia Morada' ('Purple Dahlia') is a famous tonada and an
invitation to dance.
Grupo Bolivia is an all-female conjunto folklorico that has
endured (with some line-up changes) for more than two
decades. 'A±oranzas' is a story of faded love in a sicuh
rhythm, which was traditionally played on zamponas or
panpipes.
A more recent conjunto folklorico from Cochabamba, Arawi use
a traditional song style from the highlands called a huayno
on the song 'Chofercito'. This is one of many standard
rhythms in the repertoire of folklore groups.
Semilla, a conjunto folklorico led by Alejandro Cßmara, has
been active since the early 1990s. 'Wistu Vida' is a tinku (a
lively dance inspired by a form of ritualized combat from the
rural Potosi department), currently the most popular dance at
Oruro's carnaval.
Betty Veizaga and El Grupo Pukaj Wayra have been working to
bring the music of northern Potosi department to the rest of
Bolivia and the world, and the first section of 'Ulala
Kiskita' perfectly captures the rural roots of tinku.
One of the first Andean folk ensembles to achieve
international acclaim, Savia Andina was formed by a group of
students in the 1960s. Since then, Gerardo Arias (guitar),
Eddy Navia {charango) and Oscar Castro (guitar), have toured
virtually every corner of the globe and have recorded more
than forty albums.
Esther Marisol is less tradition-bound than other tarijenas,
such as Enriqueta Ulloa, and 'El Guajojo' is a taquirari (a
rhythm from the tropical east of the country) and a serenade.
Zulma Yugar, from the department of Oruro, in Bolivia's
central Altiplano is a beloved public figure having served as
in Bolivia's Ministry of Culture. Renowned as an interpreter
of traditional Bolivian music, 'El Trasnochador' is another
taquirari.
A founding member of one of the first ever conjunto
folklorico, Ernesto Cavour later made several solo recordings
and became famous for inventing new instruments. 'Greda
Mestiza' is a showcase for his rapid-fire charango (a small
guitar traditionally made from armadillo shields) strumming,
inventive use of harmonics and his prowess as an arranger.
Ana Cristina Cespedes grew up in Cochabamba and begun
learning the charango at 11. 'Paloma Del Alma Mia', is her
most famous song, and countless groups in Bolivia and Peru
have since covered it. The Grupo Aymara song, 'Huellas De Mi
Llamita', is a study for charango, guitar, wind and
percussion, which was composed by darken Orozco, the group's
leader and multi-instrumentalist.
The Rough Guide To The Music Of The Andes: Bolivia is an
excellent introduction to the sounds of the region and also
features Luis Rico, Rafael Arias Paz and Emma Junaro.
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01. [03:22] Esther Marisol - El Guajojo
02. [04:10] Arwai - Chofercito
03. [03:33] Zulma Yugar - El Trasnochador
04. [02:29] Ernesto Cavour - Greda Mestiza
05. [04:29] Semilla - Wistu Vida
06. [04:34] Ana Cristina Cespedes - Paloma Del Alma Mia
07. [02:36] Savia Andina - K'alanchito
08. [03:32] Grupo Boliva - Anoranzas
09. [03:40] Enriqueta Ulloa - Dalia Morada
10. [06:10] Luis Rico - En El Funeral Del Rio
11. [03:05] Luzmila Carpio - Bartolino Sisaman
12. [02:58] Los Kjarkas - Senora Su Hija
13. [03:37] Betty Veizaga Y El Grupo Pukaj Wayra - Betty Veizaga Y
El Grupo Pukaj Wayra
14. [03:07] Grupo. Aymara - Huellas De Mi Llamita
15. [05:13] Emma Junaro - De Regreso
16. [03:31] Rafael Arias Paz - Kaluyos Tradicionales
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60:06 min
84,10 MB
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