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██ Proudly Presents ██
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▀▄█▓ Bumblebees - Cissetive ▓█▄▀
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█▓ Genre ..........: Indie ▓█
█▓ Release Date ...: Sep-02-2005 ▓█
█▓ Store Date .....: 000-00-2004 ▓█
█▓ Artist .........: Bumblebees ▓█
█▓ Label ..........: emolution ▓█
█▓ Source .........: CDDA ▓█
█▓ Bitrate ........: VBRkbps average 44,1KHz ▓█
█▓ Joint-Stereo ▓█
█▓ No. of Tracks ..: 09 ▓█
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█▓ Tracks ▓█
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█▓ Track Time ▓█
█▓ [01] Triangle [05:30] ▓█
█▓ [02] Baragouine [04:18] ▓█
█▓ [03] Klub Barak 79 [02:00] ▓█
█▓ [04] Bordel De Chacal [02:26] ▓█
█▓ [05] Cervelle [06:58] ▓█
█▓ [06] Corned Beef [05:33] ▓█
█▓ [07] Smazene Syr [02:54] ▓█
█▓ [08] Frolux [04:31] ▓█
█▓ [09] Stolnjak [19:15] ▓█
█▓ ....... ▓█
█▓ total: [53:25] ▓█
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█▓ Comments ▓█
█▓ ▓█
█▓ This record is big. The sound is massive, even though it ▓█
█▓ remains in softer territory most of the time, but when ▓█
█▓ Bumblebees break loose their own version of ▓█
█▓ posthardcore-guitar-rock they sure draw up an electric storm ▓█
█▓ of intensity. This band uses their means very elegantly and ▓█
█▓ effectively. Sometimes theyÆll kick the frontdoor in, other ▓█
█▓ times theyÆll politely knock on the door, step back and wait ▓█
█▓ for you to open. Either way theyÆll gonna leave you exhausted ▓█
█▓ when they go. ▓█
█▓ ▓█
█▓ ôcissetiveö is an addictive record. It doesnÆt look like much ▓█
█▓ at first glance û the cover with those four little ▓█
█▓ ballet-girls dressed up as bees is just too obvious as a joke ▓█
█▓ to be taken seriously û but that soon changes when you start ▓█
█▓ to listen. In a short sentence: Bumblebees are able to create ▓█
█▓ tension, a powerful massive sort of tension, without using ▓█
█▓ the regular means, like brutality (grindcore), walls of ▓█
█▓ sounds with samples (Industrial) or evil associations (death ▓█
█▓ metal). Whereas others of my favourite intense bands, like ▓█
█▓ Neurosis, Pig Destroyer or Meshuggah, who forfeit any kind of ▓█
█▓ image or using icons in design and style to permeate their ▓█
█▓ intensity but still use a very direct approach of heaviness ▓█
█▓ with distorted, downtuned guitars, pounding drums, ▓█
█▓ throat-breaking screaming vocals and so on. Bumblebees have ▓█
█▓ found a different approach: intensity by softness. ▓█
█▓ ▓█
█▓ Softness not as much meant as a fluffy tiny little something ▓█
█▓ with big eyes that asks for a crumb of bread, but rather ▓█
█▓ softness as the opposite of harsh disruption or an ▓█
█▓ evolutionary, natural growth from one beautiful sound to the ▓█
█▓ next. Sounds paradox? Well, it is somehow. But then again ▓█
█▓ not, as soon as you listen to the record. Everybody knows ▓█
█▓ water is not tangible, flows away and canÆt be held, but hit ▓█
█▓ it with 75 miles an hour and it feels like pure concrete. ▓█
█▓ Remember that water is used to cut stones in industrial ▓█
█▓ areas. Everyone has felt and cuddled into soft blankets and ▓█
█▓ other cloths, but roll it on a pile and you can break ▓█
█▓ someoneÆs neck. And Bumblebees pile soft, emotional and ▓█
█▓ sometimes also melancholic parts upon one another until they ▓█
█▓ have produced an immense, impressive wall of sound that has ▓█
█▓ already grapped you and starts to drag you away. ▓█
█▓ ▓█
█▓ The levels of emotive softness and encapturing emotionality ▓█
█▓ used are varying from song to song. Whereas songs like ▓█
█▓ ôTriangleö or ôBordel de Chacalö break in quite heavy (in ▓█
█▓ relation to the rest) and also has screaming vocals on top ▓█
█▓ between the more laidback parts, ôSmazene Syrö drags along ▓█
█▓ quite slowly and finds its miniscule eruption of emotion ▓█
█▓ within a lonely, screeching saxophone solo. In between they ▓█
█▓ involuntarily turn towards modern folk rock, especially when ▓█
█▓ the singer sounds very much like the one from The National, ▓█
█▓ or towards emo-pop of all the well-known names. Bumblebees ▓█
█▓ donÆt steer away from chaotic eruptions of saxophones and ▓█
█▓ noise, but all within the aforementioned frame of natural ▓█
█▓ development. IÆll attribute it to the fact that this band has ▓█
█▓ been together quite long, their history going back to 1996 ▓█
█▓ even. Which gave them enough time to evolve, learn and create ▓█
█▓ and to get to know each other. Otherwise such a structure ▓█
█▓ only works out with the most open-minded of artists, and ▓█
█▓ those are hard to be found. ▓█
█▓ ▓█
█▓ This tactic is of itself of course nothing completely new. ▓█
█▓ Natsat from French are on a similar path, without the vocals ▓█
█▓ and using a lot higher dergree of postrock. If anyone ▓█
█▓ remembers ôFrigid Starsö by Codeine, which gripped me tightly ▓█
█▓ from its first legendary D-Chord and built up intensity by ▓█
█▓ actually doing nothing or as little as possible. (This record ▓█
█▓ would have deserved an entry in best records for a long time. ▓█
█▓ When will the opportunity arise.) I also remember when back ▓█
█▓ in the early Nineties a few young men came together in ▓█
█▓ Washington DC, all of them with a history of playing in other ▓█
█▓ bands, from straight raging hardcore to jazz, and recorded ▓█
█▓ ôThe lurid traversal of route sevenö under the moniker of ▓█
█▓ Hoover on Dischord records, what a revelation that was. ▓█
█▓ Intensity stretched over seven to eight minutes of hardcore ▓█
█▓ songs that werenÆt hardcore songs anymore but something that ▓█
█▓ has stepped a few levels up from there. Fucking brilliant. ▓█
█▓ Nowadays I am older, so I donÆt get excited that easily ▓█
█▓ anymore (which is a pity and I regret it a lot), but just a ▓█
█▓ few days ago, when someone asked me, which records got me ▓█
█▓ excited in the last weeks I named ôcissetiveö (next to Kraken ▓█
█▓ Oxen, Sinistri and ôOrigins of Fireö by Hildegard von ▓█
█▓ Bingen). ▓█
█▓ ▓█
█▓ This one set next to my player for quite a long time. For no ▓█
█▓ special reason actually, but I listened to it more often and ▓█
█▓ regularly in the last weeks than I do to most records I want ▓█
█▓ to do a review on. Why I didnÆt get round to writing that ▓█
█▓ review down is beyond me. Maybe I was afraid that as soon as ▓█
█▓ I had the review finished, IÆd be so busy listening to other ▓█
█▓ stuff waiting to be reviewed, that I wouldnÆt get around to ▓█
█▓ listen to ôcissetiveö anymore. Which happens, I guess. ▓█
█▓ ▓█
█▓ www.emolution.net ▓█
█▓ ▓█
█▓ If you like it, buy it. ▓█
█▓ █▄ ▄█ ▓█
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█▓ hXc was founded almost three years ago with the intent of ▓█
█▓ bringing underground music, namely hardcore, to the masses. We ▓█
█▓ hope to bring exposure and support to these talented artists and, ▓█
█▓ as such, ask you to please consider purchasing their music and/or ▓█
█▓ merchandise. We also ask that you do not distribute our releases ▓█
█▓ on p2p networks. ▓█
█▓ ▓█
▀▀ "Friendship, Loyalty, Commitment" ▀▀
▄▀█▓ ▓█▀▄
▀▄█▓ Greets: COR, gF, rH, FNT, PMS, RNS ▓█▄▀
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