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────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | Maysa Leak
Title | All My Life
Genre | R&B Format | Album
Source | CD Time | 55:50
Label | Expansion Records Store | 2000
Catalog | XECD 23 Rip | 2018
Bitrate | 822 kbps Size | 352.12 MB
Freq | 44.1 kHz Encoder | FLAC 1.3.1
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
01. Aria De La Mia Vita 0:26
02. All My Life 4:05
03. Compliments 4:07
04. Mirrors 4:10
05. Blue Light 4:22
06. Sunshine 3:45
07. Hooked On Your Love 3:56
08. Shadows And The Light 5:28
09. Got To Be Strong 4:16
10. Earth Child 5:05
11. Pressure 4:48
12. The Bottle 7:30
13. Closure 3:52
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
Born and raised in Baltimore, Maryland, jazz-soul singer/songwriter
Maysa Leak embarked on a singing career at an early age. By the age
of six, she had already determined that she was going to be a
singer, and she spent her elementary and high school days performing
in choir and musical theater productions. Maysa majored in classical
voice performance at Morgan State University; during her studies
there she began writing and recording original material. She also
placed second in Baltimore's first annual Billie Holiday Vocal Jazz
Contest and auditioned for Stevie Wonder's vocal group Wonderlove.
She was accepted into the group but joined only after she had earned
her degree from Morgan State.
Upon graduating, Maysa moved to North Hollywood to perform with
Wonderlove on the Jungle Fever soundtrack and appeared in live and
televised performances to promote the film. To pay her rent, Maysa
also recorded jingles on her days off from performing with
Wonderlove and worked at local record shops. In 1991, she was
recommended to the British funk-jazz group Incognito by producer
Steve Harvey, a mutual friend of Maysa's and of the band's leader,
Jean-Paul Bluey Maunick.
Five years passed between Maysa's self-titled debut album of 1995
and her next solo effort, "All My Life". While Maysa ranged from
decent to excellent, this consistently excellent CD is even
stronger: more focused and more confident, yet more chance taking,
more diverse, and totally unpredictable. All My Life gets off to a
jazzy, Sade-ish start with "Got to Be Strong", which should please
quiet storm enthusiasts. But Maysa, much to her credit, turns the
album into a real R&B roller coaster by providing everything from
club-friendly deep house on "Pressure" and "Hooked on Your Love" to
hypnotic, British-sounding acid jazz on "Sunshine" and "Mirrors".
And the singer really soars on an irresistible house interpretation
of "The Bottle", Gil Scott-Heron's 1970s commentary on alcoholism in
the inner city. So is the big-voiced Maysa really a dance diva at
heart? A jazzy quiet storm/smooth jazz singer? A retro-soul belter?
"All My Life" gives the impression that she's all of those things
and more, and it's clearly among the finest, most exciting R&B
releases of 2000.
┌────────┐
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└────────┘