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Foo_Fighters-The_Colour_And_The_Shape-REMASTERED-CD-FLAC-2018-DeVOiD
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___________________/ Release Info \
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:
Artist...: Foo Fighters
Album....: The Colour And The Shape
Type.....: Remastered
Genre....: Rock
Label....: RCA
Language.: English
Year.....: 2018 Source...: CDDA
R.Date...: 03-26-2018 Grabber..: EAC Secure
S.Date...: 03-16-2018 Encoder..: FLAC 1.3.1 Lossless
Quality..: 978 kbps Avg 44.1kHz 2 channels
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/ Track List .
+-----------
01 Doll 1:23
02 Monkey Wrench 3:51
03 Hey, Johnny Park! 4:08
04 My Poor Brain 3:33
05 Wind Up 2:31
06 Up In Arms 2:15
07 My Hero 4:20
08 See You 2:26
09 Enough Space 2:37
10 February Stars 4:49
11 Everlong 4:10
12 Walking After You 5:03
13 New Way Home 5:44
14 The Colour And The Shape (Bonus Track) 3:24
Total Size.: 14 Files/369.6MB/50:14 min
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| Release Notes \
---------------+
It's hard to view something like this new Foo Fighters record and not
reference some history-namely, prior band history of one Mr. Dave Grohl.
Yes, Mr. Grohl's first record as a frontman did have a heavy Nirvana, uh,
"influence," but unlike all the other suspects who constantly get compared
to Nirvana, he was actually in the band, so we gave him a break. Ahem.
So let's move on and address the now. Key thing to note is that Dave,
having more distance from the legacy of Kurt Cobain, has come into his own.
Specifically, his vocals are a far cry from previous full-bore replications
of Kurt's raspy scream and tuneful drawl. Dave now sounds like Dave-nice,
normal, plainspoken. Another factor is that, unlike the first album, he
made this record with other, truly making the Foo Fighters a band. And it
shows. Ex-Germ/punk-guitar legend Pat Smear shows off his infamous love for
Queen and, consequently, the first of The Colour and the Shape is a furious
dialogue/duel between old-guard stadium rock and DIY guitar bashing. Plus,
former Sunny Day Real Estate bassist Nate Mendel adds artful dimension,
throwing in hooks and anchoring Pat and Dave, so they don't venture too far
into the land of guitar wank.
But wait, the differences don't stop there! There are calming ballads with
bits of Beatles-y psychedelia and wistful crooning. "Walking After You" and
"See You" are so straightforward and palatable you wouldn't be surprised to
catch your dad whistling along while he mows the yard. On "Enough Space,"
Dave's vocals start out eerily like Steely Dan's Donald Fagen (that's what
multi-tracking can do for you) before taking off into a charring,
I-drink-Drano scream backed by a short, smashy punk-out. Other times, the
Foo Fighters come off as some dorky band hired to play a high school
homecoming dance with a penchant for abusing distortion pedals. They also
pull a couple of new wave skeletons out of the closet and reanimate them
with happy-sounding riffs that might not sound out of place in a car
commercial ("Everlong," "New Way Home," and the soulless keyboard bleeping
of "My Poor Brain").
The Colour and the Shape is unashamedly modeled after a classic '70s
pop-rock album. You've got your painfully sincere power ballads, your
open-hearted love songs, your alienated anthems, and your obvious radio hit
(the insistent "Monkey Wrench"). Which is not that surprising if you
remember that the Foo Fighters have been known to cover Journey live. But
the real gem here is "My Hero," which musically pledges allegiance to the
emo-punk nation with its subtle guitar build and stop-start wall of
textured beauty and passion. Even though it's not meant to be
autobiographical, the chorus concisely sums up the Foo Fighters' appeal:
"There goes my hero / He's ordinary." That's Dave Grohl, a simple rock guy
in a simple rock band who occasionally manages to write some really good
songs. He'll probably never come up with a godhead masterpiece, but then
again, he already played drums on one.
: URL: https://tinyurl.com/y8y8s5bq
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