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'| |_________\ :/ /. -bC! |'
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| music for body and soul |______________________|| |
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|| release infos |
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| |
| + artist ........... Mateo and Matos |
| + album ............ The Final Cut EP |
| + label ............ United Underground House Sounds |
| + cat .............. UU-001 |
| + year ............. 1998 |
| + genre ............ House |
| + source ........... Vinyl |
| + quality .......... VBRkbps / 44,1Khz / Joint-Stereo |
| + release date ..... 08.09.2005 |
| + size ............. 40,3 MB |
| + link ............. http://www.discogs.com/release/119322 |
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|| tracklist |
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| A1-Everybody's 07:29 |
| A2-Next Level 06:21 |
| B1-Feel So Good 07:04 |
| B2-Raw Basics 07:29 |
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| (t!) total 28:23 min |
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|| release notes |
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| |
| One of the most gifted and focused production teams in the New |
| York house underground, John "Roc" Mateo and Eddie "E-Z" Matos |
| were both educated in the warm vibe of disco first-hand by |
| listening to classic DJs on New York radio during the late '70s, |
| among them Shep Pettibone, Tony Humphries and Jonathan Fearing. |
| That original link from disco informed their own productions for |
| Henry Street, NiteGrooves, Nervous and a host of other labels |
| during the 1990s. |
| |
| The pair first met in 1985 and became DJ partners soon after. |
| Later that year, they were introduced "Little" Louie Vega (several |
| years before he joined Kenny "Dope" Gonzalez to become Masters at |
| Work) and learned much from Vega about recording-studio protocol, |
| including production and engineering. Mateo & Matos earned their |
| first high-profile DJ gig at Hector Cruz's mobile House Nation |
| club and spent much of the rest of the 1980s DJing in a variety of |
| locales. By 1989, the duo began using what they'd learned from |
| "Little" Louie Vega in their own productions. After recording |
| half-a-dozen singles for their own Final Cut Records, Mateo & |
| Matos' reputation began to spread and they recorded for Oxygen |
| Music Works, Henry Street, Nervous, NiteGrooves, and Spiritual |
| Life during the mid-'90s. Their debut production album, New York |
| Rhythms, appeared on Scotland's Glasgow Underground label in 1997. |
| One year later, the second volume appeared. In 1999, The Many |
| Shades of Mateo & Matos earned domestic distribution through |
| Glasgow Underground. ~ John Bush, All Music Guide |
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| |
| Enjoy these old school House vibes ! |
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|| group notes |
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| mbs is a new and free music lover association on the net. |
| we only share the music we love, with the people we like. |
| keep your mind, your body and your soul open. peace. |
| |
| _ _________________________\\\\
|_ \ _ .| \
////___\\\ ////--------------------------|' aski injected by basic!
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