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▌────── Release Info ───────────────── ▐▌ ──────────────── ▌ ──────── ▐
▐
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Originally released : 00-00-1986
Release date : 03-25-2003
Album name : Enya
Artist : Enya
Ripped by : SDGR406
Genre : New Age
Label : Atlantic
Encoding Software : Lame EOS
Quality : --alt-preset standard
Tracks : 15
Size of Files : 49,9 MB
─ Track list ───────────────────────────────────────── ─── ─ ─
01 02:56 The Celts
02 03:05 Aldebaran
03 04:01 I Want Tomorrow
04 03:16 March of the Celts
05 01:43 Deireadh an Tuath
06 02:55 The Sun in the Stream
07 01:20 To Go Beyond (I)
08 03:03 Fairytale
09 01:36 Epona
10 04:23 Triad
11 01:23 Portrait
12 03:31 Boadicea
13 01:23 Bard Dance
14 01:41 Dan Y Dwr
15 02:58 To Go Beyond (II)
Total time: 39:14 min
─ Release notes ─────────────────────────────────────── ─── ─ ─
Initially released simply as Enya, The Celts shows that
the style she became famous for on Watermark was
already well under way. With production and lyrical
help fully in place thanks to her husband-and-wife
gurus Nicky and Roma Ryan, Enya's combination of Celtic
traditionalism and distinctly modern approach finds
lush flower here. All the elements that characterize
her music ù open, clear nods to her Irish heritage, any
number of vocal overdubs to create an echoing, haunting
feeling, and layers of synth and electronic percussion
ù can be found almost track for track. The flip side is
that those who find such a combination to be gloopy
mush won't be at all convinced further by her work
here. It's understandable why folk music
traditionalists and anti-mainstream types would get the
hives, but those not coming from that angle will find
much that's rewarding. Given that The Celts is a
commissioned piece of work, it actually stands on its
own quite well. The charging surge of the title track
functions both as a fine introduction and its own
stirring, quietly powerful anthem, a good sign for the
rest of the album. There are a couple of slight
missteps ù an electric guitar solo disrupts the
string-and-vocal flow of the truly lovely "I Want
Tomorrow," for instance. Generally, though, her musical
instincts serve her very well, with many striking
highlights. The appropriately three-part "Triad"
showcases her ear for vocal work excellently, while
both versions of "To Go Beyond," especially the second,
which closes the disc with an exquisite extra string
part, also are worthy of note.
- Ned Raggett, allmusic.com
─ Contact ───────────────────────────────────────────── ─── ─ ─
Contact us @ : #eos (efnet)
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