Francois_Kevorkian_Vs_Chris_Fortier-Live_At_Peter_Pan_(Riccione)_08-14-LINE-2005-knk

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MP3/FLAC
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knk
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164,85 MB
Files
2
Date
2005-09-17

NFO


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     █┌───────────────────────────────────────────────────────────────────────┐█│
     █│ Franτois Kevorkian Vs Chris Fortier-Live At Peter Pan (Riccione) 08-1 │█│
     █│·─────────────────────────────────────────────────────────────────────·│█│
     █│   Artist...: Franτois Kevorkian Vs Chris Fortier                      │█│
     █│   Title....: Live At Peter Pan (Riccione) 08-14                       │█│
     █│   Label....: n/a                                                      │█│
     █│   Genre....: Electronic                                               │█│
     █│   Str.date.: 000-00-0000                                              │█│
     █│   Rip.date.: Sep-15-2005                                              │█│
     █│   Source...: LINE                                                     │█│
     █│   Quality..: 192 kbps / 44,1Hz / Stereo                               │█│
     █│   Encoder..: LAME                                                     │█│
     █│   Supplier.: TEAM knk                                                 │█│
     █│   Ripper...: Team knk                                                 │█│
     █│   Tracks...: 01                                                       │█│
     █│   Size.....: 164,8 MB                                                 │█│
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    │█│  01  │ Live At Peter Pan (Riccione) 08-14-LINE-2005           │120:00 │█
    │█│      │                                                        │       │█
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    │█ · ···───[ r e l e a s e ─ i n f o ]───··· · ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█│
    │█┌───────────────────────────────────────────────────────────────────────┐█│
    │█│                Always support artists!! Remember it!!                 │█│
    │█│·─────────────────────────────────────────────────────────────────────·│█│
    │█│                                                                       │█│
    │█│   http://www.peterpanclub.com/                                        │█│
    │█│                                                                       │█│
    │█│                                                                       │█│
    │█│   CHRIS FORTIER'S BIOGRAPHY:                                          │█│
    │█│   Steeped in a background of learning his craft through long sets     │█│
    │█│   at his various residencies during his days in Central Florida and   │█│
    │█│   later at Twilo in New York , Chris is an old school dj in the       │█│
    │█│   truest sense of the word. He has learnt his craft in a way that     │█│
    │█│   few DJs can boast. Very few of today's headline DJ's can say they   │█│
    │█│   know how to build a night from nothing and create an atmosphere     │█│
    │█│   at any point in the nights festivities. However, Chris Fortier is   │█│
    │█│   one of the few that can.                                            │█│
    │█│   With the seemingly never-ending world tour still in effect from     │█│
    │█│   last year's release of the critically acclaimed ôBedrock:           │█│
    │█│   Compiled and Mixedö compilation, Chris is a headline act in his     │█│
    │█│   own right, he continues to travel to every corner of the globe in   │█│
    │█│   the last 12 months including residencies at The Cross in London     │█│
    │█│   and Plexi in New York. Chris is no longer a name just on the U.S.   │█│
    │█│   stage, but on the world stage.                                      │█│
    │█│   Even with being constantly on tour, Chris production career has     │█│
    │█│   never been healthier as he embarks on a solo career alongside his   │█│
    │█│   continuing work as Fade. The summer has seen the release of         │█│
    │█│   ôWhateveritisö a slice of big room house directed at those that     │█│
    │█│   choose to pidgeonhole every genre of dance music. The follow up,    │█│
    │█│   ôBelieveö has been road tested for the past few months while on     │█│
    │█│   tour and looks set for a release in the coming months, along with   │█│
    │█│   the unreleased ôLosing Waitö and remixes of Kristine W, Lovesky     │█│
    │█│   and PQM.                                                            │█│
    │█│   Currently residing in New York , Chris' roots can be traced to      │█│
    │█│   the early nineties in Orlando , Florida , where he was spotted by   │█│
    │█│   DJ Icey and quickly thrown in by Kimball Collins as resident at     │█│
    │█│   the infamous "Aahz". These visionary and legendary nights served    │█│
    │█│   as a platform to bring Sasha and John Digweed to America for the    │█│
    │█│   first time, and establish an " Orlando " sound that would become    │█│
    │█│   synonymous with clubbers and DJs alike for years to come.           │█│
    │█│   As one of the pioneer DJ of the US circuit, Chris was one of the    │█│
    │█│   first to travel the country, playing in cities like Atlanta ,       │█│
    │█│   Charlotte , Washington and Boston when they were in their           │█│
    │█│   infancy. This continued as new markets in Central America and       │█│
    │█│   Canada began to appear making him one of the most travelled DJs     │█│
    │█│   in the States. In 2000, after his move to New York , he joined      │█│
    │█│   the infamous Twilo as one of their residents, playing alongside     │█│
    │█│   Dave Seaman for the club's successful bi-monthly Saturday events.   │█│
    │█│   To support his constant touring, Chris was one of the first to      │█│
    │█│   release a compilation CD in the States, a typically original move   │█│
    │█│   at the time and has realised five more in the space of the last     │█│
    │█│   six years.                                                          │█│
    │█│   Keen to build the production side of his career, Chris started      │█│
    │█│   Fade Records in 1995 and released his first double A sided single   │█│
    │█│   ôFor All the People/ All I Gotö under the production name of Fade   │█│
    │█│   with his one time surf competitor, Neil Kolo. The Fade sound        │█│
    │█│   quickly defined the era and the fashionable progressive Orlando     │█│
    │█│   sound. A long-term record deal from the UK and remixes for BT,      │█│
    │█│   Sam Mollison, Space Brothers, and Future Force followed over the    │█│
    │█│   next few years.                                                     │█│
    │█│   In 1998 while submitting a Sarah Mclachlan bootleg of ôPlentyö      │█│
    │█│   (which was subsequently released in 2001) to her record label,      │█│
    │█│   Chris was offered a remix of a Delerium track called ôSilenceö.     │█│
    │█│   The remix created a frenzy with such limited quantities being       │█│
    │█│   pressed by the label. Eventually succumbing to the demands of the   │█│
    │█│   general public after it's inclusion on Northern Exposure 3, and     │█│
    │█│   the buzz it created with DJs like Dave Seaman and Sasha opening     │█│
    │█│   and closing their sets with it, the label released it to discover   │█│
    │█│   a worldwide chart hit, with it hitting number one in four           │█│
    │█│   countries including Australia.   http://www.djchrisfortier.com/     │█│
    │█│                                                                       │█│
    │█│                                                                       │█│
    │█│   FRANCOIS KEVORKIAN's BIOGRAPHY:                                     │█│
    │█│   Born and raised in France, his passion for music led to playing     │█│
    │█│   the drums during his teen years, and he moved to the US in 1975,    │█│
    │█│   where he hoped to find more challenging situations than those       │█│
    │█│   back home. Due to the heavy competition for any gig as a drummer    │█│
    │█│   in those days, he instead tried his hand at becoming a DJ in        │█│
    │█│   underground NYC clubs, around 1976. His career then skyrocketed,    │█│
    │█│   and he quickly was able to make this his full-time occupation,      │█│
    │█│   although some of it was at more commercial venues such as the       │█│
    │█│   club 'New York, New York' in 1977. During that time, he             │█│
    │█│   self-taught himself editing and started making 'Disco Medleys',     │█│
    │█│   some of which are still popular to this day, such as Rare Earth's   │█│
    │█│   "Happy Song" and others. He was offered a position doing A&R for    │█│
    │█│   a nascent Dance Indie record label, Prelude Records, which          │█│
    │█│   allowed to him to go into the studio and do remixes. His first      │█│
    │█│   remix, of a Patrick Adams production, "In The Bush" by Musique      │█│
    │█│   became a wild success both in clubs and on the radio, and was the   │█│
    │█│   first of many remixes that helped Prelude define the sound of New   │█│
    │█│   York's dance music, including such memorable songs such as          │█│
    │█│   "You're The One For Me' and "Keep On" by [[D-Train$$, "Beat The     │█│
    │█│   Street" by Sharon Redd, and many more. His stint at Prelude ended   │█│
    │█│   in 1982, the same year where he had the most Number One singles     │█│
    │█│   in Billboard's Dance Music Chart, which included his remixes of     │█│
    │█│   now-classic song such as "Situation" by Yazoo, and "Go Bang" by     │█│
    │█│   Dinosaur L.                                                         │█│
    │█│   During that time, he was privileged enough to play as a guest DJ    │█│
    │█│   at such legendary venues as the Paradise Garage, The Loft, Better   │█│
    │█│   Days, Studio 54, Les Mouches, Buttermilk Bottom, AM-PM, as well     │█│
    │█│   as a residency at New Jersey's Club Zanzibar on Fridays for over    │█│
    │█│   a year. The great success of his remixes naturally led him to       │█│
    │█│   production, and his first one was an EP for Island Records,         │█│
    │█│   "Snake Charmer" by the all-star cast of Jah Wobble, Jaki            │█│
    │█│   Leibezeit, Holger Czukay and U2's Dave 'The Edge' Evans. His        │█│
    │█│   career as a remixer and producer led him to work or collaborate     │█│
    │█│   with many more mainstream artists, such as The Eurhythmics, Diana   │█│
    │█│   Ross, U2, Kraftwerk, Mick Jagger, Ashford&Simpson, The Cure,        │█│
    │█│   Midnight Oil, Jimmy Cliff, Foreigner, Jean-Michel Jarre, Jan        │█│
    │█│   Hammer, The Fatback Band, Bunny Wailer, The Smiths, Pet Shop        │█│
    │█│   Boys, Cabaret Voltaire, and culminated in his involvement in        │█│
    │█│   mixing all of Kraftwerk's 1986 studio album, 'Electric CafΘ'.       │█│
    │█│   This in turn led him to get hired by Depeche Mode to mix what was   │█│
    │█│   to be one of their biggest-selling albums, 'Violator' as well as    │█│
    │█│   many of their 12" club remixes.                                     │█│
    │█│   During that time, he decided to build his own recording studio,     │█│
    │█│   Axis Studios, which ironically was located in Manhattan on West     │█│
    │█│   54th Street, in the same building as the club 'Studio 54' , and     │█│
    │█│   it quickly turned into a major commercial operation. Due to the     │█│
    │█│   pressures of studio work, he had abandonned DJ'ing around 1983 to   │█│
    │█│   dedicate himself to recording and mixing full-time, but couldn't    │█│
    │█│   stay away from the turntables, and started spinning again in        │█│
    │█│   early 1990. The scene had really become much more international,    │█│
    │█│   and he quickly was able to start traveling and gaining much         │█│
    │█│   exposure overseas, including Japan. He toured Japan, DJ'ing with    │█│
    │█│   Larry Levan in the Summer of 1992 (the 'Harmony Tour') right        │█│
    │█│   before Levan's untimely passing in November of that same year.      │█│
    │█│   The demand for his DJ appearances led him to start traveling to     │█│
    │█│   many of the best club venues around the world, including London's   │█│
    │█│   'Ministry Of Sound', Japan's 'Club Yellow', Ibiza's 'Pacha' and     │█│
    │█│   'Space', as well as Italy's 'Angels Of Love'.                       │█│
    │█│   By 1995, he decided to start an eclectic independent record         │█│
    │█│   label, Wave Music which allowed him to find an outlet for his own   │█│
    │█│   creative endeavours, including the FK-EP, as well as signing        │█│
    │█│   records by Abstract Truth, Floppy Sounds and a slew of other        │█│
    │█│   electronic music releases. Then in 1996, he (along with partner     │█│
    │█│   John Davis) became involved in starting what arguably became one    │█│
    │█│   of New York's most revered weekly parties, Body&SOUL which took     │█│
    │█│   place every Sunday afternoon at Club Vinyl (6 Hubert Street),       │█│
    │█│   playing along with co-resident DJ's Joaquin 'Joe' Claussell and     │█│
    │█│   Danny Krivit for a mixed crowd of ecstatic and faithful dancers     │█│
    │█│   from all over the world. The 'Body&SOUL' sound, a unique soulful    │█│
    │█│   mix of very organic and spiritual dance music grooves, led to the   │█│
    │█│   release of a successful compilation series by the same name.        │█│
    │█│   His career as an artist did not stop evolving, as he rekindled      │█│
    │█│   his interest for a more electronic sound, and the release of his    │█│
    │█│   Sonar Music set in 2002 marked a turning point; he started          │█│
    │█│   playing a much edgier and futuristic style, with more to do with    │█│
    │█│   Techno and Dub than the House sound he was mostly identified with   │█│
    │█│   as a DJ until that time. In 2002, he also started touring along     │█│
    │█│   with Detroit Techno legend Derrick May, playing sets together as    │█│
    │█│   the 'Cosmic Twins'. His recent appearances at Berlin's Tresor,      │█│
    │█│   Manchester's Sankey's Soap and London's Fabric have helped gain     │█│
    │█│   him many younger fans that may not have been aware of his           │█│
    │█│   previous work.                                                      │█│
    │█│   More recently, in April of 2003, he started a new weekly Monday     │█│
    │█│   night event in New York City called Deep Space, which focuses on    │█│
    │█│   Dub in all of its forms, and where the format is extremely          │█│
    │█│   eclectic, ranging from spaced-out Techno to the deepest Reggae,     │█│
    │█│   Hip-Hop as well as Drum& Bass, House and Disco. His recent          │█│
    │█│   musical output has him mixing Deep Space NYC Vol. 1, a              │█│
    │█│   compilation featuring several of his own original productions       │█│
    │█│   (along with Jamaican dub legends Mutabaruka and U-Roy); he also     │█│
    │█│   recently did notable remixes for Moloko, Yoko Ono, Cesaria Evora,   │█│
    │█│   as well as much for his own label.                                  │█│
    │█│   The French-born NYC resident can be considered one of Larry         │█│
    │█│   Levan's disciples and therefore one of the forefathers of house     │█│
    │█│   music. Having started his career in renowed clubs such as the       │█│
    │█│   Paradise Garage, Kevorkian now tours the world, taking part in      │█│
    │█│   many music gatherings, such as the Sonar multimedia festival in     │█│
    │█│   Barcelona and its Brazilian equivalent, Sonar Sπo Paulo, both of    │█│
    │█│   which took place in 2004.                                           │█│
    │█│   To this day, many people (especially in the U.K.) insist on         │█│
    │█│   mistakenly spelling his last name as 'Kervorkian', which can be     │█│
    │█│   traced to an erroneous credit on the Violator album he mixed for    │█│
    │█│   the group Depeche Mode.           http://www.francois-k.com/        │█│
    │█│                                                                       │█│
    │█│                                                                       │█│
    │█│                                                                       │█│
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     █│"                                                                      │█│
     █│ In the beginning, there was Jack. And Jack had a groove.              │█│
     █│ And from this groove came the groove of all grooves.                  │█│
     █│ And while one day viciously throwing down on his box, Jack boldly     │█│
     █│ declared,Let there be House! And House music was born.                │█│
     █│ I am, you see. I am the creator. And this is my House.                │█│
     █│ And in my House there is only House music.                            │█│
     █│ But I am not so selfish, because once you've entered my House,        │█│
     █│ it then becomes our House, and our House music. And you see,          │█│
     █│ no one man owns House, because house music is a universal language    │█│
     █│ spoke and understood by all. You see, House is a feeling, that no one │█│
     █│ can understand really, unless you're deep into the vibe of House.     │█│
     █│ House is an uncontrollable desire to Jack your body. And as I told    │█│
     █│ ya before, this is our house, and our House music. And in every house │█│
     █│ you understand,there is a keeper. And in this house the keeper is     │█│
     █│ Jack. Now some of you might wonder,                                   │█│
     █│ who is Jack and what is it that Jack does?                            │█│
     █│ Jack is the one who gives you the power to Jack your body.            │█│
     █│ Jack is the one who gives you the power to do the snake.              │█│
     █│ Jack is the one who gives you the key to the wiggly world.            │█│
     █│ Jack is the one who learns you how to walk your body.                 │█│
     █│ Jack is the one that can bring nations and nations of all Jackers     │█│
     █│ together under one house.                                             │█│
     █│ You may be black, you may be white, you may be Jew, or Gentile.       │█│
     █│ It don't make a difference in our house. And this is fresh!!!         │█│
     █│                                                                     " │█│
     █│·─────────────────────────────────────────────────────────────────────·│█│
     █│                                                                       │█│
     █│ knk was meant to be a house music group. but even if house music is   │█│
     █│ our only reason to exist as a group, we start now to release every    │█│
     █│ kind of electro-vocal-lounge liveset, mixcd, compilation or full cd.  │█│
     █│ We know livesets are considered worst than shit in the scene.         │█│
     █│ But we keep betting on them because we KNOW that normal people        │█│
     █│ love them. We got high feedbacks about many and many livesets we      │█│
     █│ released over the last year. We want to continue with ..              │█│
     █│                                                                       │█│
     █│·─────────────────────────────────────────────────────────────────────·│█│
     █│                                                                       │█│
     █│ We are now in look for:                                               │█│
     █│                                                                       │█│
     █│    - talented rippers, promo cd/live suppliers                        │█│
     █│                                                                       │█│
     █│    - 100mbit+ sites that would like us to affiliate them              │█│
     █│                                                                       │█│
     █│    - bnc, (legit) shells suppliers                                    │█│
     █│                                                                       │█│
     █│ If u think can help us, please send a mail to:  knk@hushmail.com      │█│
     █│                                                                       │█│
     █│·─────────────────────────────────────────────────────────────────────·│█│
     █│                                                                       │█│
     █│ We would like to thank the following groups for the good music        │█│
     █│ they release                                                          │█│
     █│                                                                       │█│
     █│           BWA - 1REAL - BPM - dh - MS - tronik - WHOA - XDS           │█│
     █│                                                                       │█│
     █│                                                                       │█│
     █│ and a special thank goes to Morgoth for his tools :)                  │█│
     █│                                                                       │█│
     █│·─────────────────────────────────────────────────────────────────────·│█│
     █└───────────────────────────────────────────────────────────────────────┘█│
     ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀│
          · ···──────────────[last update 11-24-03]─────────────────────────────┘

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