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█ - d e e p h o u s e -
20.09.2005
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artist : Taran
title . Mod and Mini and Space Age
type : Album
year . 1996
genre : House
subgenre . Downtempo
label : Compost Records
cat . COMPOST 026-2
URL : http://www.compost-records.com/
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grabber : EAC
encoder . Lame 3.90.3
quality : VBRkbps / 44,1Khz / Joint-Stereo
source . CDDA
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01.Modest 06:37
02.Death and The Bachelor 05:47
03.Sputnik Code 06:00
04.Dust 11:30
05.Maxwell's Demon 05:32
06.Lines 07:39
07.Caffeine Effect 06:38
08.The Lift 06:55
09.Telstar 07:55
10.Death and The Bachelor (Original Version) 05:44
70:17 min 95,2 MB
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The deep house crew brings you once again a high quality release of
soulful dance music.. music with emotion that deserves the promotion..
·∙∙∙·[comments]·∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙·∙·
How to describe the music of Taran? Lo-fi-tech-jazz- ambient with an
ukranian flavour? Eclectic eastern europe soul with a distinctive
melancholic feeling? Eastern Europe Soul would also be a good title!
Taran works, burns up and chills in Kiev, the Ukraine capital. Mod
And Mini And Spaceage is his first solo-LP release after a variety of
underground tape releases too numerous to list. In 1983 Taran pasted
together his first tape loop, from the Xtabay by Uma Sumac, stolen
from the collection of his BeBop-freak father. Shortly afterwards he
discovered a similarity between the album covers of Exotica and
Thobbing Gristle's Greatest Hits , causing him to plug his vibe
bravely into a distortion box.
In 1986 he graduated from the Kiev Art College and appeared on stage
jamming with Eliott Sharp, showing no mercy for the audience's ears.
In 1988 he joined the Ukrainian Academy Of Art, got up after a heart
attack and headed a strange electro-acoustic chamber band Sugar-White
Death, laying bare the Hearts Of Darkness of the Ketamin Junkies and
Post Chernobyl Psychos. The rest of his verbal energy went into the
production of Lo-Fi-videos.
In 1992 Taran finally started to pay attention to the HipHop
groovies, destroying ultimately his father's record collection and
releasing the project The Tenth Victim. At the same time he was
co-producing for the German cult-indie-label What's So Funny About...
the first CD-Sampler of underground-experimental Ukrainian bands. In
connection with this project Taran appeared at the 1993 Pop-Komm
festival in Cologne, where he was deeply disillusioned by the massive
misconcetions he discovered about the indie-scene in the Ukraine.
1994 saw him involved in a variety of club projects in Kiew, Warsaw
and Odessa, mostly roaming through the multimedia jungle. In late
1995 he codirected the first Ukrainian big rave (Torba Sound) and as
a guest of the Dutch Institute Of Tactical Media, started work on Mod
And Mini And Space Age. In 1996 Taran signed to Compost Records in
Munich, and still riding down the "Down Escalator Of Opportunity" in
the capital of his nation...
Taran is the first underground artist from the Ukraine, who got a
record deal in the west. This seems to be not so important, but if
you can imagine, how they have lived in the past, how they tried to
organize their first raves, without any money, with the contrariety
and contradiction of the gouvernment and mafia - and if you can
imagine, that the Ukrainian underground don't have the opportunities
to buy or borough such Technics-turntables, sound-systems, and all
that equipment for making and playing the music they like. They build
up their own things, machines, computers, virtual realities
........anyway, if you like to know more about the Russian-/
Ukrainian underground-music, parties and art- and multimedia-scene,
don't hesitate to call Compost or Taran for an interview. He can tell
you strange, unbelievable, lovely stories about the rave-scene, the
music, mafia and of course the status quo in the east...
remember to support artists.
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shoutouts to the groups that love the music they promote..
·∙∙·[news]∙·∙∙ ∙∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙···∙···∙∙
5 years deephouse. 5 years of nice music all over the place...
and it's still only about what we love.
you all know the situation nowadays, security is a nice thing to have,
p2p, people selling etc...i wont waste anymore words on that now.
we'd like to thank all the groups releasing quality electronic music,
the siteops who host the nice tunes, and all the people that really
make the scene a nice place to participate.
now enjoy the music and if you like it, support the artists.
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If you're down with the deep house music, music with feeling..
music that makes you groove no matter where you are.. and you
think you can add to this feeling ... then visit us on efnet or
drop us a line to deephouse@hotPOP.com..
keep the feeling real. .∙· d e e p h o u s e 2 0 0 5 ·∙.
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nfo/header by rudo; updated at 01 oct 04