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a r t i s t : Philip Sanderson
t i t l e : Seal Pool Sounds
d a t e : 2005
l a b e l : Seal Pool (SPOOL 002CD)
g e n r e : Electronic
r l s. d a t e : September/2005
t r a c k s : 13
b i t r a t e : VBRkbps
s i z e : 60,7 MB
_______________________________________________________________________
Seal Pool Sounds is the first CD release of new material from
Snatch Tapes founder, Organum Collaborator, and British
installation artist, Philip Sanderson. Seal Pool Sounds picks
up where Sanderson's Storm Bugs project left off sometime in
1981. Sanderson's DIY software and electronics conjure
whimsical, plaintive electronic tones and rhythms: sounds that
recollect the light-hearted, yet melancholy nature of the 20th
century zoos. Seal Pool Sounds is a natural extension of his
Reprint CD on Anomalous Records, and at once evokes LAFMS,
Raymond Scott, Marcel Duchamp, and French New Wave film music.
"It's been a very, very long time that Philip Sanderson has
released anything new. Up until Seal Pool Sounds, the last
recordings for Sanderson date back to 1982! During the late
'70s and early '80s, Sanderson had been very active in the
Britian's DIY cassette culture, producing music as the Storm
Bugs (with Steven Ball) and as Susan Thomas & Clare Vesay
(whose fictional femininity caused a minor bout of controversy
between Sanderson and Cherry Red records). He also
collaborated frequently with David Jackman who at that time
had yet to form his seminal drone-scrape project Organum. Many
of these recordings emerged on Sanderson's own Snatch Tapes;
and some of those original cassettes have slowly been reissued
in recent years. In the mid-'80s, Sanderson made a stylistic
jump to film and installation, offering an explanation as to
his whereabouts during all those years.
Within the murk, hiss, and Frankensteinian electric
constructions of his early work on Snatch, there was a
peculiar and perverse sense of humor in Sanderson's work. On
Seal Pool Sounds, he allows the playful aspects of that sense
of humor to occasionally emerge with these much cleaner
squiggles, jolts, and drones of electronic sounds.
Alternately, a plaintive melancholia hangs upon other
abstracted tones and broken rhythms, ending up sounding like
more primitive constructions from Mika Vainio's solo work,
those Microstoria albums, and even Manhatten Research era
Raymond Scott."
_______________________________________________________________________
01-Oil On Troubled Daughters [03:32]
02-Feeding Time [03:39]
03-Big Glass [01:03]
04-Unwell [02:11]
05-Flume [04:05]
06-Sea Swell [02:24]
07-Seal Pool Sounds [02:06]
08-Pilot Light [02:15]
09-March Of The Bugs [02:18]
10-Radium Lab [12:28]
11-Nude Nights [03:47]
12-Left Them Down [05:03]
13-Lude [01:15]
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46:06 min