Glass_Hammer-Untold_Tales-2017-GRAVEWISH

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GRAVEWISH
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129,95 MB
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Date
2018-05-05

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     ▓█░    ░█▀                                                  ▀█░    ░█▓
   ░  ██    ██     Artist: Glass Hammer                           ██    ██
   ▓   █░░ ■█       Album: Untold Tales                            █■ ░░█
   ■    █▓▀ █        Year: 2017                                    █ ▀▓█   ░
         █  ▓   Rel. Date: 2018-05-05                              ▓  █
        ▒   ▒       Genre: Progressive Rock                        ▒   ▒
         █▄ ░       Label: Sound Resources / Arion Records         ░ ▄█
      ░   █▄  ░    Source: CD                                    ░  ▄█
      ░      █▓      Type: Album                                 ▓█        ░
      ▓       █   Quality: VBR, 44.1kHz, Joint Stereo            █   ░     ▓
      ▓       █                                                  █   ░     ▓
      ▄       ■                                                  ■   ▓     ■
            ░█                                                    █░ ▀
            █  This CD features rare and previously unreleased     █
            █  studio and live recordings spanning the 25-year     █
            █  history of Glass Hammer.                            █
            █                                                      █
            █  ---                                                 █
            █                                                      █
            █  ThereÆs are some bands that have been with me       █
            █  since I first started really getting into           █
            █  progressive rock music and have stood the test of   █
            █  time because I like their music and how they have   █
            █  developed over the years. However, because I am     █
            █  what is classed as a relatively ælate adopterÆ to   █
            █  the genre it also means that there is a fair        █
            █  amount of back catalogue stuff and undiscovered     █
            █  gems that I have never heard.                       █
            █  When a band releases an album of æPreviously        █
            █  unreleased tracks and more..Æ it often only         █
            █  appeals to the completists among the fanbase and    █
            █  doesnÆt tend to draw in new listeners or fans who   █
            █  have only started to like the artists later in      █
            █  their career. So, what would Glass HammerÆs         █
            █  æUntold TalesÆ give us, I wonder? Starting with     █
            █  songs from 1993 and concluding with a live          █
            █  recording from 2017, it promised to be something a  █
            █  bit different from the usual archive offerings.     █
            █  Comprising of 13 tracks in total, including         █
            █  instrumentals and the aforementioned live track,    █
            █  æUntold TalesÆ offers the listener a sizeable       █
            █  chunk of never heard before Glass Hammer music. It  █
            █  opens with a couple of interesting instrumentals,   █
            █  Shadows Of The Past reworked in 2008, Fred          █
            █  Schendel reworking the opening track off æJourney   █
            █  Of The DunadanÆ using techniques unavailable on     █
            █  first release in 1993 and it has a suitable         █
            █  cinematic soundscape to its orchestral              █
            █  magnificence. Infusion is a piece of music          █
            █  originally released on the album æLove Changes û    █
            █  Featuring Glass HammerÆ by artist Tracy Cloud.      █
            █  ThereÆs a pared back, ethereal wonder to the three  █
            █  minute instrumental with its haunting piano, flute  █
            █  and keyboards and stylish bass playing.             █
            █  The heady Identity Principle is one of the          █
            █  standout tracks on the album and is pure Glass      █
            █  Hammer. Steve Babb literally found this song        █
            █  hiding on a backup drive. The band  were never      █
            █  quite satisfied with the mix on the ending. They    █
            █  recorded a new performance of the ending which      █
            █  matches up very well. Thus, this track was          █
            █  recorded in the early 90Æs and just a while ago. A  █
            █  wonderfully involving track with great vocals from  █
            █  Walter Moore and an elegant guitar combining        █
            █  really well. It has that great Glass Hammer trait   █
            █  of taking you on a complex and involving musical    █
            █  journey, one that always holds you attention. The   █
            █  melodies entwine and the guitar takes on its own    █
            █  vocal note, to me this is one of THE great tracks   █
            █  from this enduring band and, as Steve himself       █
            █  says, itÆs a crying shame it has lain hidden for    █
            █  so long. Glass Hammer appeared at Progscape æ96 in  █
            █  Baltimore, Maryland and performed the classic       █
            █  Argent track Hold Your Head High. This studio       █
            █  version was certainly recorded around that time,    █
            █  probably in 1997 and is quite a bombastic version   █
            █  for a band noted for their Elfin lyrics and music.  █
            █  SteveÆs bass is driving and dynamic and Fred seems  █
            █  to be having ball on the keyboards, add the         █
            █  stylish guitar of David Carter to a powerful vocal  █
            █  from Walter and youÆve got a rather excellent       █
            █  cover version.                                      █
            █  I have to be honest, there are a couple of what     █
            █  IÆd call æthrowawayÆ tracks on the record and we    █
            █  get both in quick succession. Actually they arenÆt  █
            █  bad tracks but, compared to the prog-fest thatÆs    █
            █  going on around them, they do seem a little         █
            █  lacklustre. BabbÆs Bach is SteveÆs humble attempt   █
            █  to achieve something similar to tracks from         █
            █  æSwitched On BachÆ by Walter Carlos and just feels  █
            █  throwaway. It is immediately followed by And Then   █
            █  She Sighed which feels like a pastiche of any       █
            █  medieval tune, admittedly with excellent vocals     █
            █  from Laura Lindstrom Davis and a Girls Choir of     █
            █  Allison Savard, Kaytie Mitchell and Kendra Roden.   █
            █  You are brought out of any stupor by the excellent  █
            █  80Æs synth-rock of Eiger Dreams, a charismatic and  █
            █  compelling track that bears comparison to Giorgio   █
            █  Moroder in my humble opinion. If you have seen the  █
            █  bandÆs æLive At The TivoliÆ DVD then you may        █
            █  recall this is the opening track. Included here is  █
            █  the never-before-released studio version recorded   █
            █  (or at least mixed) in 2008.                        █
            █  Now onto another favourite on the album,the bandÆs  █
            █  cover of the Beatles track ItÆs All Too Much is     █
            █  great slice of prog-rock infused AOR music that     █
            █  has you rocking in your seat with its energy,       █
            █  dynamism and hooks. SteveÆs funky bass drives the   █
            █  track along, aided by swathes of FredÆs potent      █
            █  keyboards and the familiar vocals of the classy     █
            █  Susie Bogdanowicz. With a nod to a Steve HillageÆs  █
            █  version, the song was recorded during sessions for  █
            █  æThree Cheers For The Broken HeartedÆ in 2009. It   █
            █  was used as an encore piece for a few live shows,   █
            █  but never released. Here Steve and Fred replaced a  █
            █  pipe organ with a Hammond organ and the bass line   █
            █  with something a little more fitting than Steve     █
            █  had originally done. A track that I can only        █
            █  really describe as æGlass Hammer do SabbathÆ,       █
            █  Troll is dark and deliciously dangerous. Steve      █
            █  describes it as:                                    █
            █  ôPartly about recording a track with a              █
            █  super-fuzzed-out bass guitar. It was also partly    █
            █  about letting off some steam regarding the trolls   █
            █  who inhabited certain progressive rock internet     █
            █  forumsàö                                            █
            █  It features some incredibly angry guitar and        █
            █  keyboard playing and some amazing harmonica from    █
            █  Tim Starnes and is as far away from a typical       █
            █  Glass Hammer track as you could possibly get, I     █
            █  love it! SteveÆs final words on the song:           █
            █  ôWe have discussed recording more music in this     █
            █  vein, if only we thought our fans would let us get  █
            █  away with it!ö                                      █
            █  A Grain Of Sand brings you back down to earthy      █
            █  with its airy and laid back simplicity. Three       █
            █  minutes of delicate piano and Kamran Alan ShikohÆs  █
            █  graceful acoustic guitar layered with the           █
            █  minimalist hues of FredÆs keyboards. Recorded in    █
            █  2010 as a possible track for æIFÆ, you can          █
            █  certainly hear strains of If The Stars if you are   █
            █  paying attention. Jon DavisonÆs vocal track was     █
            █  lifted straight from that song as a matter of       █
            █  fact. The next song is another powerful and         █
            █  dominant piece of progressive rock. Cool Air is an  █
            █  enigmatic and serious track which seems to have     █
            █  some real tension bubbling underneath. Steve        █
            █  explains:                                           █
            █  ôEver the Lovecraft fan, I readily agreed to work   █
            █  on this track for its ultimate inclusion on a       █
            █  Colossus (Finland) Lovecraft-themed album. We       █
            █  chose the tale Cool Air, one of the more gruesome   █
            █  stories and one I thought we might easily set to    █
            █  music and lyric. Recorded in 2012, my son, who was  █
            █  only ten at the time, joined me in the studio for   █
            █  a sound effects session. Fred wrote the music and   █
            █  I wrote the lyrics, with much help from the         █
            █  original text of the story, of course!ö             █
            █  I wasnÆt a big fan of the vocals when I first       █
            █  heard it but repeated listens have shown me that    █
            █  they fit this dark and eerie tale perfectly.        █
            █  Disturbing and sinister in parts, it creeps under   █
            █  your skin and becomes quite addictive, like a       █
            █  horror film that you canÆt take your eyes off.      █
            █  Doctor Who for the more cerebral of us perhaps?     █
            █  The Impulsive Type is a more straightforward rock   █
            █  infused track and reminds me of Frost* or even      █
            █  Rush with itÆs catchy chorus, edgy, staccato        █
            █  guitars, stylish rhythm section and Carl Groves     █
            █  polished vocal performance. Was that Rush I said?   █
            █  well Steve explains all:                            █
            █  ôIn 2014 Dave Kerzner of Sonic Reality asked us to  █
            █  perform a track with Neal Peart. WhatÆs that you    █
            █  say? Well, actually it was a request to write a     █
            █  song on top of NealÆs drum tracks that were         █
            █  recorded during the making of Sonic RealityÆs       █
            █  ôNeal Peart Drumsö sample library. The tracks you   █
            █  hear are live drum tracks however, not the          █
            █  samples. Was it possible to write a song over       █
            █  NealÆs tracks without it sounding Rush-influenced?  █
            █  No. Enjoy!ö                                         █
            █  The album closes with a fantastic live rendition    █
            █  of No Mans Land (from the 2016 album æValkyrieÆ)    █
            █  recorded at The Camp House in May 2017.  A fan      █
            █  favourite from its first release, it is utterly     █
            █  involving and enthralling as a live track and       █
            █  finishes this stellar collection on quite a high.   █
            █  Another archive release for those completist fans   █
            █  then? Absolutely not!! æUntold TalesÆ is an         █
            █  excellent collection of rarities that has lots of   █
            █  appeal, both to the dedicated Glass Hammer fan and  █
            █  those new to this exceptional outfit, a group of    █
            █  musicians who are definitely one of the best        █
            █  progressive rock bands around today.                █
            █                                                      █
            █  Line-up:                                            █
            █  Steve Babb - keyboards, bass, percussion, vocals    █
            █  Fred Schendel - keyboards, guitars, drums,          █
            █  percussion, vocals                                  █
            █  Kamran Alan Shikoh - guitars (10-13)                █
            █  Aaron Raulston - drums (13)                         █
            █  Susie Bogdanowicz - vocals (8, 13)                  █
            █  Walter Moore - vocals, drums (3, 4)                 █
            █  Jon Davison (Yes) - vocals (11), backing vocals     █
            █  (10)                                                █
            █  Carl Groves (Salem Hill) - vocals (12)              █
            █  Laura Lindstrom - vocals (6)                        █
            █  David Wallimann - guitars (7)                       █
            █  Matt Mendians - drums (7)                           █
            █  David Carter - guitars (4)                          █
            █  Randall Williams - drums (11)                       █
            █  Neil Peart - drums (12)                             █
            █  Tim Starnes - harmonica (9)                         █
            █  Jon Michael Babb - sound effects (11)               █
            █  Allison Savard, Kaytie Mitchell, Kendra Roden -     █
            █  girls choir (6)                                     █
            ▓                                                      ▓
            ▒                                                      ▒
            ░  1.  Shadows of the Past 2008                  2:25  ░
            ░  2.  Infusion                                  3:16  ░
            ░  3.  Identity Principle                       12:38  ░
            ░  4.  Hold Your Head Up                         4:17  ░
            ░  5.  Babb's Bach                               3:18  ░
            ░  6.  And Then She Sighed                       1:59  ░
            ░  7.  Eiger Dreams                              2:23  ░
            ░  8.  It's All Too Much                         4:36  ░
            ░  9.  Troll                                     5:03  ░
            ░  10. A Grain of Sand                           2:58  ░
            ░  11. Cool Air                                  9:44  ░
            ░  12. The Impulsive Type                        4:38  ░
            ░  13. No Man's Land Live                       14:44  ░
            ░                                               71:59  ░
         ░  ▒                                                      ▒
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Files

PathSize
00-glass_hammer-untold_tales-2017.jpg230,26 KB
00-glass_hammer-untold_tales-2017.m3u460 B
00-glass_hammer-untold_tales-2017.sfv590 B
01-glass_hammer-shadows_of_the_past_2008.mp34,24 MB
02-glass_hammer-infusion.mp35,59 MB
03-glass_hammer-identity_principle.mp324,26 MB
04-glass_hammer-hold_your_head_up.mp38,15 MB
05-glass_hammer-babbs_bach.mp35,60 MB
06-glass_hammer-and_then_she_sighed.mp33,37 MB
07-glass_hammer-eiger_dreams.mp34,37 MB
08-glass_hammer-its_all_too_much.mp38,43 MB
09-glass_hammer-troll.mp39,53 MB
10-glass_hammer-a_grain_of_sand.mp34,86 MB
11-glass_hammer-cool_air.mp317,48 MB
12-glass_hammer-the_impulsive_type.mp38,49 MB
13-glass_hammer-no_mans_land_live.mp325,34 MB
glass_hammer-untold_tales-2017.nfo18,20 KB