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street date: 00.00.0000 rip date: 22.09.2005
artist : Max Romeo
title : Crazy World Of Dub
year : 2005
genre : Reggae
label : Jamaican Recordings
cat-nr : JRCD021
website : http://www.jamaicanrecordings.com
ripped by : TEAM YARD
quality : VBR 44,1 Joint-Stereo
tracks : 14
length : 47:31 min
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nr. song title length
01 ethiopian anthem 02:57
02 dis dub nhu free 04:01
03 crazy world of dub 04:09
04 dub trouble 03:12
05 dub down rome 03:46
06 dub for moses 03:17
07 dubbing dangerously 03:09
08 take dub serious 03:58
09 dub ganja 03:39
10 love thy dub 03:33
11 the dub clock 02:19
12 dis ya dubwise, keep you moving 03:16
13 can't hide from dub 02:29
14 dub forever 03:46
... . .
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Recorded at Randy's Studio 17, Harry J', Channel 1 & Dynamic
Studio's
Voiced at King Tubby's
Produced by;Bunny Lee
Musicians:
Carlton Santa Davis - Drums
Robbie Shakespeare - Bass
Earl Chinna Smith - Lead Guitar
Tony Chin; Winston Bo Beep - Rhythm Guitar
Winston Wright - Organ
Robbie Lynn - Keyboards
Tommy McCook - Tenor Saxophone
Bobby Ellis - Trumpet
Deadly Headley Bennett,Vin Gordon - Trombone
Max Romeo is blessed with one of the great roots voices to
come out of the 1970's Reggae Music scene. His work with the
cream of Jamaica's producers is testament to this.
Born Max Smith on the 22nd November 1944,St Ann,Jamaica. His
first musical adventure was part of the vocal trio group The
Emotions, alongside Lloyd Shakespeare and Kenneth Knight.
Their first sessions were cut at W.I.R.L. studios in 1967,
producing a hit in the form of '[Buy You] A Rainbow'. Later
to be followed with 'I Don't Want to Let You Go', 'I Can't
Do No More' and 'Rude Boy Confession'. These hits were cut
for Blonel Calnek who ran the Caltone label, then when he
moved in 1968 to America, he introduced the group to his
then protege Edward 'Bunny' Lee. Max cut some solo tracks
with Bunny Lee,'Put Me in the Mood', 'My One Girl' and 'Walk
into the Dawn', which unfortunately were not commercial
successes. It was around this time Max somewhat reluctantly,
voiced a tune over Derrick Morgan's 'Hold You Jack' rhythm
that would become Max's biggest hit 'Wet Dream'.It reached
No10 in the British Charts in 1969, and stayed their and
around for 26 weeks.Its possibly lewd message,anchored the
singer for sometime.
In many ways this would provide a reference point to people
regarding Max's career.His output in 1971 would provide the
cynics,with classic cuts in his more favoured roots
style.Such hits as 'The Coming of Jah', 'Aily & Ailaloo',
'Beardman Feast' & 'Rasta Bandwagon' were cut for producer
Winston 'Niney' Holness, showing great promise of things to
come.
1972 would see Max's 'Let the Power Fall on I' tune being
used by the PNP [Peoples National Party] in their election
campaign. In 1975 his self produced 'Revelation Time' set
was to prove another strong album.
His work with producer Lee Perry would produce strong cuts
like 'Public Enemy No1' and lead through to 1975's local hit
'Three Blind Mice', culminating in the mighty 1976 album
'War Ina Babylon', One of the best roots albums of the
1970's.
Max's relationship with Bunny Lee continued throughout this
period , when he was producing some of his best work. We
have unearthed from the master tapes some classic lost cuts
alongside some great unreleased material. Recorded when he
was at the height of his creative powers and when his heavy
roots message was at its most prevalent.
Max's wide and varied career would also see him move to New
York and record material for the Wackies label and where he
become involved in the ill fated musical 'Reggae'. Before he
returned once more to Jamaica. We hope this slice of 1970's
magic will be put alongside his finest moments as we believe
they deserve....
Respect Jah Floyd.
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